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People produce movies for their friends to watch: Rakesh Roshan on the decline of Bollywood

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People produce movies for their friends to watch: Rakesh Roshan on the decline of Bollywood

According to Rakesh Roshan, a “huge chunk of the public” is no longer able to relate to the themes chosen by the filmmakers. In a recent interview, the seasoned actor and director, who turned 73 on Tuesday, discussed the reasons Bollywood movies were struggling at the box office. Rakesh Roshan also discussed how it was now exceedingly challenging to “become a superstar” because songs had lost importance in movies.

Songs are an essential component of movies, according to Rakesh, who has directed successful films like Kaho Naa… Pyaar Hai (2000) and Koi… Mil Gaya (2003), both of which starred his son, actor Hrithik Roshan. He added that Bollywood should take notes from “Pushpa or RRR” because “every song” from the pan-India films ‘became a craze’. He added that Bollywood filmmakers were trying to make ‘so-called modern cinema’ but it works with ‘only one percent of the population’.

Rakesh said to Bollywood Hungama, “People are making movies that they and their friends enjoy to watch, hence that’s why Hindi films aren’t doing well at the box office. They choose topics that only a very small portion of the audience will find interesting. A sizable portion of the audience cannot identify with it. Another significant issue is that the songs are leaving the movie. There were formerly 6 songs. The actors would become celebrities thanks to these tunes… Currently, it’s quite difficult to become a superstar. You hear Rajesh Khanna and Amitabh Bachchan’s music… Their songs used to be such a crucial component of the film, and they had a major impact on how successful their movie ended up being. Consider Pushpa or RRR for example. Each and every song became a craze. So, we should learn (from their success).”

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Rakesh added that, in contrast to Hindi films, Telugu and Tamil movies continued to offer “rooted storylines” in a “highly upgraded fashion,” all the while keeping in mind the “commercial sensibility.” Although Baahubali and RRR featured “beaten-to-death plots,” and Baahubali was strikingly similar to his 1995 film Karan Arjun, he claimed that these movies’ songs were “larger-than-life,” and as a result, “people were persuaded” to watch them.

Additionally, Rakesh mentioned how past movie promotions “began with songs” before the trailer was unveiled. The director continued, saying that the frantic and multi-city advertisements for recent movies “served no purpose.” He referred to it as “wasting money” and claimed there was “no point” in doing it. He continued, saying that if a movie’s teaser or trailer hadn’t been successful, “such promotional travels were unnecessary’. Rakesh also spoke about Bhool Bhulaiyaa 2, which was also heavily promoted, yet worked at the box office.

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Ali Fazal’s Heartbreaking Fear: The Mirzapur Risk That Almost Ruined Him

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Ali Fazal's Shocking Powerful Mirzapur Revelation

Ali Fazal is now a global giant, but his rise was fraught with danger. Before becoming the renowned, muscle-bound, gun-toting Guddu Pandit of Mirzapur, he faced a horrible crossroads. He was a rising star in Indian cinema, having previously charmed audiences with sweet, romantic, and Hollywood roles. Then, a dark, gritty script appeared on his desk. It was violent, raw, and utterly unprecedented in Indian streaming. The actor reportedly admitted that he was struck by extreme anxiety before signing the contract. The apprehension sprang not only from the prospect of playing a merciless mobster, but also from heated, frightening warnings from industry insiders.



The Ominous Warnings From Bollywood Insiders

When Ali Fazal first began discussing the role of Guddu Pandit, his industry colleagues were overwhelmingly unfavourable. Several filmmakers and instructors advised him against entering the gloomy realm of Mirzapur. OTT platforms in India were still in their early stages at the time. The established conventions of Bollywood mandated that a starring male should remain on the silver screen. Insiders warned him that producing a web series would be a major setback for his career. They cautioned him that portraying a foul-mouthed, violent character would forever damage his romantic hero image.


Gripped By Terror and Deep Self-Doubt

The actor was under intense psychological pressure. “I was scared at that time,” Ali Fazal confessed bluntly in a recent interview. He was scared that he was making a huge mistake. The character’s extreme ferocity necessitated a comprehensive physical and emotional redesign. He questioned if he could carry off such a threat without losing his current fanbase. The fear of failure loomed huge, prompting him to mistrust his artistic inclinations. Every piece of advise he received told him to abandon the project, leaving him feeling incredibly isolated.


Shattering the Traditional Hero Stereotype

Despite his enormous apprehension, something deep within Ali Fazal compelled him to take the plunge. He understood that the world of storytelling was changing rapidly. He chose to buck the traditional thinking of Bollywood hitmakers, who preferred safe, formulaic films. Stepping into Guddu Pandit’s shoes required him to entirely abandon his vanity. He gave in his elegant, clean-cut appearance for bulked-up muscles, a shaved head, and a limp. It was a violent rejection of the traditional hero stereotype that had held back Indian actors for decades.

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A Risk That Rewrote Indian Streaming History

The gambit came off in an unexpected way, surprising even his sharpest critics. Mirzapur’s release was not only successful; it also became a cultural phenomenon. Ali’s scary yet extremely empathic portrayal of a youngster trapped into a criminal life gripped audiences right away. The very filmmakers who had cautioned him away were now screaming his praises. His performance demonstrated that Indian audiences are hungry for nuanced, flawed individuals. He not only saved his career by embracing his innermost anxieties, but he also revolutionised what it means to be a celebrity in the digital age.


Embracing The Fear To Find Greatness

Looking back, Ali Fazal sees the moment of tremendous dread as a crucial trigger for his development. The event taught him that the most rewarding artistic successes are frequently hidden behind our worst fears. If he had followed the cautious, conservative recommendations of the industry elite, the world would not have witnessed Guddu Pandit’s brilliance. His journey serves as a striking example of trusting one’s creative intuition above industry gossip. For Ali, fear was no longer a call to retreat, but rather a clear indication that he was about to create something truly special.


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