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Sukesh Chandrashekhar approached Jacqueline Fernandez through her hairdresser while he was incarcerated.

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Sukesh Chandrashekhar approached Jacqueline Fernandez through her hairdresser while he was incarcerated.

In June, Jacqueline Fernandez was questioned by the Enforcement Directorate on a money laundering case involving con artist Sukesh Chandrasekhar. According to a recent source, Sukesh first began speaking to Jacqueline from behind Tihar Jail in 2021.
Following the actor’s summons by the Enforcement Directorate (ED) in connection with a money laundering case involving imprisoned con artist Sukesh Chandrasekhar, Jacqueline Fernandez gained notoriety. Following the summons to provide a statement in the case, Jacqueline showed up at the ED headquarters in June. Sukesh and Jacqueline were purportedly seen together in advance of this, although the actor has denied dating him. A recent study describes how Sukesh initially communicated with Jacqueline from Tihar Jail in 2021.

According to the allegation, Jacqueline first ignored Sukesh’s messages to her. Sukesh eventually got in touch with the actor by way of her hairdresser. Sukesh apparently introduced himself as the owner of a jewellery company and a TV network. Additionally, he claimed to be ‘close’ to Amit Shah, the home minister. According to the report, Jacqueline admitted to investigators that she was unaware that Sukesh, who is suspected of money laundering in the amount of 200 crores, was contacting her from within the jail and questioned him as to why he avoided seeing her on occasion.

“She (Jacqueline) said he only saw her twice when he was on parole from jail. Chennai hosted one of these gatherings. Every time Fernandez requested a meeting, he would excuse himself by citing limitations imposed by Covid. In addition, Covid hit at this time, causing a lockdown. Then the pandemic’s second wave arrived. However, Sukesh Chandrasekhar frequently conducted video calls to Fernandez from the office he set up within Tihar jail, according to sources with the Enforcement Directorate (ED), who spoke to ThePrint.

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According to the report, Jacqueline also mentioned having read about Sukesh in the press once. When she enquired about it with their go-between, she was informed that he had been “implicated in a bogus case.” The middleman allegedly further informed her that all of this “keeps happening with large businessmen.”

Sukesh’s lawyer had before disclosed to the public that Jacqueline was dating him. Her affiliation with Sukesh, however, had been refuted by the actor’s management. She has made many appearances before the ED for interrogation, the most recent being on June 27. The agency attached the actor’s properties worth 7.27 crore rupees in April in the case that was filed under the PMLA (Prevention of Money Laundering Act), 2002. Jacqueline was prevented from boarding an aircraft to in December 2021.

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The creators of Pippa respond to criticism of AR Rahman’s rendition of the song Karar Oi Louho Kopat by Bengali poet Kazi Nazrul Islam

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The creators of Pippa respond to criticism of AR Rahman’s rendition of the song Karar Oi Louho Kopat by Bengali poet Kazi Nazrul Islam

In the realm of art, especially when it involves a beloved poet’s work, emotions run deep. The recently released rendition of Kazi Nazrul Islam’s timeless composition “Karar Oi Louho Kopat” by the legendary AR Rahman for the upcoming film Pippa has stirred discussions and, inevitably, some criticism. The creators of Pippa have chosen to respond, fostering an open dialogue about artistic interpretation, cultural sensitivity, and the collaborative spirit of creative endeavors.

A Musical Odyssey: AR Rahman’s Rendition

AR Rahman, a maestro in the world of music, took on the monumental task of interpreting Kazi Nazrul Islam’s iconic work for the soundtrack of Pippa. “Karar Oi Louho Kopat,” known for its profound lyrics and historical significance, is a piece of cultural heritage that resonates deeply with Bengali speakers worldwide. Rahman’s rendition, while undoubtedly a display of musical brilliance, prompted varied reactions from listeners, invoking discussions about fidelity to the original composition.

Navigating the Sea of Criticism: The Creators’ Response

In response to the criticism, the creators of Pippa have taken a nuanced approach, acknowledging the varied sentiments expressed by the audience. In an era where cultural appreciation and appropriation are delicate themes, the creators aim to engage in a respectful and insightful conversation with those who hold Nazrul’s work close to their hearts.

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The Art of Interpretation: Navigating Boundaries

Artistic interpretation is a complex dance, especially when traversing the revered creations of literary giants. Rahman’s rendition of “Karar Oi Louho Kopat” is not merely a cover but an interpretation, a reimagining that seeks to resonate with contemporary audiences while paying homage to the essence of the original work. The creators emphasize the intent of creating a bridge between generations, fostering a connection with Nazrul’s poetry through a modern lens.

Cultural Sensitivity and Collaboration

In a world that values cultural sensitivity, the creators of Pippa express their commitment to fostering collaboration and understanding. Rahman’s collaboration on this project is seen as a celebration of diversity and an effort to unite different artistic traditions. The goal is not to replace or diminish the original but to amplify its beauty for a new audience.

The Ongoing Conversation: A Celebration of Nazrul’s Legacy

As the conversation around AR Rahman’s rendition continues, the creators of Pippa invite fans, critics, and enthusiasts to share their perspectives. It is a testament to the dynamic nature of art, where diverse opinions contribute to a richer understanding of the creative process. The goal remains to celebrate the richness of Nazrul’s legacy and ensure that his timeless verses continue to resonate across generations.

Conclusion: A Melody of Unity

In the ever-evolving landscape of art and expression, the conversation sparked by AR Rahman’s rendition of “Karar Oi Louho Kopat” is an opportunity for unity. It is a chance for diverse voices to converge, creating a harmonious discourse that transcends geographical and cultural boundaries. As Pippa prepares to weave together the tapestry of history and contemporary expression, the creators invite everyone to be part of this collective journey, where the beauty of Nazrul’s poetry continues to be a guiding force in the ever-evolving symphony of creative interpretation.

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