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TV Anchor Arnab Goswami Gets Interim Bail From Supreme Court In Abetment To Suicide Case

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TV Anchor Arnab Goswami Gets Interim Bail From Supreme Court In Abetment To Suicide Case

Republic TV’s Arnab Goswami has been allowed interval bail by the Supreme Court in a 2018 abetment to self destruction case. He and two others were captured a week ago regarding the self destruction of designer Anvay Naik and his mom.

A two-judge seat of Justices DY Chandrachud and Indira Banerjee pulled up the Maharashtra government over the TV anchor’s capture as they heard the request through video conferencing.

“In the event that we as an established court don’t set down law and secure freedom, at that point who will,” the Supreme Court said during the consultation.

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“The casualty is qualified for plan of action as in appropriate and reasonable test,” the adjudicators dominated.

The Supreme Court said Arnab Goswami must help out the test. The court additionally said the arrival of the three must not be deferred by two days and solicited them to outfit bonds from Rs 50,000.

The consultation comes two days after the Bombay High Court turned down Mr Goswami’s request against his capture and the resuming of the case. The High Court said the writer could take his bail demand go to the lower court, which needed to choose inside four days.

Today, the Supreme Court had some intense words for the Maharashtra government over the TV anchor’s capture last Wednesday.

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As per the Mumbai police, Anvay Naik, who planned the arrangements of Republic TV, had left a self destruction note accusing Mr Goswami and two others for levy he asserted had not been paid to him.

The case was shut two years prior, with the police refering to absence of proof. It was resumed as of late on the solicitation of Mr Naik’s family, the police said.

In court, the police and the Maharashtra government said it was the obligation of the state to secure the person in question (Naiks).

The Supreme Court addressed whether not settling up cash added up to abetting self destruction and asked: “Assuming tomorrow, an individual ends it all in Maharashtra and accuses the administration, at that point will the Chief Minister be captured?”

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Equity Chandrachud said governments should “overlook insults on TV” as our vote based system may be “exceptionally versatile”, alluding to Mr Goswami’s analysis of the Maharashtra government.

“However, the appropriate response is basic. On the off chance that you don’t care for a channel, at that point don’t watch it… whenever left to me, I don’t watch the channel and you may contrast in philosophy, however on the off chance that protected courts don’t meddle today, we are venturing to every part of the way of decimation unquestionably,” said the adjudicator.

“On the off chance that state governments target people, they should acknowledge there is a peak court to ensure freedom of residents… We should communicate something specific today to the high courts also. If it’s not too much trouble practice your ward to maintain individual freedom,” the court said.

The top court saw that preliminary courts and High Courts don’t give bail in issues of individual freedom. “The cases at that point flood to the Supreme Court which is now troubled with remaining task at hand,” it said.

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Mr Goswami’s legal counselor Harish Salve had contended in the conference: “Is Arnab Goswami a fear based oppressor? Are there any homicide allegations on him? For what reason wouldn’t he be able to be given bail?”

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Also Read : 44,879 NEW CASES OF COVID-19 RECORDED IN INDIA IN LAST 24 HOURS

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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