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Review of Ponniyin Selvan, Part 1: Mani Ratnam’s magnificent adaptation of Kalki’s Ponniyin Selvan

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8 months ago

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Review of Ponniyin Selvan, Part 1: Mani Ratnam’s magnificent adaptation of Kalki’s Ponniyin Selvan

Review of Ponniyin Selvan, Part 1: Mani Ratnam’s magnificent adaptation of Kalki’s Ponniyin Selvan

Rating from critics: 3.5/5

Part 1 of “Ponniyin Selvan” A messenger must safeguard the safety of the Chola empire because the crown prince Aaditha Karikalan, his younger brother Arunmozhi Varman, and the emperor Sundara Cholar are all separated by circumstances. The Chola kingdom is threatened by both internal and external enemies. Can he complete his task, especially when Nandhini, Karikalan’s ex-girlfriend, is attempting to topple the Chola empire?

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Part 1 of “Ponniyin Selvan” Review: Mani Ratnam’s stunning adaptation of Kalki’s enormous epic Ponniyin Selvan, which perfectly captures the mystery, thrills, and page-turning nature of the books, finally brings the dream of many Tamil filmmakers to life. The director and his authors, Jeyamohan and Ilango Kumaravel, rise to the occasion in this first of a two-part franchise. The way the book has been compacted is admirable, and the changes—such as Kundhavai barging into a private meeting and the inclusion of Ponniyin Selvan’s enigmatic savior—have boosted the narrative’s drive. The talks of Jeyamohan stand out in particular because he skillfully combines formal and informal language.

The movie does get off to a rocky start because the filmmaker takes his time setting up the story. The kingdom is under attack, so the crown prince Aaditha Karikalan (Vikram) asks his buddy Vandhiyathevan (Karthi) to inform his sister, princess Kunthavai (Trisha), and the emperor Sundara Cholar (Prakash Raj) of the situation. The empire’s finance minister and commander, Periya Pazhuvettarayar (Sarath Kumar), and Chinna Pazhuvettarayar (Radhakrishnan Parthiban), as well as the numerous kings who have pledged allegiance to the ruler, the survivors of the defeated Pandya king, and—most significantly—Nandhini (Aishwarya Rai Bachchan), a plotter who is determined to topple the entire

As we are introduced to the many participants in the plot and the history connecting them, these sections, which inevitably contain some exposition given the nature of the tale, have very jerky transitions. There are points when we feel that there are too many events happening quickly, which could make it difficult for anyone who haven’t read the books to understand the plot. The quick character introductions also mean that we move on to the next one before we completely understand the motivations of the one we just met.

However, the movie soon settles down, and by the time we get to the intermission (when Karikalan is haunted by the ghost of the previous film), we’ve become captivated in this tale of palace intrigue. The pace quickens and the movie races to its conclusion with nail-biting sequences involving the slain Pandya king’s personal guards, who land there to kill Arunmozhi. Additionally, the director sets up the sequel on a high note with a swashbuckling stunt on a ship in a stormy sea. The action then shifts to Sri Lanka, where Karikalan’s younger brother, Arunmozhi Varman (J

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The casting is essentially perfect. Together with Jayaram, who plays the spy Alwarkadiyan, Karthi, who is fantastic as the jovial Vandhiyathevan, injects humour into the mostly serious proceedings. With her seductive charms, Aishwarya successfully channels the spirit of Nandhini, while Vikram, Jayam Ravi, and Trisha are strong as the royals. Unlike in the Baahubali movies, the frames here have a more subdued grandeur. A considerable portion of the film was shot on location, and cinematographer Ravi Varman dazzles us with images of imposing fort walls, immense halls with numerous pillars and high ceilings, a lone boat on a vast stretch of the ocean, and countless bodies lined up on the beach. While the narrative is mostly advanced by the songs by AR Rahman that have been cut up.

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Jr NTR fans burn firecrackers during Simhadri re-release.

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1 week ago

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May 25, 2023

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Jr NTR, the popular Telugu film actor, has an ardent fan following known for their unwavering support and enthusiasm. However, a recent incident during the re-release of Jr NTR’s blockbuster film Simhadri has caused controversy. Fans celebrated the occasion by igniting firecrackers, leading to a heated debate about public safety, environmental concerns, and responsible fandom. In this blog post, we will explore the incident, its implications, and the need for balanced fan celebrations.

The Re-Release of Simhadri: Simhadri, a 2003 Telugu action-drama film, remains one of Jr NTR’s most beloved movies. To commemorate its anniversary, the producers decided to re-release the film, allowing fans to relish the nostalgia and experience the magic on the big screen once again. The announcement generated excitement and anticipation among Jr NTR’s loyal fan base.

Fan Celebration Gone Awry: In their eagerness to celebrate the re-release of Simhadri, a section of Jr NTR’s fans resorted to lighting firecrackers outside theaters. The loud explosions and billowing smoke alarmed moviegoers and nearby residents, leading to complaints and safety concerns. The incident drew criticism from various quarters, sparking a debate about responsible fandom and the need for considering public safety and environmental consequences.

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The Importance of Responsible Fandom: Fans play a significant role in an actor’s success, and their enthusiasm can bring immense joy to the celebrity they adore. However, it is essential for fans to remember that their actions should be responsible and respectful towards others. Expressing support and admiration should not come at the cost of causing inconvenience, harm, or damage to the surroundings.

Public Safety and Environmental Concerns: The incident of firecrackers being ignited during the Simhadri re-release raises important concerns regarding public safety and environmental impact. Firecrackers, besides being noisy, can also be hazardous and pose a risk to people’s well-being, especially in crowded areas. Additionally, the environmental implications of such celebrations, including air and noise pollution, cannot be ignored.

Promoting Positive Fan Culture: While celebrating the achievements and milestones of their favorite stars, fans have the power to shape public perception. It is crucial for fan clubs and individuals to encourage positive fan culture, emphasizing activities that are inclusive, respectful, and beneficial for society. Non-disruptive celebrations such as charity events, social initiatives, and fan gatherings can foster a sense of unity and promote a positive image of fandom.

Fans can channel their enthusiasm in more responsible ways, such as organizing special screenings, conducting charity drives, or engaging in community service projects. By focusing on these avenues, fans can create a positive impact while celebrating their favorite stars without causing harm, inconvenience, or violating safety protocols.

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The incident of Jr NTR fans igniting firecrackers during the re-release of Simhadri raises important questions about responsible fandom, public safety, and environmental concerns. While fans’ enthusiasm is commendable, it is crucial for them to celebrate in a manner that respects the well-being of others and the environment. By promoting a culture of responsible fandom, fans can ensure that their admiration for their favorite stars does not overshadow the importance of public safety and environmental sustainability.

The director’s passing this morning came as a shock to Rani Mukerji, who worked with him on Laaga Chunari Mein Daag and Mardaani. They had been planning to meet up shortly. Sarkar, who is best known for helming the 2005 drama Parineeta, passed away at Lilavati hospital in Mumbai’s Bandra area, according to his wife Panchali. He was 67.

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