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Review of the film Aadhaar: A mediocre mystery ruined by excessive theatrics

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Review of the film Aadhaar: A mediocre mystery ruined by excessive theatrics

Review of the film Aadhaar: A mediocre mystery ruined by excessive theatrics

In the movie Aadhaar, a labourer asks the authorities to help him locate his wife, who unexpectedly vanished the day after giving birth. Will justice be done? What happened to her?

Review of the movie Aadhaar: From the very beginning, it is clear what kind of movie Aadhaar is trying to be. The movie opens with a tacky vehicle launch, and then Pachamuthu (Karunaas) emerges from an auto with a newborn kid and makes his hesitant way to the police station to ask for assistance in locating his wife Thulasi (Riythvika), who has inexplicably vanished just one day after giving birth. The on-duty police officer advises him to return the following day but, upon observing the infant’s constant screaming, takes it from him and feeds the child herself. This sequence is directed by Ramnath Palanikumar, who uses a lot of dramatisation.

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We anticipate an emotionally manipulative movie based on the way Pachamuthu sobs, the shot of the policewoman feeding the infant (obviously from behind bars), and Srikanth Deva’s weeping background score.

Aadhaar is absolutely not for you if you are unable to adjust at this time. However, if you can get past the movie’s dated, almost TV serial-like tone, there are some benefits to be had. For starters, it succeeds in keeping the question of what happened to Thulasi unanswered until the very end. Ramnath Palanikumar achieves this by telling the story non-linearly, switching with clarity between the past and present.

Additionally, he doesn’t portray people as good or wicked, leaving them helpless victims of the circumstances they find themselves in. Consider the situation of Yusuf Bhai, an officer at the police station (Arun Pandian). He is competent enough to lead Pachamuthu through the early stages, and because to his candour, he also assists a superior who is being suspended. But as time goes on, we discover something about him that completely alters our perception of him. Or the role of small-time criminal Saroja (Ineya). Even Pachamuthu and Thulasi’s relationship isn’t sugarcoated to make us feel bad for them. We discover that they have a significant age difference and experienced misunderstandings, just like any other married pair.

Nevertheless, despite all these positive aspects, the presentation makes the movie seem weaker than it really is. Sometimes the events we watch on film barely elicit an emotional response, but we wish they had. Other times, we wish the director would tone down the melodrama and allow us to experience the feeling naturally. Since the main theme of the movie is how the “system” takes advantage of the weak, like Visaaranai, it would have been preferable if it had been more subduedly moving.

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HT Rewind: Bade Miyan to Kanguva Big-budget Indian films like Chote Miyan didn’t do well at the box office in 2024.

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HT Rewind: Bade Miyan to Kanguva Big-budget Indian films like Chote Miyan didn’t do well at the box office in 2024.

Several big-budget films, including Indian 2 and Kanguva, disappointed at the box office, failing to meet expectations and resulting in significant losses.
As 2024 comes to an end, it’s safe to say that it was a bittersweet year for the Indian film industry. While Allu Arjun and Prabhas delivered grand hits like Pushpa 2 The Rule and Kalki 2898 AD, respectively, a few films that had massive potential and hype failed to perform well at the box office.

Several high-budget films that featured superstars failed to make an impact on the audience and eventually flopped at the box office. Here’s a look at some of the year’s biggest disappointments-

Indian 2

The highly-anticipated sequel to the 1996 blockbuster Indian proved to be a big disappointment. Superstar Kamal Hassan reprised his role as Senapathy, a vigilante fighting corruption. The sequel carried immense hype but it opened to mixed to negative reviews from the audience. Made on budget of ₹250 crore, the film managed to earn only ₹148.33 crore at the box office worldwide.

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Kanguva

Suriya’s Kanguva, directed by Siva, was one of the most ambitious and highly anticipated projects of the year. The film boasts of an ensemble cast with Bobby Deol playing the villain. It was touted to be the next Baahubali, however, fell flat upon release. The film managed to earn only ₹106.25 crore against the massive budget of ₹350 crore.

Bade Miyan Chote Miyan

Akshay Kumar and Tiger Shroff came together for the first time in an action film, Bade Miyan Chote Miyan. Despite having being made on a massive budget of ₹350 crore, the film failed to attract audience to theatres after day 1 and eventually ended its run at the box office by earning only ₹111.49 crore. Helmed by Ali Abbas Zafar, the film became one of the biggest disasters of 2024.

Maidaan

Ajay Devgn’s Maidaan tells the inspiring story of Syed Abdul Rahim, the coach who shaped Indian football. While the film had a lot of potential to become one of the blockbusters for the year, frequent delays in its release and a clash with Bade Miyan Chote Miyan led to the film’s failure at the box office. Made on a massive budget of ₹250 crore, the film collected only ₹71 crore at the box office worldwide.

Lal Salaam

Directed by Aishwarya Rajinikanth, the sports action film, made on a budget of ₹80-90 crore, failed miserably at the box office despite Rajinikanth’s extended cameo. The film received mixed reviews from critics and the audience, which impacted its box office run. The film earned only ₹17.46 crore at the Indian box office and ₹32.65 crore worldwide.

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Thangalaan

Vikram’s Thangalaan saw him in five roles alongside an ensemble star cast, including Parvathy Thiruvothu, Malavika Mohanan, Daniel Caltagirone, Pasupathy, and Hari Krishnan. Though the cast’s performance impressed the audience, the criticism for historical inaccuracies, visual effects and writing impacted the film’s box office run. The film earned ₹68 crore worldwide at the box office, failing to even recover the budget ( ₹100-150 crore).

Saindhav

Saindhav marked Venkatesh Daggubati’s 75th movie. Despite the buzz around the movie and star performers like Venkatesh, Arya, and Nawazuddin Siddiqui, the film opened to mixed to negative response from the audience due to its weak script and direction. Sadly, even before the end of the first week, the collection at the box office went below ₹1 crore on a daily basis, and the film closed its collection at ₹18 crore worldwide against a budget of ₹55 crore.

Double iSmart

A sequel to the hit film iSmart Shankar, Double iSmart, had a huge buzz around it before its release. Helmed by Puri Jagannadh, the film has Sanjay Dutt as the main antagonist and Ram Pothineni as the protagonist. The film got negative reviews upon release and within ten days, it was almost out of theatres in the Telugu states. While the film’s producers had blockbuster expectations, it emerged to be a box office bomb, earning only ₹19 crore worldwide against a budget of ₹90 crore.

Mr Bachchan

Another big disappointment this year was Ravi Teja’s Mr Bachchan. A remake of Ajay Devgn’s hit film, Raid, the film clashed with Double iSmart on Independence Day and received negative reviews from the critics. It failed to entertain the audience and the box office collection started declining after day 2. Eventually, the film became a huge box office bomb, earning only ₹13.5 crore worldwide against a budget of ₹70 crore.

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