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High court stays Haryana law on 75% job quota in private sector

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High court stays Haryana law on 75% job quota in private sector

The matter was dealt with by Judge Ajay Tewari and Judge Pankaj Jain and a moratorium was passed. Lawyer Tushar Sharma said a detailed sentencing was pending.

Laws against merit, such as industry

Industry bodies, including the Gurgaon Industrial Association, have filed petitions against the law.

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The Haryana Local Candidate Employment Act 2020 came into effect on January 15. It offers 75% off bookings for local young people working in the private sector with monthly salary below Rs 30,000. It covers private companies, societies, trusts and partnerships.

The law will apply for 10 years.

Industry bodies argue that the law violates the Constitution and the fundamental principles of meritocracy that underlie businesses’ growth and competitiveness. This will affect industry productivity and industry competitiveness and the recovery of the industry post-Covid 19, the plea said, adding that by introducing this ‘son of soil’ policy, the government hopes to create reservations in the private sector, which is a tort in India Constitutional rights of employees and citizens, as private sector work is based on the skills and analytical tendencies of employees.

On the other hand, the government argues that the law does only the “geographical classification” permitted by the constitution. “This is to protect the right to life/livelihood of those who live in the state and to protect their health, living conditions and employment rights,” it said.

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The legislation enacted by the state was on a subject entirely within the scope of its legislation, it argued, adding that it was enacted in the context of a convincing increase in unemployment.

“Industrialization and urbanization in the state have resulted in massive land acquisitions that have reduced growth and employment in the agricultural sector,” the government said, adding that the law does not discriminate anywhere on the basis of place of birth or residence, but it does Provide employment opportunities to local candidates based on residence.

“There is a difference between the word ‘place of birth’ and the word ‘domicile’ and both reflect two concepts. Reservations based on ‘place of birth’ are certainly affected by the provisions of the Indian constitution, but employment based on ‘domicile’ is not. Yes,” the government has submitted.

unlikely to survive judicial scrutiny

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Since the private sector quota law was conceptualized by the BJP-JJP regime in Haryana, the Hindustan Times was the first to report on the legal implications of the law and why it is unlikely to withstand judicial scrutiny.

Legal experts say the law is unconstitutional and does not stand up to judicial review. Former Haryana Attorney General Ashok Aggarwal said that residence can never be the basis for employment.

Complete News Source : Hindustan Times

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Tollywood

HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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