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Nishikant Kamat, director of Drishyam and Madaari, dies at 50 due to multiple organ failure

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Nishikant Kamat, director of Drishyam and Madaari, dies at 50 due to multiple organ failure

Nishikant Kamat, the filmmaker who delivered successful films such as Madaari and Drishyam, died on Monday of multiple organ failure. Actor Riteish Deshmukh was among the first ones to inform the film industry about the director’s death as he tweeted, “I will miss you my friend. #NishikantKamat Rest In Peace.”

The director, who was suffering from chronic liver disease and secondary infections, was admitted to AIG Hospital in Gachibowli, Hyderabad on July 31. In a statement, the hospital said that Kamat was admitted on July 31 with complaint of fever and excessive fatigue. “It was diagnosed that he was suffering from Liver Cirrhosis for the past two years. Initially, we started antibiotics and supportive medications upon which Mr. Kamat showed improvement, but his condition soon deteriorated with progressive liver dysfunction and drowsiness. He was immediately shifted to the ICU, where his general condition gradually declined. Since yesterday, he developed respiratory failure and hypotension,” the statement read.

Ajay Devgn, who worked with the filmmaker in Hindi remake of Drishyam, tweeted, “My equation with Nishikant was not just about Drishyam, a film which he directed with Tabu and me. It was an association that I cherished. He was bright; ever-smiling. He has gone too soon. RIP Nishikant.”

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Condoling his death, actor Nimrat Kaur wrote, “Really sorry to learn of the untimely passing away of Nishikant Kamat. Heartfealt condolensces and prayers for all his loved ones.”

Randeep Hooda also shared grief on Kamat’s death. He wrote, “Farewell Nishi!! You lived and died by what you decided you loved more than anything else .. I’m sure you had no regrets about much .. thank you for all the movies, all the fun stories, warmth and smiles #NishikantKamat.”

In a statement on August 12, the medical facility had said that Kamat was hospitalised for jaundice and abdominal distention, and was diagnosed with chronic liver disease and other secondary infections. The hospital had described his condition “critical but stable”.

Kamat, 50, made his directorial debut with Marathi film Dombivali Fast in 2005. His Bollywood debut was Mumbai Meri Jaan, also starring Irrfan. Kamat also played the negative role in John Abraham-starrer Rocky Handsome in 2016, which he also directed. His biggest hit was Ajay Devgn-Tabu starrer Drishyam, which was a remake of the Malayalam movie of the same name.

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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