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On Statue Blooper During Amit Shah

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On Statue Blooper During Amit Shah

Kolkata: A humiliating contention has emitted over a sculpture that highlighted noticeably during Union Minister Amit Shah’s visit to Bengal’s Bankura region on Thursday.

Mr Shah, on the first of a two-day visit to Bengal to launch BJP’s arrangements for Assembly decisions one year from now, was in Bankura to tap ancestral votes. The locale is essential for the ancestral overwhelmed Jangalmahal region of Bengal.

Mr Shah’s first stop was to wreath a sculpture of Birsa Munda, the amazing ancestral pioneer who battled for India’s freedom and was murdered at the youthful age of 25. Notwithstanding, ultimately, ancestral pioneers called attention to the BJP that the sculpture was not of Birsa Munda by any means, but rather an overall ancestral tracker.

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Understanding the violation of social norms, BJP quickly positioned a representation of the ancestral pioneer at the foot of the sculpture. Amit Shah showered petals at the sculpture and garlanded the picture.

After his visit he tweeted: “Paid botanical accolades for unbelievable ancestral pioneer Bhagwan Birsa Mundaji in Bankura, West Bengal today. Birsa Mundaji’s life was committed to the rights and upliftment of our ancestral sisters and siblings. His mental fortitude, battles and forfeits keep on moving… “

Presently, however, an association of ancestral pioneers – the Bharat Jakat Majhi Pargana Mahal – has announced itself furious about what they feel is an affront to Birsa Munda. Today, individuals from the neighborhood ancestral network apparently sprinkled Ganga water around the sculpture to “filter” it.

Mr Shah is in Bengal to electrify party pioneers and laborers and hone endeavors to wrest power from Ms Banerjee’s Trinamool. 200 of 294 seats – that is the objective the Home Minister set for his gathering during his blazing discourse yesterday.

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Pounding the platform in front of an audience at Bankura, Mr Shah stated: “… today I am stating this in Bankura that, with the endowments of Birsa Munda, BJP will come to control with in any event 200 seats.”

During his discourse yesterday he likewise asserted he could detect “enormous public resentment against the Mamata Banerjee government” and that the “demise toll” of her organization had been rung.

Framing the Bengal government has been a long-standing objective of the BJP – which has never administered the state – especially after a sharply battled crusade during a year ago’s Lok Sabha political race.

The BJP recorded solid additions in the parliamentary surveys, winning 18 seats (up from only two out of 2014) of 42 seats, and is currently a genuine danger to Ms Banerjee and her battle for a third consecutive term.

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Also Read : UGC ISSUES GUIDELINES ON REOPENING UNIVERSITIES, COLLEGES IN PHASES

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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