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Pakistan sees red after PM Modi’s remarks on Pulwama terror attack

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Pakistan sees red after PM Modi’s remarks on Pulwama terror attack

Pakistan on Saturday rejected what it known as Prime Minister Narendra Modi’s “insinuation” of its involvement withinside the Pulwama assault via way of means of alluding to comments made via way of means of a Pakistani minister in that u . s .’s parliament.
The announcement from its overseas ministry became in response to Modi’s comments that the reality at the back of the 2019 assault has been discovered after claims made in Pakistan’s National Assembly.
“After the neighbouring u . s . universal duty for the assault in its parliament, the proper nature of the those who resorted to unpleasant politics throughout our tough time has been uncovered. I request them now no longer to do such politics withinside the hobby of the nation,” Modi stated on Saturday throughout a two-day go to to Gujarat, in comments aimed toward the opposition.
On February 14 final year, forty soldiers had been killed in a suicide assault on a convoy of the Central Reserve Police Force (CRPF) via way of means of a member of the Pakistan-primarily based totally terrorist organization Jaish-e-Mohammed.
Pakistan’s technology and era minister Fawad Chaudhry on Thursday stated withinside the National Assembly that his u . s . had entered India and crushed it on its personal soil. “Hum ne Hindustan ko ghuss ke mara hai (We have entered and attacked India),” Chaudhry had stated.
But on Saturday, the Pakistan overseas workplace stated Modi’s comments “is a brazen try and twist the comments of the federal minister, who became regarding the befitting reaction given via way of means of the Pakistan Armed Forces in wide day mild to India’s ill-conceived misadventure of 26 February 2019, in violation of the UN Charter and worldwide law.”
It stated, “It is the BJP management’s incurable obsession with Pakistan that impels them to perpetually blame Pakistan for his or her personal failings and shortcomings.”
“Most notably, it’s been a element and parcel of the BJP’s electoral method to elevate the Pakistan ‘bogey’ withinside the try and galvanise voters’ aid, whilst searching for to divert public interest from their home and overseas coverage failures.”
“Pakistan firmly believes that the largest beneficiary of the February 2019 Pulwama assault became the BJP government, because it led to BJP’s landslide victory in Lok Sabha elections following their virulent anti-Pakistan electoral campaign,” it stated.
“On the opposite hand, to this day, India has did not offer any credible proof of Pakistan’s alleged involvement withinside the Pulwama assault.”
“The BJP regime is suggested, as soon as again, to prevent dragging Pakistan into India’s home politics, mainly on the time of elections in India,” it stated. “Instead of mobilising the citizens via stoking of anti-Pakistan sentiments, the BJP management might be well-suggested to win voter aid via way of means of demonstrating real overall performance in assembly the expectancies of the Indian people.”

Tap To Explore More : Hindustan Times

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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