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I’ve never wanted any of my films to be screened at a film festival: Ali Imtiaz

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I’ve never wanted any of my films to be screened at a film festival: Ali Imtiaz

Despite several actors and filmmakers expressing interest in having their projects screened at international film festivals, filmmaker Imtiaz Ali says he has never aspired to do so. Highway (2014), starring Alia Bhatt, is his only film to have played at an international film festival, the Berlin International Film Festival.

Ali admits that he has never considered entering his films in a film festival. “I never considered it,” he says. I know a group of filmmakers who would attend a film festival, but I don’t think that way. I primarily want to make films that people want to see; if they get to Cannes, that’s fine.”

“I want all of my films to have a large global audience,” he adds, “but I’ve never aspired for any of my films to be shown at a film festival.” I don’t know much about it (film festivals) either. But I suppose I should consider it.”

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Ali, who was in Delhi for the Kathakar International Storytellers Festival, has a long history with the event. “The urge to tell a story is very compelling,” he said, praising the art of storytelling. We can’t get rid of hunger or thirst without telling stories. The reason for making a film as a filmmaker is to tell a story that you have imagined. My Kathakar trick is that I don’t know what to say, so I don’t prepare anything. Then things happen that are both surprising and intriguing.”

“There are many stories within the story of a movie, all of which combines together,” he says when asked if he takes the same approach as a filmmaker. You can have a plan on the day of the shoot. But the best strategy is to ignore that strategy as well. A scene is intended to be shot, but things happen during the shoot, and something unexpected and real can happen. That window should remain open.”

Ali’s most recent film was Love Aaj Kal (2020), which was the sequel to Ali’s 2009 film of the same name. When asked when the audience will be able to see him work his magic on the big screen again, he says he is working on “many” new projects but “can’t talk” about them right now.

 

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Ali Fazal’s Heartbreaking Fear: The Mirzapur Risk That Almost Ruined Him

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Ali Fazal's Shocking Powerful Mirzapur Revelation

Ali Fazal is now a global giant, but his rise was fraught with danger. Before becoming the renowned, muscle-bound, gun-toting Guddu Pandit of Mirzapur, he faced a horrible crossroads. He was a rising star in Indian cinema, having previously charmed audiences with sweet, romantic, and Hollywood roles. Then, a dark, gritty script appeared on his desk. It was violent, raw, and utterly unprecedented in Indian streaming. The actor reportedly admitted that he was struck by extreme anxiety before signing the contract. The apprehension sprang not only from the prospect of playing a merciless mobster, but also from heated, frightening warnings from industry insiders.



The Ominous Warnings From Bollywood Insiders

When Ali Fazal first began discussing the role of Guddu Pandit, his industry colleagues were overwhelmingly unfavourable. Several filmmakers and instructors advised him against entering the gloomy realm of Mirzapur. OTT platforms in India were still in their early stages at the time. The established conventions of Bollywood mandated that a starring male should remain on the silver screen. Insiders warned him that producing a web series would be a major setback for his career. They cautioned him that portraying a foul-mouthed, violent character would forever damage his romantic hero image.


Gripped By Terror and Deep Self-Doubt

The actor was under intense psychological pressure. “I was scared at that time,” Ali Fazal confessed bluntly in a recent interview. He was scared that he was making a huge mistake. The character’s extreme ferocity necessitated a comprehensive physical and emotional redesign. He questioned if he could carry off such a threat without losing his current fanbase. The fear of failure loomed huge, prompting him to mistrust his artistic inclinations. Every piece of advise he received told him to abandon the project, leaving him feeling incredibly isolated.


Shattering the Traditional Hero Stereotype

Despite his enormous apprehension, something deep within Ali Fazal compelled him to take the plunge. He understood that the world of storytelling was changing rapidly. He chose to buck the traditional thinking of Bollywood hitmakers, who preferred safe, formulaic films. Stepping into Guddu Pandit’s shoes required him to entirely abandon his vanity. He gave in his elegant, clean-cut appearance for bulked-up muscles, a shaved head, and a limp. It was a violent rejection of the traditional hero stereotype that had held back Indian actors for decades.

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A Risk That Rewrote Indian Streaming History

The gambit came off in an unexpected way, surprising even his sharpest critics. Mirzapur’s release was not only successful; it also became a cultural phenomenon. Ali’s scary yet extremely empathic portrayal of a youngster trapped into a criminal life gripped audiences right away. The very filmmakers who had cautioned him away were now screaming his praises. His performance demonstrated that Indian audiences are hungry for nuanced, flawed individuals. He not only saved his career by embracing his innermost anxieties, but he also revolutionised what it means to be a celebrity in the digital age.


Embracing The Fear To Find Greatness

Looking back, Ali Fazal sees the moment of tremendous dread as a crucial trigger for his development. The event taught him that the most rewarding artistic successes are frequently hidden behind our worst fears. If he had followed the cautious, conservative recommendations of the industry elite, the world would not have witnessed Guddu Pandit’s brilliance. His journey serves as a striking example of trusting one’s creative intuition above industry gossip. For Ali, fear was no longer a call to retreat, but rather a clear indication that he was about to create something truly special.


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