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Regarding the rumors that Jitendra Kumar is the most paid actor on Panchayat 3: It is unjust to talk about someone’s pay.
Since its premiere, Panchayat 3 has generated a lot of enthusiasm. Rumor has it that Jitendra Kumar earned ₹70,000 every episode, the highest salary of any of the cast members this time around. In response to the craze, the actor has now stated that it is incredibly unfair to talk about someone’s pay.
According to a recent source, Jitendra received ₹5.6 lakh for participating in the third season of Panchayat. He was listed as the highest paid performer, with actor Neena Gupta coming in second with ₹50,000 an episode.
Jitendra responds
Furthermore, the reports do not amuse the actor, who plays Abhishek Tripathi in the popular series. Slamming the tendency of talking about one’s compensation, he did not address the rumors.
Well, Jitendra continues, “I think it’s really unfair to discuss somebody’s salary and financial matters.”
“Nothing good comes out of the discussion, and it’s not even fruitful,” the actor claims. Therefore, I believe that one should not believe any such rumors and should not be believed.
Regarding Panchayat prosperity
The Amazon Prime Video series, directed by Deepak Kumar Mishra and written by Chandan Kumar, was conceived by The Viral Fever and has been a great hit from the beginning. Now, the third justification, which was made public in May, also received favorable feedback.
Renowned for his roles in TVF Pitchers, Kota Factory, and Shubh Mangal Zyada Saavdhan, Jitendra attributes his professional success to the show. Nevertheless, he has made a determined effort to keep his personal life unaffected by success.
“The show has altered a lot of things for me as an actor. Regarding my personal life, however, not much has changed. I’ve only been curious to make small adjustments in my life.
Jitendra goes on to elaborate, saying, “As an actor, it comes with more opportunities to better films, work on better scripts, and work with interesting filmmakers when your show becomes such a massive hit, and gets love from all quarters.”
As Jitendra, affectionately known as Jitu bhaiya, states, “It becomes my responsibility to try to do the work in a more creative and interesting way to meet the expectations of my fans,” there is also a responsibility associated with it.
And that’s what I’m trying to do. That in order to keep the role, I have to put in more effort and push myself more in my upcoming productions,” the actor claims.
completing the Panchayat 3
In terms of the show, it centers on the lives of his character Abhishek, an engineering graduate who, in the absence of better employment opportunities, works as a secretary in a panchayat office in the isolated Uttar Pradesh village of Phulera. It highlights the problems and way of life of the community while focusing on his quest of attempting to fit in.
“I found the third season screenplay to be quite intriguing when I read it. Furthermore, it didn’t seem like the creators were making a lot of effort to try something new. In the same area, they are narrating fresh tales and captivating scenarios. I was quite thrilled about it. I went back to the role with greater vigor and no pressure. In the end, what works is the good script, and we rely on that,” he shares.
On May 28, the third season, which also starred Durgesh, Raghubir Yadav, and Faisal Malik, debuted.
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Review of House of the Dragon Season 2 Episode 1: A solid, albeit sluggish, comeback with more discussion and less action
There are high hopes for House of the Dragon’s nearly two-year return. The first season of the prequel series to Game of Thrones raised the bar by placing viewers squarely in the thick of action and including rich character development spanning about 20 years in the Dance of the Dragons. The second season picks up just after the horrific events of the first, in which Prince Aemond Targaryen (Ewan Mitchell) and his dragon killed Rhaenyra Targaryen’s (Emma D’Arcy) youngest son, Lucerys (Elliot Mitchell). Now, intent or lack thereof is irrelevant. There’s been bloodshed, and the fallout will be far bloodier.
Fans of Game of Thrones may be reminded of the strategic war table scenes in which the protagonists scheme and plot in poorly lit interiors and consult council to choose the best course of action in the first episode of the second season, “A Son for a Son.” This time around, viewers should anticipate a more engaging comeback if the first episode is any guide. To be honest, it’s a pleasant diversion from the previous season’s unrelenting presentation of the developing conflict between the Blacks and the Greens. This season seems to be taking a much more methodical approach, focusing primarily on the internal conflicts. Peace is undoubtedly unattainable, but in the pursuit for revenge, what also meets the eye is the reclamation of power, and the expression of grief.
Emma D’Arcy is fierce from the moment they first appear, adding a hint of melancholy and sorrow to the cunning world of things. However, Daemon (Matt Smith) is not to be trusted because he has his own ideas about who will succeed him. He doesn’t understand why pursuing retribution must wait when it may be completed right away. He reasons, “The mother grieves as the queen shirks her duties.” Additionally, Alicent (Olivia Cooke) and her daughter Helaena (Phia Saban) need to go beyond being remorseful spectators. By the end of this grim tale, we realise exactly why Helaena says she is afraid of rats.
The first episode immerses viewers in the discussions and betrayals that take place in the council chambers and chambers. It takes a confident and poised stride towards intensifying hostilities. While some viewers may be taken aback by showrunner Ryan Condal’s approach, which emphasises character-driven intrigue over grand schemes and spectacular action scenes in the beginning of the season, the show delves deeply into themes of war, betrayal, and legacy. We do get a deeper look at the hopelessness and inner demons of these men who pleasure in killing and retaliation, which makes the first episode promising even though it is a little too inconsistent and constrained for its own benefit. Even now, the first episode is personal and moving, laying the necessary groundwork for the battles that will inevitably follow as the season develops.
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