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Terrorizing innocent people does not support the goal of a free Palestine. Gigi Hadid denounced the attack by Hamas on Israel.

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2 years ago

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Terrorizing innocent people does not support the goal of a free Palestine. Gigi Hadid denounced the attack by Hamas on Israel.

In a world fraught with complex geopolitical conflicts, the Israeli-Palestinian issue stands as one of the most enduring and deeply entrenched disputes. Recently, supermodel Gigi Hadid took a courageous step by denouncing acts of terrorism.

by Hamas and expressing the view that terrorizing innocent people does not advance the cause of a free Palestine. Her stance adds a fresh perspective to the ongoing conflict and highlights the importance of distinguishing between the pursuit of a legitimate political goal and acts of terrorism.

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The Ongoing Israeli-Palestinian Conflict

The Israeli-Palestinian conflict has persisted for decades, marked by violence, suffering, and broken ceasefires. It is a deeply rooted and sensitive issue that has claimed countless lives and inflicted suffering on both sides. The fundamental aspiration for peace, freedom, and self-determination unites many Palestinians and Israelis, but the methods employed to achieve these goals are subject to intense debate.

Gigi Hadid’s Denouncement of Hamas

Gigi Hadid, an international supermodel with Palestinian roots, expressed her disapproval of the actions of Hamas, the Palestinian militant group. In an Instagram post, she wrote, “I stand with Palestine, yet part of supporting the Palestinian people is putting an end to an organization that terrorizes a population for a political agenda. Hamas does both.”

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Her statement is a call for nuance and a plea for a more peaceful and constructive approach towards achieving Palestinian rights. By speaking out against acts of terrorism and targeting innocent civilians, Gigi highlights the importance of distinguishing between a legitimate political struggle and the use of violence as a means to an end.

The Importance of Distinguishing Political Goals from Terrorism

Gigi Hadid’s stance underlines the essential need to separate the legitimate aspirations of a free Palestine from acts of terrorism. While the Palestinian people’s struggle for statehood and self-determination is widely supported by the international community, the tactics used by some groups, such as Hamas, are subject to criticism due to their impact on innocent civilians.

Terrorism not only leads to unnecessary loss of life and suffering but also hinders diplomatic efforts to reach a peaceful resolution. Gigi’s denouncement serves as a reminder that the quest for peace, justice, and freedom through non-violent means, international diplomacy, and dialogue.

Promoting a Peaceful Path Forward

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Gigi Hadid’s bold statement can be seen as a call for a reevaluation of strategies and a commitment to achieving peace through dialogue, understanding, and compromise. The Israeli-Palestinian conflict is complex, and the way forward is challenging. However, peaceful efforts, rather than acts of terrorism, are more likely to lead to a just and lasting resolution that recognizes the rights and aspirations of both Palestinians and Israelis.

Supermodel Gigi Hadid has strongly condemned the recent attack by Hamas on Israel, stating that terrorizing innocent people does not align with the goal of a free Palestine. Hadid, known for her advocacy on various humanitarian issues.

Terrorism and Peace: Gigi Hadid Denounces Hamas’ Attacks on Israel

Gigi Hadid’s denouncement of Hamas’ acts of terrorism in the Israeli-Palestinian conflict underscores the importance of distinguishing between the legitimate political goals of the Palestinian people and the use of violence to achieve those goals. Peace and justice are universal aspirations, and addressing.

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the root causes of the conflict while rejecting acts of terrorism is essential for creating a path forward towards a peaceful coexistence and a free Palestine. Gigi’s courageous stance serves as a reminder that individuals from all walks of life can contribute to the ongoing global conversation on peace and human rights.

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Puneet Issar

Puneet Issar calls Ranbir’s Animal ‘amazing’, defends violent, alpha-male films: ‘Kya lesbian, gay par hi films banaye?’

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1 week ago

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April 29, 2025

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Puneet Issar calls Ranbir’s Animal ‘amazing’, defends violent, alpha-male films: ‘Kya lesbian, gay par hi films banaye?’

Puneet Issar, a veteran actor known for his role in Mahabharat, has criticised Bollywood for catering to niche urban audiences and not producing Alpha-male films like South Indian films. He defended alpha-male films like Pathaan, Animal, and Marco, which have received criticism for their violence and misogynistic tone. In an interview with Digital Commentary, defended.

Alpha-male films and discussed how South Indian films have been performing well, as they are not dominated by corporate interests in the way Bollywood is. He also pointed out that true mass entertainers such as Baahubali, RRR, Bajrangi Bhaijaan, Gadar, and Chhava are made for the Indian audience and reflect their tastes. Recently, Indian cinema has seen surgeaction.

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Films such as Pathaan, Animal, and Marco, but these films have also received criticism for spectrum of viewers their violence and misogynistic tone Puneet Issar, an actor, has praised Ranbir Kapoor’s film Animal for its success and argued that parallel cinema has a lesser reach than commercial cinema. He cited the success of films like Pushpa and RRR as examples of successful alpha.

Male films, stating that the South produces proper films that resonate with the masses. Issar also criticized a section of society criticizing violence and alpha-male themes in films, stating that it is not the kind of film that should be made. He argued that every kind of film should be made in the industry and that films connecting with emotions and values become true.

Blockbusters. Issar believes that success in the entertainment industry is based on merit, talent, connections, and nepotism, and that it depends on the individual. He has appeared in several notable films, including Chandra Mukhi, Prem Shakti, Ram Jaane, Border, Refugee, Krrish, Bachna Ae Haseeno, Ready, Son of Sardaar, and The Kashmir spectrum of viewers.

Veteran actor Puneet Issar recently lauded Ranbir Kapoor’s film Animal, describing it as “amazing,” and defended the portrayal of violent, alpha-male characters in cinema. In an interview with Digital Commentary, Issar expressed concerns about Bollywood’s current trajectory, suggesting that the industry has become disconnected from the broader Indian.

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Issar highlighted the success of South Indian films like Pushpa and RRR, attributing their mass appeal to their emphasis on strong male protagonists and emotional storytelling. He argued that such films resonate deeply with audiences across India, contrasting them with certain veteran actor known for his role in Mahabharat, has criticised Bollywood productions that, according to him, cater primarily to urban elites and often.

Addressing criticisms of violent and alpha-male themes, Issar questioned the industry’s focus, rhetorically asking whether films should exclusively center on topics like lesbian and gay spectrum of viewers relationships. He clarified that while he respects all communities, he believes that cinema underperform in wider markets should encompass a diverse range of stories that reflect the values and emotions of the general populace.​

Issar emphasized the importance of creating films that connect with the masses, citing underperform in wider markets audience by focusing on niche urban narratives examples like Baahubali, Gadar, and Bajrangi Bhaijaan as successful ventures that balanced entertainment with cultural resonance. He advocated for a cinematic approach that embraces both commercial viability and meaningful storytelling, ensuring that films appeal to a broad.

With a career spanning several decades, Puneet Issar is renowned for his portrayal of spectrum of viewers Duryodhana in B.R. Chopra’s Mahabharat and has appeared in numerous films, including Coolie, Border, Krrish, and The Kashmir Files. His recent comments contribute to the ongoing discourse on the direction of Indian cinema and the narratives it chooses to.

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