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A replica of the Adipurush poster, claims the animation studio What a shame

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A replica of the Adipurush poster, claims the animation studio What a shame

An animation studio has requested that the Adipurush poster featuring Prabhas include a credit identifying it as the original creator.

Adipurush, starring Prabhas, has a poster that an animation firm claims is a duplicate of their design. When comparing its own Shiva poster to the Adipurush poster that featured Prabhas as Raghava, Vaanar Sena Studios stated that the creators should at the very least give it credit.

A composite of the Adipurush poster and a “Lord Shiva still” was re-shared by Vaanar Sena Studios. “Looks like makers inspired Adipurush first look poster from Lord Shiva still,” the text that accompanied the image said.

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“Such a shame, T- Series should acknowledge the original creator, who developed the artwork @vaanarsenastudios,” said the caption that accompanied the collage when it was posted to Vaanar Sena Studios’ Instagram account.

A number of online users criticised the collage’s initial post for being blatantly copied in their comments. Not inspired! is what one of them penned. but duplicated One more said, “Copy paste kar diya (Just copied and pasted it).” Some even asserted that SS Rajamouli was the ideal director to bring out Prabhas’ best qualities. Trust me, Prabhas will be ideal if SS Rajamouli sir directed the picture, they wrote. In the Baahubali teaser, Prabhas was more like Shri Ram (Lord Ram) than in the Adipurush teaser.

Some of them included the hashtag #markeviv and said, “Hello, the original artwork on the right is by the artist @markeviv,” tagging the creator Vivek Ram from Vaanar Sena Studios. Please make sure to mention this in your post. Let it get to the creators so that this amazing artist receives the proper credit. It is really disheartening to learn this! On their Instagram Stories, Vivek reshared one of the posts and demanded credit for it.

Saif Ali Khan plays Lankesh in Adipurush, and Kriti Sanon plays Janaki. The movie’s teaser has drawn criticism ever since it was unveiled last week at a significant occasion in Ayodhya. The characters’ appearances have drawn criticism, and several celebrities have also voiced their opinions.

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Om Raut, the film’s creator, replied to the criticism by saying it wasn’t “meant for the little screen.”

Adipurush, which will be directed by Om Raut and produced by T-Series and Retrophiles, will hit theatres on January 12, 2023. The movie will be released in the following languages: Hindi, Telugu, Tamil, Malayalam, and Kannada.

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The creators of Pippa respond to criticism of AR Rahman’s rendition of the song Karar Oi Louho Kopat by Bengali poet Kazi Nazrul Islam

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The creators of Pippa respond to criticism of AR Rahman’s rendition of the song Karar Oi Louho Kopat by Bengali poet Kazi Nazrul Islam

In the realm of art, especially when it involves a beloved poet’s work, emotions run deep. The recently released rendition of Kazi Nazrul Islam’s timeless composition “Karar Oi Louho Kopat” by the legendary AR Rahman for the upcoming film Pippa has stirred discussions and, inevitably, some criticism. The creators of Pippa have chosen to respond, fostering an open dialogue about artistic interpretation, cultural sensitivity, and the collaborative spirit of creative endeavors.

A Musical Odyssey: AR Rahman’s Rendition

AR Rahman, a maestro in the world of music, took on the monumental task of interpreting Kazi Nazrul Islam’s iconic work for the soundtrack of Pippa. “Karar Oi Louho Kopat,” known for its profound lyrics and historical significance, is a piece of cultural heritage that resonates deeply with Bengali speakers worldwide. Rahman’s rendition, while undoubtedly a display of musical brilliance, prompted varied reactions from listeners, invoking discussions about fidelity to the original composition.

Navigating the Sea of Criticism: The Creators’ Response

In response to the criticism, the creators of Pippa have taken a nuanced approach, acknowledging the varied sentiments expressed by the audience. In an era where cultural appreciation and appropriation are delicate themes, the creators aim to engage in a respectful and insightful conversation with those who hold Nazrul’s work close to their hearts.

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The Art of Interpretation: Navigating Boundaries

Artistic interpretation is a complex dance, especially when traversing the revered creations of literary giants. Rahman’s rendition of “Karar Oi Louho Kopat” is not merely a cover but an interpretation, a reimagining that seeks to resonate with contemporary audiences while paying homage to the essence of the original work. The creators emphasize the intent of creating a bridge between generations, fostering a connection with Nazrul’s poetry through a modern lens.

Cultural Sensitivity and Collaboration

In a world that values cultural sensitivity, the creators of Pippa express their commitment to fostering collaboration and understanding. Rahman’s collaboration on this project is seen as a celebration of diversity and an effort to unite different artistic traditions. The goal is not to replace or diminish the original but to amplify its beauty for a new audience.

The Ongoing Conversation: A Celebration of Nazrul’s Legacy

As the conversation around AR Rahman’s rendition continues, the creators of Pippa invite fans, critics, and enthusiasts to share their perspectives. It is a testament to the dynamic nature of art, where diverse opinions contribute to a richer understanding of the creative process. The goal remains to celebrate the richness of Nazrul’s legacy and ensure that his timeless verses continue to resonate across generations.

Conclusion: A Melody of Unity

In the ever-evolving landscape of art and expression, the conversation sparked by AR Rahman’s rendition of “Karar Oi Louho Kopat” is an opportunity for unity. It is a chance for diverse voices to converge, creating a harmonious discourse that transcends geographical and cultural boundaries. As Pippa prepares to weave together the tapestry of history and contemporary expression, the creators invite everyone to be part of this collective journey, where the beauty of Nazrul’s poetry continues to be a guiding force in the ever-evolving symphony of creative interpretation.

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