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Prior to his suspected suicide, Jiah Khan had accused Sooraj Pancholi of abuse: Mother

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Prior to his suspected suicide, Jiah Khan had accused Sooraj Pancholi of abuse: Mother

Jiah Khan’s mother, Rabia Khan, testified before a Mumbai special court on Wednesday that her daughter had accused her then-boyfriend, actor Sooraj Pancholi, of verbally and physically abusing her months before to her suspected suicide in June 2013. Rabia started videotaping her evidence in front of a special judge in the case against Sooraj, who was arrested by the Central Bureau of Investigation (CBI) for aiding in suicide after Jiah passed away. Currently, he is free on bond.

Jiah Khan’s debut into Bollywood, her career, and her relationship with Sooraj Pancholi, according to information provided to the court by Rabia. According to her, the actor contacted Jiah over social media and insisted on meeting her. Jiah was originally “apprehensive and reluctant,” according to Rabia, but eventually consented to meet him.

According to news source PTI, Rabia stated in court that the two initially met in September 2012. “At that time she sent some images… to me it looked like they clicked and had mutual interest… However, Jiah informed me they were only friends in September. She stated that Sooraj “took over” Jiah’s daily routine, and by October 2012, the two had moved in together.

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When Rabia visited the couple in London in November 2012, she noted that Jiah appeared to be quite content. She claimed Jiah left for work in Mumbai after that and was meant to return to London for Christmas with her family, but she did not show up.

According to Rabia, Sooraj sent her a message on December 24, 2012. He claimed that after an argument with a buddy, he became upset with Jiah and that she (Jiah) ought to forgive him and give him another chance. Rabia testified in court, “At that moment, I noticed that the two had a serious fight.”


The two travelled to Goa after Jiah allegedly made the decision to give Sooraj another chance. Rabia noted that Jiah had mentioned in one of her phone calls that she was in an unfamiliar place and didn’t want to stay there. Rabia claimed, citing her chats with her daughter, that Sooraj allegedly used to shame Jiah in front of his friends by making out with other women while she was present.

On February 14, 2013, Rabia Khan claimed Jiah arrived unexpectedly in London and appeared dejected. Rabia claims Jiah informed her that Sooraj had verbally and physically attacked her and had also called her “filthy names.” On Thursday, Jiah’s mother will continue to give her testimony.

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Jiah is best known for her Amitabh Bachchan-starring movie Nishabd. Her mother discovered her body at her Mumbai residence on June 3, 2013. Aditya Pancholi and Zarina Wahab’s actor son Sooraj is currently out on bail. The Mumbai Police, who conducted the initial investigation into the crime, seized a three-page note on June 10, 2013, which the CBI claimed was authored by Jiah and detailed her suffering.

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The creators of Pippa respond to criticism of AR Rahman’s rendition of the song Karar Oi Louho Kopat by Bengali poet Kazi Nazrul Islam

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The creators of Pippa respond to criticism of AR Rahman’s rendition of the song Karar Oi Louho Kopat by Bengali poet Kazi Nazrul Islam

In the realm of art, especially when it involves a beloved poet’s work, emotions run deep. The recently released rendition of Kazi Nazrul Islam’s timeless composition “Karar Oi Louho Kopat” by the legendary AR Rahman for the upcoming film Pippa has stirred discussions and, inevitably, some criticism. The creators of Pippa have chosen to respond, fostering an open dialogue about artistic interpretation, cultural sensitivity, and the collaborative spirit of creative endeavors.

A Musical Odyssey: AR Rahman’s Rendition

AR Rahman, a maestro in the world of music, took on the monumental task of interpreting Kazi Nazrul Islam’s iconic work for the soundtrack of Pippa. “Karar Oi Louho Kopat,” known for its profound lyrics and historical significance, is a piece of cultural heritage that resonates deeply with Bengali speakers worldwide. Rahman’s rendition, while undoubtedly a display of musical brilliance, prompted varied reactions from listeners, invoking discussions about fidelity to the original composition.

Navigating the Sea of Criticism: The Creators’ Response

In response to the criticism, the creators of Pippa have taken a nuanced approach, acknowledging the varied sentiments expressed by the audience. In an era where cultural appreciation and appropriation are delicate themes, the creators aim to engage in a respectful and insightful conversation with those who hold Nazrul’s work close to their hearts.

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The Art of Interpretation: Navigating Boundaries

Artistic interpretation is a complex dance, especially when traversing the revered creations of literary giants. Rahman’s rendition of “Karar Oi Louho Kopat” is not merely a cover but an interpretation, a reimagining that seeks to resonate with contemporary audiences while paying homage to the essence of the original work. The creators emphasize the intent of creating a bridge between generations, fostering a connection with Nazrul’s poetry through a modern lens.

Cultural Sensitivity and Collaboration

In a world that values cultural sensitivity, the creators of Pippa express their commitment to fostering collaboration and understanding. Rahman’s collaboration on this project is seen as a celebration of diversity and an effort to unite different artistic traditions. The goal is not to replace or diminish the original but to amplify its beauty for a new audience.

The Ongoing Conversation: A Celebration of Nazrul’s Legacy

As the conversation around AR Rahman’s rendition continues, the creators of Pippa invite fans, critics, and enthusiasts to share their perspectives. It is a testament to the dynamic nature of art, where diverse opinions contribute to a richer understanding of the creative process. The goal remains to celebrate the richness of Nazrul’s legacy and ensure that his timeless verses continue to resonate across generations.

Conclusion: A Melody of Unity

In the ever-evolving landscape of art and expression, the conversation sparked by AR Rahman’s rendition of “Karar Oi Louho Kopat” is an opportunity for unity. It is a chance for diverse voices to converge, creating a harmonious discourse that transcends geographical and cultural boundaries. As Pippa prepares to weave together the tapestry of history and contemporary expression, the creators invite everyone to be part of this collective journey, where the beauty of Nazrul’s poetry continues to be a guiding force in the ever-evolving symphony of creative interpretation.

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