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Twitter’s Parag Agrawal is youngest CEO in S&P 500

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Twitter’s Parag Agrawal is youngest CEO in S&P 500

Twitter’s Parag Agrawal will replace founder and CEO Jack Dorsey (Jack Dorsey) and is now the youngest CEO in the S&P 500 Index. Zuckerberg).

However, Agrawal is 37 years old, the same age as Mark Zuckerberg. According to Bloomberg News, Twitter did not disclose Agrawal’s date of birth for security reasons, but stated that he was born in 1984, later than Zuckerberg’s birthday on May 14.

“I don’t think the age issue is a big deal, especially for companies like this. This may be an advantage,” Stanford University Business School professor David Laquer who studies CEO performance told Bloomberg. The 45-year-old Dorsey is already one of the dozen youngest CEOs of the largest companies in the United States.

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“In fact, Dorsey is withdrawing from the board, so he will not be like the shadow CEO, he must have real confidence in him,” Lacker added.

According to data compiled by Bloomberg, Berkshire Hathaway CEO Warren Buffett, 91, is the oldest CEO in the S&P 500. The data shows that the average age of CEOs in the 500 largest companies is about 58 years old. Spencer Stuart, an executive recruiter measured by data from S&P 500 companies, has shown in the past 20 years that the age of CEOs is young but has grown steadily. The average age of the S&P 500 directors is 63 years old. Stuart.Parag Agrawal was a technologist at Twitter before being appointed as the CEO of the platform, and is now the latest Indian to lead the American tech giant.

Parag Agrawal received his computer science and engineering education at Mumbai Institute of Technology, India, and received his Ph.D. from Stanford University in California. He joined Twitter in 2011. He became its CTO in 2017. As the company’s technical director, he is responsible for overseeing machine learning and artificial intelligence, as well as the company’s broad technology strategy. Agrawal is also the person in charge of the company’s “Bluesky” promotion, which aims to create a more open and decentralized standard for social media.

“I know some of you know me well, some only know me a little bit, and some don’t know me at all,” Agrawal said in an email to a Twitter employee based in San Francisco.

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News Source : Hindustan Times

Tollywood

HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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