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On marriage age, RSS not with Govt: Social, not legal

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On marriage age, RSS not with Govt: Social, not legal

Ahead of the annual meeting of the top decision-making body, the RSS made it clear that it had a different view of the government’s proposed laws on the age of marriage for women, and believed these issues should be left to society to decide. She also believes that the hijab controversy is overblown and should be dealt with at the local level.

The two issues, along with other hot-button issues, are likely to be discussed during the Baithak Akhil Bharatiya Pratinidhi Sabha (ABPS) in Ahmedabad on March 11-13, RSS sources said.

The ABPS meets annually to assess the organization and its work and determine future courses of action. All senior leaders of RSS, representatives from all over the country, and more than 30 related organizations will be in attendance.

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“The age of marriage is being debated. There is a lot of opinion. In tribal or rural areas, people marry early. The government’s argument is (suppressing) education and (leading to) early pregnancy. But even the government doesn’t seem to be in a hurry to enforce it. The problem is the state To what extent should these things be intervened. Certain things should be left to society,” said a senior RSS leader​​​.

Sources said the idea of ​​lowering the marriage age to 18 for all was also shared with the government, but some social groups opposed it.

In December, the government introduced legislation aimed at raising the age of marriage for women from 18 to 21. Facing criticism from the opposition, the bill was sent to the parliamentary standing committee for further discussion.

Sources said Sanger had a similar view on spousal rape and believed it should be left to the family to decide how to deal with it.

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The RSS believes these two issues are at odds with its nationwide campaign to revitalize a culture of family bonding, which it says is under pressure from modern economic pressures and Western influences. The RSS runs a program called Kutumb Prabodhan, which sees the family as the most important unit in society and urges people to spend at least one day a week eating with extended family.

“There shouldn’t be a political discussion about this, but a social discussion. A helpless society demands the law on everything. A strong society must find solutions on its own. When government is reduced and governance is improved, society is also improved, ” said the RSS leader.

Sanger also believes that the recent controversy in Karnataka over the wearing of hijab in classrooms has been exaggerated. “While we see this as an attempt by the BJP to expand its sphere of influence, we think this matter should have been dealt with at the local level. That’s why Sanger is not going to move things forward. However, there is a constant search for ways to It is also not good to maintain religious identity,” the chairman said.

Complete News Source : The Indian Express

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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