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Contemplation: Do Not Complain To God If You Want To Be Happy

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Contemplation: Do Not Complain To God If You Want To Be Happy

It is a common habit of humans that in trouble he remembers God and also complains why he has to see this day. A man curses God the most for his bad day. When God does not get quick relief from the problem even after cursing, then there is a lot of trouble. The reason for this is that he feels that the one who can help him is sitting with cotton in his ear. That is why legends say that instead of cursing God in times of sorrow, thank him.

With this, you will find yourself strong from inside and you will find a way to get out of problems yourself. God does not trouble anyone, nor can he get anyone out of trouble. God is also bound by his duty. God is just a means to show the path where it is to walk. One has to decide for himself. Lord Krishna has explained this fact himself in the Gita.

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Great saint of the modern era Ramakrishna’s name you would have heard. It is believed that mother Kali used to give him darshan and used to caress Ramakrishna like a child. The death of a man caused by cancer. Death faced them much trouble. Ramakrishna like the mother could be free of the disease saying black. But he did not do so and endured the grief to destroy the accumulated deeds of previous births and finally achieved the ultimate momentum.

Osho is of the opinion that the more the devotee burns in the suffering of God, the closer he becomes to God. One day the clock comes when the devotee merges with God. The life of Ramakrishna Paramahamsa is an example of this. In the present time, people start trembling after hearing the name of the half-century. But in ancient times people used to wait for half a year old. The reason for this was that the suffering received during the half-century helped them to attain God. Sage saints used to call Shani the salvation supplier. Presently Saturn has become a subject of fear because man has become a victim of happiness and his tolerance has come down.

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It has been said in the scriptures that a person gets happiness and sorrow only due to the accumulated deeds of his birth after birth. Till the fruit of the deeds ends, the cycle of life and death continues. People who desire happiness have to bear sorrow after being born again and again. Therefore, the only way to avoid sorrow is not to complain to God even after enduring sorrow, happiness will come on its own part.

Also Read: PROGRAM ON ‘SADAIV ATAL’ ON ATAL JAYANTI, PRESIDENT-PM MODI PAYS TRIBUTE TO VAJPAYEE

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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