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Why Priyanka Chopra is the first and only global film star from India: A birthday special

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Why Priyanka Chopra is the first and only global film star from India: A birthday special

It’s time to recognise Priyanka Chopra for successfully establishing her place in the film industry in the West, where she has been by far India’s most successful export.

Priyanka Chopra was at the height of her career at home in February 2015 when she agreed to star as the protagonist in the ABC thriller series Quantico. She recently appeared in the critically acclaimed and financially successful Mary Kom, and in the upcoming months, Dil Dhadakne Do and Bajirao Mastani will also be released. Despite this, Priyanka made the controversial decision to virtually leave Mumbai for Hollywood in 2016. Since many Indian performers had attempted it, almost none had succeeded. Priyanka didn’t, though. She has been steadily establishing herself as India’s first really international star in addition to succeeding in carving out a name for herself in Hollywood.

Priyanka turns 40 on Monday. This would have signalled the start or end of an Indian heroine’s career in any other era. However, a glance at Priyanka’s next ventures suggests that she might only be getting started. She stars as the lead in It’s All Coming Back to Me, a popular romantic drama, as well as Citadel, an ambitious science fiction series on Amazon Prime Video. As opposed to some of her earlier roles, these are not bit parts. Additionally, these are hardly modest productions. So how, in just seven years, did Priyanka arrive here? In order to comprehend that, it will be necessary to first examine the environment Indian actors encountered in Hollywood.

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Other than Priyanka, Indian actors in the West can broadly be divided into two groups: stars who occasionally appeared in cameos or strove to break onto the scene as leads, and character actors who were frequently visible but rarely played the lead. Examples of the former are Rajinikanth (Bloodstone), Amitabh Bachchan (The Great Gatsby), and Dhanush (The Gray Man). There is no shortage of those who fit this description, from Naseeruddin Shah and Kabir Bedi to Om Puri and Amrish Puri. Irrfan Khan and Aishwarya Rai were two actors who achieved long-term mainstream success in Hollywood. However, Priyanka has moved in front of both of them.

Aishwarya’s Hollywood career started with a crossover part in Bride and Prejudice, then Pink Panther 2 gave her the greatest role of all as the bad guy. Not completely unsuccessful, but nothing really noteworthy. In numerous respects, Priyanka has already exceeded her senior. One is that Aishwarya has never worked on a project as large as Citadel or The Matrix Resurrections. She also never served as the face of a popular television show like Quantico. Of course, Irrfan was able to accomplish the first one more frequently than Priyanka. He appeared in the Jurassic Park films, Amazing Spider-Man, and even had a bigger part in Life of Pi. Citadel, though, is where Priyanka surpasses even Irrfan’s illustrious career in the West.

For those who are unaware, Citadel is a vast and enormous sci-fi series produced by Amazon Prime Video with a per-episode budget that exceeds even that of Game of Thrones. Along with Priyanka, it also features Robb Stark Richard Madden from Game of Thrones. She is the face of this genuinely worldwide programme. No Indian actor has ever worked on a project this size or played such a significant part. She is undoubtedly the first Indian global star in terms of fame and body of work.

And Priyanka deserves praise for the course she chose in this situation. Character performers can easily find employment in Hollywood. In larger films, they effectively play the same roles. But with celebrities, it’s different. Indian actors are leery of undermining foreign actors in the West while they rule over there. Priyanka had no such reservations, which helped her get to where she is now—where she doesn’t have to take second place and where The Matrix Resurrections’ producers refer to her as a star despite the fact that she only has a 10-minute cameo. That is only a result of Priyanka Chopra’s current sales.

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Many people had the chance to make the transition before her. In Lawrence of Arabia, Dilip Kumar infamously turned down a supporting part that might have helped Omar Sharif gain recognition in the West. According to reports, Amitabh Bachchan’s pay was too exorbitant at the time for him to be convinced to work on Passage to India. For a supporting role in The Expendables more recently, Ajay Devgn declined to spend a year in the US, and Deepika Padukone decided to concentrate on Happy New Year rather than Fast and Furious 7. These actors all made sensible decisions. When a significant Hollywood project came their way, they were each at the pinnacle of their careers, but they chose to stay in Bollywood.

