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Review of The Nambi Effect, Madhavan’s directorial debut, which flies to great heights gradually

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Review of The Nambi Effect, Madhavan’s directorial debut, which flies to great heights gradually

This biography, which is based on the life of Nambi Narayanan, one of India’s first rocket scientists, details his accomplishments, crazed passion for the nation’s space mission, unmatched dedication, and the accusation that ultimately led to the biggest personal and professional setback of his life.
Nambi Narayanan, a top scientist for the Indian Space Research Organization (ISRO) and recipient of the Padma Bhushan award, has had such an adventurous life that it begs the question of why it has taken so long for someone to produce a full-length feature film about him. R Madhavan’s directorial debut, which he also co-wrote and produced, was eventually successful after several failed attempts.

The movie takes place in flashback when Shah Rukh Khan, a superstar, listens to Nambi Narayanan (R Madhavan) tell his life story in 2014. The camera team for this lengthy interview is kicking themselves for being trapped in the studio late at night to capture a “long and boring” story of an elderly scientist. But as soon as Nambi starts speaking, everyone, even the host, is captivated by his tale.

Every part of Nambi’s journey is faithfully covered by Madhavan, including his achievements and difficulties in the workplace. The legendary Vikram Sarabhai (Rajit Kapoor), who is well aware of his prodigy, is none other than Nambi’s guru.

Nambi accepts a full scholarship from Princeton University despite the clear discrepancy between the course of study he is provided and what he wants to pursue. Nambi, however, is not one to follow rules; instead, he finds a way to not only understand what he wants but also excel at it. So much so that, despite being given the opportunity to work for NASA, he decides to work for ISRO and do whatever it takes to further India’s space goal.

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While Nambi’s job is interesting and full of obstacles, it is also very technical, and Madhavan doesn’t hesitate to confuse the viewer with scientific astronomy words and jargon.

The first half is entirely devoted to displaying different aspects of Nambi’s slightly odd personality and astral explorations, with the background score acting as a cue for us to support our hero. Sometimes the details obscure the context, forcing us to concentrate on the big picture. Although the non-linear execution is thrilling and builds suspense, it also makes things more confusing.

R Madhavan convincingly recreates Nambi Narayanan’s real life in the film. Madhavan transforms into the character whose tale he is telling, down to the way he looks and how he speaks. Shah Rukh Khan plays the part of an interviewer with heart while maintaining his signature good looks and charisma.

He serves as a mirror of a nation’s conscience for a man who, despite all odds, committed his life to a cause. Simran as the thoughtful and respectable Meena Narayanan is a pleasant surprise. Simran’s portrayal helps to humanise Nambi’s dedication to his work and the struggles he faces. Sam Mohan stands out among the supporting players as Unni, whose character is far more developed than others.

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The film’s second half is much more compelling and emotionally taxing, but the pacing is still plodding. It’s obvious that this movie is a specialised one. It offers an intriguing topic and an unknown tale of a man who was victimised for consistently standing up for his country.

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Tollywood

Post Kanguva debacle, Tamil Nadu producers demand ban of YouTube channels from theatres

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Post Kanguva debacle, Tamil Nadu producers demand ban of YouTube channels from theatres

This decision comes after the release of Kanguva on November 14, which saw a lot of negative feedback on the opening day from YouTube reviews.

On Wednesday, the Tamil Nadu Producers Council (TNPC) issued a strong statement requesting theatre owners to ban fans’ interviews by YouTube channels on theatre premises post the first day first shows (FDFS) and cooperate in doing away with this FDFS public review and opinion process completely. (Also read: Kanguva producer’s wife says Disha Patani’s role in film was to ‘look pretty’, deletes comment after backlash)

In a long four-page letter, the Tamil Nadu Producers Council has condemned ‘personal attacks and incitement of hatred in the name of film reviews.’ They said that films like Indian 2, Vettaiyan and Kanguva were highly impacted due to YouTube FDFS public reviews.

What the letter stated

This letter comes after the release of Suriya’s film Kanguva on November 14 which saw a tremendous amount of negative feedback from the audience in the first day first show YouTube reviews and opinion videos. The TNPC wrote that journalists have the right to criticise flaws in the film and talk about the positives and negatives but no one can engage in personal attacks and try to destroy the entire film in their reviews. According to them, this would lead to the downfall of the film industry itself.

The letter also stated, “Critics have every right to review movies. But we request all journalists to write film reviews keeping in mind that hatred towards a film should not be sown in the media because of personal malice. It is imperative that all the associations related to the film industry unite and stop this practice by not encouraging them anymore.”

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More details

Kerala was the first state to establish this ban on YouTube reviews. In 2023, Mubeen Rauf, director of Aromalinte Adyathe Pranayam, who was supported by the Producers’ Association filed a case in court to ban YouTube reviewers from theatre premises as their negative public opinion videos were affecting the film business.

The Kerala High Court then issued a directive to the concerned authorities to prevent online reviews of films by social media influencers, YouTube reviewers, and bloggers for seven days following the release of a film.

The court went a step further and even issued notice to the Union Ministry of Information and Broadcasting and the Central Board of Film Certification to establish clear and transparent guidelines for online film critics and vloggers. Producers felt this move would protect the industry.

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