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The printed sharara that Janhvi Kapoor used to promote Good Luck Jerry is valued at ₹35,000

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The printed sharara that Janhvi Kapoor used to promote Good Luck Jerry is valued at ₹35,000

Actress Janhvi Kapoor recently began promoting her next film Good Luck Jerry. And her sartorial pronouncements have been nothing short of amazing thus far. The actress has been making waves for her edgy fashion choices, which range from luxury midi dresses to a corset top and trousers combination. The actress wore a deep blue printed sharara set for her most recent appearance to promote the film, and she looked as lovely as a summer song. It’s an excellent choice for your next family gathering. Continue reading to see Janhvi’s photos and learn how to recreate her style in your own closet.

Janhvi appeared in Mumbai on Monday to promote her film Good Luck Jerry. The singer was photographed by paparazzi in a beautiful bay area. She even posed for the photographers in a gorgeous sharara ensemble. The outfit is from designer Anita Dongre’s Ready to Wear line and can be found on her shelves.

According to Anita Dongre’s website, Janhvi Kapoor’s deep blue outfit was inspired by the sounds of rushing water and is made of earth-friendly cellulosic fibres that biodegrade back into nature. It’s called the Lagoona Set, and it costs $35,000 to add to your wardrobe.

The sharara set has a crop top, sharara leggings, and a long floor-grazing jacket in terms of design aspects. The entire outfit is embellished with delicate silver thread embroidery, white floral motifs, and light blue ombre designs, all of which remind us of warm summer days.

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The sharara pants have a low-rise waistline, a flowy silhouette, and a flared hem, while the cropped top has a large square neckline, thin straps, and a midriff-baring silhouette. Janhvi completed her look with a long-sleeved jacket put over her blouse and jeans. It has an ill-fitting fit, an open front, billowy sleeves, sagging shoulders, and a billowy front.

Finally, Janhvi completed her ensemble with strappy silver high heels, a statement ring, wine red nail polish, and silver jhumkis embellished with beads and diamonds. The glam options were center-parted open tresses, heavy mascara-adorned lashes, shimmery pink eye shadow, mauve lip tint, radiant complexion, and reddened cheeks.

 

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Bollywood

Vijay Deverakonda and Mrunal Thakur’s Family Star opens with a first-day box office collection of more than ₹5 crore in India.

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Vijay Deverakonda and Mrunal Thakur’s Family Star opens with a first-day box office collection of more than ₹5 crore in India.

The first day of Family Star’s box office collection features Vijay Deverakonda and Mrunal Thakur’s Telugu film, directed by Parasuram Petla.

The Telugu film Family Star, directed by Parasuram Petla, has collected an estimated ₹5.75 crore nett in India on its first day of box office collection, marking an impressive opening day for the film.

Family Star reported a 38.45% Telugu occupancy on day 1, with Warangal having the highest occupancy (57.5%), followed by Visakhapatnam and Kakinada (56.75% each).

About Family Star

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Parasuram Petla’s Family Star marks Vijay and Mrunal’s first collaboration, featuring a cast including Abhinaya, Vasuki, Rohini Hattangadi, Ravi Babu, and Divyansha Kaushik’s special appearance.

Govardhan Rao, the youngest brother of Vijay, manages his family’s finances while being cautious. However, when Mrunal’s Indu rents a part of his home, his life changes.

Family Star review

The Hindustan Times’ review of the movie Family Star, starring Vijay Deverakonda and directed by Parasuram Petla, suggests that the film struggles to make a mark or entertain, with issues reminiscent of Geetha Govindam (2018). The film tests patience and fails to maintain interest as it progresses.

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The review criticizes the plot of Family Star, stating that it is thin and defies logic, making it difficult to enjoy. It also suggests that the film’s portrayal of middle-class life is caricaturish, as if it was written by someone unfamiliar with the realities of such a life.

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