In contrast, when Priyanka began her career with a network television show and later played a villain in Baywatch, she took a higher risk. Her capacity for taking chances sets her apart from previous Indian actors. Many claim that she went to Hollywood since there weren’t enough roles for her at home. Whatever the reasons, Priyanka succeeded because she gave it her best shot. Many other Indian celebrities have been unwilling to leave their safety cocoon, yet she did. And it’s high time we treated her with the deference she merits for her incredible journey.

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Kunal Kemmu Reveals Crucial, Heartbreaking Struggle of Being Jobless

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Kunal Kemmu Reveals Crucial, Heartbreaking Struggle of Being Jobless

The glamour and glamour of Bollywood can mislead us to the hard, cold reality that lies behind the velvet curtains. We see the flashing cameras, beautiful attire, and thunderous ovation, but we rarely see a gifted artist’s quiet anguish as he waits for the phone call.

Recently, the immensely adaptable Kunal Kemmu shattered this shiny façade by revealing a terribly difficult period in his career. Despite his established acting talent and irresistible charm, the actor disclosed a heartbreaking truth that many in the creative business covertly face.

He openly discussed being unemployed for six months to a year. This devastating revelation serves as a sharp reminder that in the entertainment industry, success is dangerously transitory and rejection is an ever-present shadow.

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The Toxic Illusion of Industry Advice

When a picture fails to do well at the box office, the implications for an actor can be swift and severe. Kunal Kemmu described how a single project’s failure entirely halted his momentum, severing a blossoming career and leaving him stuck at home.

During this dark and alienating era, well-meaning strangers and business insiders raced to offer him advice. However, the nature of this advise emphasises the superficial, performance mentality that pervades the entertainment industry.

Instead of being told to improve his skills or patiently wait for a story that matched his talent, he was subjected to odd societal demands. People sincerely recommended him to hire aggressive public relations personnel, hold lavish parties, network tirelessly, and give expensive presents to key persons in order to remain relevant.


Rejecting the Performative Circus

For an actor who has always prioritised depth above theatrics, this trite counsel felt completely out of place. Kunal Kemmu said that, while such transactional approaches may work for some people, they do not accord with his underlying principles.

The strain to play an off-camera role can be just as stressful as presenting a complex character on stage. Kunal chose not to participate in the superficial lifestyle of mailing gifts or throwing fictitious gatherings only to get a film role.

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Instead of feeding a frantic public relations narrative, he chose to maintain his personal dignity while emphasising his artistic ability. This modest disregard of industry standards demonstrates the enormous mental strength required to endure the unpredictable nature of Indian cinema.


The psychological toll of being creative while unemployed is a significant problem that few celebrities openly mention. Kunal Kemmu did not hold back while recounting the extreme uneasiness and paralysing worry that overwhelmed him throughout his year-long forced leave.

When you are entirely out of employment, a corrosive loop of self-doubt will inevitably take over your head. The actor admitted to continually worrying if he’d ever get the opportunity to appear in front of a camera again.

This great vulnerability reveals a universal reality about the performing profession. Whether you are a famous superstar or a struggling newbie, the frightening unpredictability of the entertainment industry spares no one.

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The Actor’s Ultimate Dilemma

Aside from the emotional discomfort, a protracted lack of work throws an artist into a corner, posing a significant ethical quandary. Actors are constantly torn between waiting for high-quality scripts and accepting substandard assignments solely for financial survival.

Kunal Kemmu acknowledged the agonising struggle that most creative professionals undergo at certain stages in their careers. The fear of being forgotten by the public drives many artists to make significant compromises to their artistic integrity.

It takes a lot of patience and self-belief to say no to subpar job when your calendar is empty. Kunal’s tale demonstrates that following your intuition can be extremely painful but eventually beneficial.


Embracing the Ever-Changing Acts of Life

Today, Kunal Kemmu is experiencing a stunning professional renaissance, juggling acting commitments, hosting a major reality program, and celebrating directing success. Nonetheless, he remains delightfully grounded, acutely aware that the current spotlight is not certain to last forever.
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He sees his career as a long film that unfolds brilliantly through distinct acts, rather than a constant apex. This realistic viewpoint enables him to enjoy his current hectic schedule without getting arrogant or complacent.
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Kunal has brought consolation to other artists who are going through their own silent challenges by revealing his difficult period of unemployment. His narrative demonstrates that genuine genius does not require transactional gifts or contrived parties to achieve its proper position in the light.


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