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‘Get out! Get out!’: Harrowing tales of escape after fire hits building in NYC

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‘Get out! Get out!’: Harrowing tales of escape after fire hits building in NYC

A malfunctioning space heater sparked a fire that filled a high-rise Bronx apartment building with thick smoke Sunday morning, killing 19 people including nine children in New York City’s deadliest blaze in three decades.

The trapped residents broke windows for ventilation and stuffed wet towels under the doors, because the low-rise apartment where the fire started was emitting dense smoke. The survivors said they walked through the dim corridor in panic, almost unable to breathe.

Several limp children were seen being given oxygen after being lifted out. The faces of the evacuees were covered with soot.

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Fire Commissioner Daniel Nigro said firefighters found victims on every floor, many in cardiac and respiratory arrest. Some were unable to escape because of the smoke, he said.

Some residents said they initially ignored the crying smoke alarms because false alarms were common in the 120-unit building built in the early 1970s as affordable housing.

More than 50 people were injured and 13 were hospitalized in critical condition. Most of the victims had inhaled severe smoke, the fire commissioner said.

Mayor Eric Adams said firefighters continued to rescue even after their air supply ran out.

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“Their oxygen tanks were empty and they were still smoking,” Adams said.

Investigators said the fire started by electric heaters began in duplex apartments on the second and third floors of the 19-story building.

The flames didn’t spread very far – just charred one unit and the adjacent hallway. But the door to the apartment and the stairwell door remained open, allowing the smoke to spread rapidly throughout the building, Nigro said.

New York City fire codes typically require apartment doors to be spring-loaded and self-closing, but it’s unclear whether the building is protected by those regulations.

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Building resident Sandra Clayton said she saw the hallway filled with smoke and heard people scream: “Get out! Get out!”

Clayton, 61, said she fumbled down the dimly lit stairs, mocha in her arms. The smoke was so dark she couldn’t see, but she could hear the cries of nearby neighbors.

“I was just running down the steps as best I could, but people fell on top of me, screaming,” Clayton recalled at a hospital where she was treated for smoke inhalation.

In the commotion, her dog slipped from her grasp and was later found dead in the stairwell.

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About 200 firefighters responded to the building on East 181st Street around 11 a.m.

Jose Henriquez, an immigrant from the Dominican Republic who lives on the 10th floor, said the building’s fire alarms would frequently go off, but would turn out to be false.

“It seems like today, they went off but the people didn’t pay attention,” Henriquez said in Spanish.

He and his family stayed, wedging a wet towel beneath the door, once they realized the smoke in the halls would overpower them if they tried to flee.

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Luis Rosa said he also initially thought it was a false alarm. By the time he opened the door of his 13th-floor apartment, the smoke was so thick he couldn’t see down the hallway. “So I said, OK, we can’t run down the stairs because if we run down the stairs, we’re going to end up suffocating.”

“All we could do was wait,” he said.

The children who died were 16 years old or younger, said Stefan Ringel, a senior adviser to they mayor. Adams said at a news conference that many residents were originally from the West African nation of Gambia. Many survivors were brought to temporary shelter in a nearby school.

The drab, brown building looms over an intersection of smaller, aging brick buildings overlooking Webster Avenue, one of the Bronx’s main thoroughfares.

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By Sunday afternoon, all that remained visible of the unit where the fire started was a gaping black hole where the windows had been smashed.

“There’s no guarantee that there’s a working fire alarm in every apartment, or in every common area,” US Rep. Ritchie Torres, a Democrat who represents the area, told the AP. “Most of these buildings have no sprinkler system. And so the housing stock of the Bronx is much more susceptible to devastating fires than most of the housing stock in the city.”

Nigro and Torres both compared the fire’s severity to a 1990 blaze at the Happy Land social club where 87 people were killed when a man set fire to the building after getting into an argument with his former girlfriend and being thrown out of the Bronx club.

Sunday’s death toll was the highest for a fire in the city since the Happy Land fire, other than the Sept. 11 terror attacks. It was also the deadliest fire at a US residential apartment building in years. In 2017, 13 people died in an apartment building, also in the Bronx, according to data from the National Fire Protection Association.

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That fire started with a 3-year-old boy playing with stove burners and also spread because the door to an apartment that lacked a closing mechanism had been left open. It led to several changes in New York City, including having the fire department create a plan for educating children and parents on fire safety.

Sunday’s fire happened just days after 12 people, including eight children, were killed in a house fire in Philadelphia. The deadliest fire prior to that was in 1989 when a Tennessee apartment building fire claimed the lives of 16 people.

Complete News Source : Hindustan Times

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Tollywood

HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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