Web Series
BTS is confirmed for Bridgerton 3, and Taylor Swift and Nick Jonas are among the orchestra members revealed by Netflix.
Once more, BTS is killing it on Netflix shows! BTS’s global hit song Dynamite is slated to light up the skies of the much awaited Bridgerton Part 3 after Emily in Paris. The third installment of the series, which is based on Julia Quinn’s 21st-century novel series, will have an orchestral music list that the streaming behemoth has revealed. This week marks the release of the season, which centres on the love tale between Nicola Coughlan and Luke Newton.
Bridgerton 3 will light up with BTS Dynamite.
The first four episodes of Bridgerton’s much awaited third season will premiere on May 16th. The event is reintroducing its trademark touch with a new set of symphonic pop versions, which will further heighten the anticipation. The Vitamin String Quartet, known for their captivating Ariana Grande & Madonna shows in recent years, will be performing reinvented songs by some of your favourite musicians. Get ready to be taken to a different part of the world.
And speaking of which, the Billboard-topping song that BTS, the K-pop group comprising of the septet Jungkook, Jimin, Jin, RM, Taehyung, Suga, and J-Hope, have recorded, will also be making its premiere in the series. This brings to recall the year 2022, when the Vitamin String Quartet requested ARMYs to recommend a song for a future Bridgerton series. It appears that the 2020 hit song Dynamite won the competition. Given the show’s subject, many contended that the group’s Black Swan would have been a better choice, but the summer hymn was chosen instead.
Netflix removes the symphonic pop covers of Bridgerton 3.
The streaming service posted “Orchestral Covers you’ll hear in Bridgerton Season 3 Part 1” on their official social media accounts. Billie Eilish’s Happier Than Ever, BTS’s Dynamite, and Sia’s Cheap Thrills were among the artists and their covers that were mentioned in the article for the Part 1 tracklist.
In the fourth episode, Taylor Swift and Lana Del Rey’s “Snow On The Beach” is covered by Atwood Quartet, while Nick Jonas’s “Jealous” is covered by Los Angeles-based band Shimmer.
Episodes and release date for Bridgerton season three
The first installment of the third season of the programme, which is directed by Jess Brownell, will be available on May 16 and the last four on June 13. In a similar vein, the soundtracks will be made available in two sections. “I start to try to think of songs from the past that could maybe work for this and then also current hits that could possibly make sense,” the show’s music supervisor, Justin Kamps, previously said to Tudum.
“To be able to write a new theme for Colin (Luke Newton), a new theme for Penn, and a new theme for the two of them together was a lot of fun and definitely infused a new feeling into the sound and score for this season,” remarked Kris Bowers, a returning music supervisor, when discussing the process of creating music for the main characters this season.
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Review of House of the Dragon Season 2 Episode 1: A solid, albeit sluggish, comeback with more discussion and less action
There are high hopes for House of the Dragon’s nearly two-year return. The first season of the prequel series to Game of Thrones raised the bar by placing viewers squarely in the thick of action and including rich character development spanning about 20 years in the Dance of the Dragons. The second season picks up just after the horrific events of the first, in which Prince Aemond Targaryen (Ewan Mitchell) and his dragon killed Rhaenyra Targaryen’s (Emma D’Arcy) youngest son, Lucerys (Elliot Mitchell). Now, intent or lack thereof is irrelevant. There’s been bloodshed, and the fallout will be far bloodier.
Fans of Game of Thrones may be reminded of the strategic war table scenes in which the protagonists scheme and plot in poorly lit interiors and consult council to choose the best course of action in the first episode of the second season, “A Son for a Son.” This time around, viewers should anticipate a more engaging comeback if the first episode is any guide. To be honest, it’s a pleasant diversion from the previous season’s unrelenting presentation of the developing conflict between the Blacks and the Greens. This season seems to be taking a much more methodical approach, focusing primarily on the internal conflicts. Peace is undoubtedly unattainable, but in the pursuit for revenge, what also meets the eye is the reclamation of power, and the expression of grief.
Emma D’Arcy is fierce from the moment they first appear, adding a hint of melancholy and sorrow to the cunning world of things. However, Daemon (Matt Smith) is not to be trusted because he has his own ideas about who will succeed him. He doesn’t understand why pursuing retribution must wait when it may be completed right away. He reasons, “The mother grieves as the queen shirks her duties.” Additionally, Alicent (Olivia Cooke) and her daughter Helaena (Phia Saban) need to go beyond being remorseful spectators. By the end of this grim tale, we realise exactly why Helaena says she is afraid of rats.
The first episode immerses viewers in the discussions and betrayals that take place in the council chambers and chambers. It takes a confident and poised stride towards intensifying hostilities. While some viewers may be taken aback by showrunner Ryan Condal’s approach, which emphasises character-driven intrigue over grand schemes and spectacular action scenes in the beginning of the season, the show delves deeply into themes of war, betrayal, and legacy. We do get a deeper look at the hopelessness and inner demons of these men who pleasure in killing and retaliation, which makes the first episode promising even though it is a little too inconsistent and constrained for its own benefit. Even now, the first episode is personal and moving, laying the necessary groundwork for the battles that will inevitably follow as the season develops.
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