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RBI report: Doors could be finally open to large business houses to launch banks

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RBI report: Doors could be finally open to large business houses to launch banks

The big takeaway from the report of the Reserve Bank of India (RBI)’s internal working group (IWG) on ownership guidelines for private banks is the idea to permit large corporate and industrial houses to promote private banks.

In the past, the RBI has been in large part hesitant to allow large businesses promote banks.

In the preceding rounds, when the RBI had issued non-public financial institution licences, the banking regulator had authorised corporate homes to apply, however grew to become down their programs, and desired monetary establishments which had enjoy in banking transactions.The idea, however, comes with positive riders. According to the IWG recommendations, huge company/industrial houses can be allowed as promoters of banks most effective after important amendments to the Banking Regulation Act, 1949.

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This is geared toward stopping related lending and exposures among the banks and different monetary and non-monetary institution entities and strengthening of the supervisory mechanism for huge conglomerates, inclusive of consolidated supervision.

The different fundamental takeaway from the proposals is to permit huge non-banking monetary companies (NBFCs) to transform into banks. Well-run huge NBFCs, with an asset length of Rs50,000 crore and above, inclusive of the ones which might be owned through a corporate house, can be taken into consideration for conversion into banks, challenge to finishing touch of 10 years of operations and assembly due diligence standards and compliance with extra situations exact on this regard.

This too will assist many corporate homes going for walks NBFCs below their fold to come to be banks in the event that they want to do so.

The final time (2013-14) whilst the RBI invited programs for brand spanking new non-public banks, a bunch of corporates inclusive of Tata Sons; the Aditya Birla Nuvo, a part of the Aditya Birla conglomerate; L&T Finance Holdings, a part of India’s biggest engineering conglomerate Larsen & Toubro; Reliance Capital; and INMACS Management Services Ltd, which presents control consultancy, corporate finance, audit, tax, and legal advisory services, had implemented for permits.

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Only Bandhan and IDFC were given licences.

The IWG group has put lot of emphasis at the Non-operative Financial Holding Company (NOFHC) model. NOFHCs need to stay the desired shape for all new licences to be issued for ordinary banks. However, it need to be obligatory most effective in instances where the character promoters/selling entities/changing entities have other group entities, the institution has said.

While banks certified earlier than 2013 can also additionally pass to an NOFHC shape at their discretion, as soon as the NOFHC shape attains a tax-impartial status, all banks certified earlier than 2013 shall pass to the NOFHC shape inside 5 years from assertion of tax-neutrality, the document said.

Till the NOFHC structure is made feasible and operational, the issues in regards to banks project distinctive sports via subsidiaries/ joint ventures/pals want to be addressed via appropriate regulations. However, banks presently below the NOFHC shape can be allowed to go out from this kind of shape in the event that they do now no longer produce other institution entities of their fold.

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Also Read: BIGG BOSS 14: KAMYA PUNJABI COMPARES KAVITA KAUSHIK TO SIDHARTH SHUKLA, CALLS PAVITRA’S OUTBURST ‘JOKE OF THE SEASON’

Tollywood

HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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