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Men fight too, but we don’t refer to them as dog fights, says Huma Qureshi

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Men fight too, but we don’t refer to them as dog fights, says Huma Qureshi

According to Huma Qureshi, calling conflicts between males “dog fights” is misogynistic because men also engage in physical conflict. Currently, Huma is benefiting from the success of the second season of her well-liked online series, Maharani.

Double XL, which Huma is now working on with Sonakshi Sinha, is her upcoming project. The first image of both Huma and Sonakshi has been released, and the movie also stars Sonakshi’s rumoured boyfriend Zaheer Iqbal.

Huma told ETimes, “They are not rumours, people fight, but I believe catfights are such a patriarchal way of phrasing it. Men fight a lot more than women. We don’t refer to conflicts between men as “dog fights,” do we? People fight because they can’t stand one another; it’s not because of gender; sometimes some people don’t get along with one another. I believe that women are portrayed as competing with one another a lot more. Men, in my opinion, compete more. If you visit a gym, you will understand exactly what I mean. Everyone is just interested in examining each other’s bodies and has no interest in exercising.

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Speaking of her project with Sonakshi, Huma remarked that because Sonakshi is a close friend, making the movie was special and enjoyable. “Women are significantly more secure in our company than men, if I may say so without coming off as arrogant. I believe it will be very difficult to get two people to work on a movie because they would always be comparing their biceps. Women simply have a horrible reputation, in my opinion. Working with other girls is fun for me.

Huma has a number of intriguing projects planned. These include Dinesh Vijan’s Pooja Meri Jaan, Double XL, and a biopic on celebrated culinary writer and chef Tarla Dalal. She also has the Vasan Bala-directed Netflix original film Monica Oh My Darling.

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The creators of Pippa respond to criticism of AR Rahman’s rendition of the song Karar Oi Louho Kopat by Bengali poet Kazi Nazrul Islam

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The creators of Pippa respond to criticism of AR Rahman’s rendition of the song Karar Oi Louho Kopat by Bengali poet Kazi Nazrul Islam

In the realm of art, especially when it involves a beloved poet’s work, emotions run deep. The recently released rendition of Kazi Nazrul Islam’s timeless composition “Karar Oi Louho Kopat” by the legendary AR Rahman for the upcoming film Pippa has stirred discussions and, inevitably, some criticism. The creators of Pippa have chosen to respond, fostering an open dialogue about artistic interpretation, cultural sensitivity, and the collaborative spirit of creative endeavors.

A Musical Odyssey: AR Rahman’s Rendition

AR Rahman, a maestro in the world of music, took on the monumental task of interpreting Kazi Nazrul Islam’s iconic work for the soundtrack of Pippa. “Karar Oi Louho Kopat,” known for its profound lyrics and historical significance, is a piece of cultural heritage that resonates deeply with Bengali speakers worldwide. Rahman’s rendition, while undoubtedly a display of musical brilliance, prompted varied reactions from listeners, invoking discussions about fidelity to the original composition.

Navigating the Sea of Criticism: The Creators’ Response

In response to the criticism, the creators of Pippa have taken a nuanced approach, acknowledging the varied sentiments expressed by the audience. In an era where cultural appreciation and appropriation are delicate themes, the creators aim to engage in a respectful and insightful conversation with those who hold Nazrul’s work close to their hearts.

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The Art of Interpretation: Navigating Boundaries

Artistic interpretation is a complex dance, especially when traversing the revered creations of literary giants. Rahman’s rendition of “Karar Oi Louho Kopat” is not merely a cover but an interpretation, a reimagining that seeks to resonate with contemporary audiences while paying homage to the essence of the original work. The creators emphasize the intent of creating a bridge between generations, fostering a connection with Nazrul’s poetry through a modern lens.

Cultural Sensitivity and Collaboration

In a world that values cultural sensitivity, the creators of Pippa express their commitment to fostering collaboration and understanding. Rahman’s collaboration on this project is seen as a celebration of diversity and an effort to unite different artistic traditions. The goal is not to replace or diminish the original but to amplify its beauty for a new audience.

The Ongoing Conversation: A Celebration of Nazrul’s Legacy

As the conversation around AR Rahman’s rendition continues, the creators of Pippa invite fans, critics, and enthusiasts to share their perspectives. It is a testament to the dynamic nature of art, where diverse opinions contribute to a richer understanding of the creative process. The goal remains to celebrate the richness of Nazrul’s legacy and ensure that his timeless verses continue to resonate across generations.

Conclusion: A Melody of Unity

In the ever-evolving landscape of art and expression, the conversation sparked by AR Rahman’s rendition of “Karar Oi Louho Kopat” is an opportunity for unity. It is a chance for diverse voices to converge, creating a harmonious discourse that transcends geographical and cultural boundaries. As Pippa prepares to weave together the tapestry of history and contemporary expression, the creators invite everyone to be part of this collective journey, where the beauty of Nazrul’s poetry continues to be a guiding force in the ever-evolving symphony of creative interpretation.

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Entertainment News Platforms – anyflix.in      
Construction Infrastructure and Mining News Platform – https://cimreviews.com/
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Podcast Platforms – https://anyfm.in

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