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NCB Quizzes Deepika, Sara, Shraddha In Drug Case Related To SSR Death

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NCB Quizzes Deepika, Sara, Shraddha In Drug Case Related To SSR Death

The Narcotics Control Bureau (NCB) on Saturday questioned Bollywood divas Deepika Padukone, Sara Ali Khan, Shraddha Kapoor for several hours in a drugs case in connection with the death of actor Sushant Singh Rajput.

Besides the three actors, the NCB also questioned Deepika’s former manager Karishma Prakash. According to NCB sources, Deepika and Karishma were “evasive” on alleged procurement of drugs as was indicated in an alleged chat of October 2017.

Deepika, who arrived at the NCB office before 10 am at the agency’s guesthouse in Colaba area, left around 3.30 pm. Even Karishma, who deposed for the second time on Saturday at 10.45 am, left around 3.30 pm.

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The NCB has got the details of the chats of Deepika and Karishma from October 2017 wherein the two were discussing drugs and planned to meet at Club Koko. Deepika and Karishma were summoned by the NCB after their names came to the fore in the drug-related case.

Meanwhile, Shraddha, who appeared at the NCB office around 11.45 a.m., left the NCB office in the Ballard Pier area at 6 p.m. Sara, who arrived at the NCB office around 1 p.m., was questioned for over four and half hours.

Shraddha’s name came to the fore after her alleged chat with Sushant’s former manager Jaya Saha asking for CBD oil came to the fore and also that she visited Pawna resort along with Sushant.

Meanwhile, troubles for Sara mounted after Sushant’s girlfriend Rhea Chakraborty, during one of the television interviews, claimed that the late actor caught the habit of smoking marijuana while shooting for Kedarnath. Sara starred with Sushant in the film.

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Deepika was summoned on Wednesday when she was in Goa for the shooting of a film. She arrived in Mumbai on Thursday and was set to appear on Friday. But on the request of Deepika’s legal team, the NCB postponed it to Saturday.

The NCB had recorded the statement of actor Rakul Preet Singh and Karishma on Friday.

The NCB has also questioned Sushant’s former manager Shruti Modi, Dharma Productions former executive producer Kshitij Prasad Ravi, Kwan Talent Management Agency CEO Dhruv Chitgopekar, noted producer Madhu Mantena Varma and several others in the case so far.

The CBI and the ED are probing separate cases in connection with the death of Sushant, who was found dead on June 14 at his Bandra apartment.

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Also Read : How life changes post COVID-19 recovery

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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