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‘Compelling need’ to appoint Asthana top cop: SC affidavit

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‘Compelling need’ to appoint Asthana top cop: SC affidavit

Considering the capital’s “extremely challenging situation” in terms of public order, policing issues and their impact on national security, the Indian government stated that there is “urgent need” for people like Rakesh Asthana Come to lead the police force in Delhi. The Supreme Court also proved the rationality of appointing the IPS officers from the 1984 batch as Delhi Police Chief.

In a sworn testimony in a series of petitions that questioned Asthana’s appointment on July 27, the center insisted that he was selected to “provide effective police services for the recent law and order situation in the National Capital Territory of Delhi. “, and he is considering the representation of cadres and the expansion of “serving the public interest.”

It requested the rejection of the petition that challenged the appointment. His transfer and service extension have been questioned in court.

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“Some people believe that the currently available police officers lack the necessary work and experience in supervising the work of the central investigative agency/paramilitary forces and police forces and supervising a large country with various political and legal and order issues, so this is in the public interest. , The central government decided to hire an officer with experience in all the above-mentioned fields to supervise the Delhi police force,” said through an affidavit submitted by the Ministry of Interior. It added that, in addition to having sufficient reasons to choose Asana, since the Supreme Court issued an order in the Prakash Singh case in 2016, there have been no procedural or legal defects in appointing him, requiring a state’s police chief to have at least six The term of office of one month only applies to the Chief of Police or the State of the Chief of Police, but does not include the territories of the Union such as Delhi.

“Since 2006, the central government of Delhi has appointed eight police commissioners in accordance with the same procedure. Prior to this, Asana appointed Asana… Selective exhibition”.

Asthana became the chief of the Delhi Police on July 28, 2021. His appointment was four days before his retirement on July 31. Prior to his appointment, the Indian police service officer was awarded a cross-cadre representative, including the following cadres: Arunachal Pradesh, Goa, Mizoram and the Union territories outside Andaman and Nicobar, as well as serving Extension.

CPIL filed a complaint with the Supreme Court in August 2021, alleging that there were multiple violations in terms of appointing cadres and deferring services, and claimed that the appointment violated the conditions stipulated in the Prakash Singh case because Asthana does not have a minimum remaining term of six. Months.

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Complete News Source : Hindustan Times

Tollywood

HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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