Movie
Sai Pallavi and Rana Daggubati’s enthralling acting and climax make Virata Parvam a decent film
Sai Pallavi, Rana Daggubati, and others star in the film.
Venu Udugula is the director.
151 minutes of running time
2.5 out of 5
The audience member witnessing ‘Virata Parvam’ is immediately bombarded with conventional wisdom and cliches. Vennela (Sai Pallavi) is taught by her father, “Only two days in life are meaningful: the day we were born and the day we discover why we were born.” In the early days of the Internet, the quote was a fantastic viral E-mail. Then there’s Ravanna’s (Rana Daggubati) revolutionary poetry, whose lines are brimming with explosive passion but have lost their energy due to the continuous usage of stolen lingo in both folk traditions and mainstream culture.
Director Venu Udugula saves the most important scenes for the final act. The touching climax has a sad tone to it. Even so, if Ravanna’s character hadn’t been so poorly developed, this stretch could have been even more heartbreaking. He needs to express himself verbally by yelling at the top of his lungs. We understand he’s a Maoist. But why make Maoism synonymous with flamboyant poetry, Laal Salaam-ing, and loud declarations/denunciations?
Vennela is the author of the narrative. As a result, ‘Virata Parvam’ is the most heroine-centric novel about Naxal combat and the state’s retaliation. After secretly reading Ravanna’s illegal work, Vennela falls in love with him. She begins to fantasise of a life with him in the war-torn forest.
Ravanna is a mythic person in Vennela’s eyes, deserving of the reverence Mirabai lavished on Lord Krishna. She is a hopeless romantic who, in a predictable course of events, turns to romanticised Naxalism. If the conflict scenes between the Maoists and the police had been the ONLY unimaginative bits, ‘Virata Parvam’ would have been a forgivable film. Thankfully, even Vennela’s odd love for Ravanna isn’t staged with poetic fancy. The only thing that stops the love tale from becoming ridiculous and weak is Sai Pallavi’s magnificent performance.
Vennela’s surreal love affair with a man who is unaware of her existence has a frenetic quality to it. Even when he isn’t on screen, this man is expected to have a commanding presence. This idea needed a sprinkle of excellent writing because of its theatricality. Vennela’s transformation from a common girl to a rare lover girl should have been plausible. However, it comes across as straightforward and unsophisticated. Vennela’s willpower and capacity to battle in life-or-death situations aren’t credible either.
There are no visual highs in the battles between the radicals and the cardboard cops. Themes such as incarceration violence, police torture, and continual surveillance of suspects/villagers are brought up again and again. A top cop (played by Banerjee) introduces Mahabharata’s Virata Parvam to his boss in the middle of a meeting designed to devise an anti-Maoist strategy in an inadvertently amusing sequence. Try to figure out why he does it. To inform him of the need to hire a spy. Clearly, the boss never went to the police school.
The film has a habit of appearing pretentious when it comes to jargon related to or surrounding Maoists. ‘State phobia,’ for example, is thrown around with the glee of a kid learning about radicals for the first time. But these are small issues in comparison to how Ravanna is made to appear as if he needs life lessons from Vennela on one occasion. Isn’t it because he’s flawless that Vennela adores him?
Nandita Das’ character contributes to the plot, but Zarina Wahab’s mother will be remembered for the overly emotional interaction she has with her son. Naveen Chandra and Priyamani are passable, but Sai Chand, among the supporting cast, steals the show. The cinematography in the picture is outstanding. The BGM is adequate.
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Movie
Check Out The Cast, Story, and OTT Release of “In Good Hands 2” to Learn Everything There Is To Know About This Turkish Sequel
In Good Hands 2 OTT Release: As In Good Hands 2 prepares for its OTT premiere, get ready to witness a unique story about a father and his son. The delightful drama In Good Hands 2 is a follow-up to the original 2022 Turkish film of the same name. Over the past few years, Turkish content has gained a strong fan base in India, following the success of k-dramas. Turkish films and dramas are becoming increasingly popular among young Indians. Fans are eager to see the poignant examination of bereavement, emotional ties, and other topics, so they are asking questions in anticipation of the release of In Good Hands 2.
Cast & Story of In Good Hands 2
In Good Hands 2, a Turkish film directed by Ketche and written by Hakan Bonomo, follows the father and son through a difficult time as they adjust to life after a tragic loss.
Featuring Ezgi Senler and Çagdas Onur Öztürk in key roles, as well as Kaan Urgancioglu, Mert Eke Ag, and Asli Enver in the lead roles.
The film’s opening segment centred on Asli Enver’s character Melisa, a single mother, and her bond with her son Can. Sezen gives her 6-year-old son’s future to Firat (played by Kaan) after learning of her terminal illness.
The story of Firat-Can’s journey—how they come to terms with Sezen’s death and forge their own path—will be told in the sequel.
“A newly reunited father and son grapple with new beginnings after tragedy, but can they manage to fill the void left by a beloved wife and mother?” is the official synopsis of the film.
Date & Platform of In Good Hands 2 OTT Release: Where & When Can I Watch? Netflix’s direct-to-digital debut of In Good Hands 2 is scheduled for May 23, 2024! At 12:30 PM IST, the 98-minute film will be released on the aforementioned streaming service.
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