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Tabu will play the lead in the “Dune: Prophecy” prequel series.
Los Angeles Actor Tabu has joined the cast of “Dune: Prophecy,” a prequel series to filmmaker Denis Villeneuve’s massively successful film trilogy, following the success of his heist comedy “Crew.”
Sister Francesca, a “strong, intelligent, and alluring” heroine, will be Tabu’s recurrent part.
“Sister Francesca leaves a significant legacy behind her. Her return to the palace upsets the delicate balance of power in the city, according to the creators. She was once the Emperor’s great love.
Reverend Mother Mohiam, the Emperor’s Bene Gesserit Truthsayer, was portrayed by Charlotte Rampling in director Villeneuve’s 2021 and 2024 movie adaptations of Frank Herbert’s “Dune” books.
Played by Timothee Chalamet, Lady Jessica was the mother of the main character Paul Atreides, a Bene Gesserit.
The HBO Max series “Dune: Prophecy,” produced by Legendary Television, is based on the novel “Sisterhood of Dune” by Brian Herbert and Kevin J. Anderson and takes place 10,000 years before the events of Frank Herbert’s “Dune.” It was called “Dune: The Sisterhood” before.
According to the official trailer, “Set within the expansive universe of ‘Dune,’ created by acclaimed author Frank Herbert, and 10,000 years before the ascension of Paul Atreides, ‘Dune: Prophecy’ follows two Harkonnen sisters as they combat forces that threaten the future of humankind, and establish the fabled sect that will become known as the Bene Gesserit.”
Prior to this, Tabu participated in international productions as BBC miniseries “A Suitable Boy,” “The Namesake,” and “Life of Pi.” The National Award winner has a number of credits at home, including “Andhadhun,” “Maqbool,” “Haider,” “Bhool Bhulaiyya 2,” and “Drishyam.”
“Dune: Prophecy” also stars Emily Watson, Olivia Williams, Mark Strong, Sarah-Sofie Boussnina, and Shalom Brune-Franklin; the debut date has not yet been announced by the producers.
Along with Diane Ademu-John, who co-developed the series, Alison Schapker holds the roles of executive producer and showrunner. In addition, Anna Foerster, who directed several episodes, including the first, is connected as executive producer.
Together, Villeneuve’s two “Dune” films have brought in over USD 1.1 billion, and a third is now under development.
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Review of House of the Dragon Season 2 Episode 1: A solid, albeit sluggish, comeback with more discussion and less action
There are high hopes for House of the Dragon’s nearly two-year return. The first season of the prequel series to Game of Thrones raised the bar by placing viewers squarely in the thick of action and including rich character development spanning about 20 years in the Dance of the Dragons. The second season picks up just after the horrific events of the first, in which Prince Aemond Targaryen (Ewan Mitchell) and his dragon killed Rhaenyra Targaryen’s (Emma D’Arcy) youngest son, Lucerys (Elliot Mitchell). Now, intent or lack thereof is irrelevant. There’s been bloodshed, and the fallout will be far bloodier.
Fans of Game of Thrones may be reminded of the strategic war table scenes in which the protagonists scheme and plot in poorly lit interiors and consult council to choose the best course of action in the first episode of the second season, “A Son for a Son.” This time around, viewers should anticipate a more engaging comeback if the first episode is any guide. To be honest, it’s a pleasant diversion from the previous season’s unrelenting presentation of the developing conflict between the Blacks and the Greens. This season seems to be taking a much more methodical approach, focusing primarily on the internal conflicts. Peace is undoubtedly unattainable, but in the pursuit for revenge, what also meets the eye is the reclamation of power, and the expression of grief.
Emma D’Arcy is fierce from the moment they first appear, adding a hint of melancholy and sorrow to the cunning world of things. However, Daemon (Matt Smith) is not to be trusted because he has his own ideas about who will succeed him. He doesn’t understand why pursuing retribution must wait when it may be completed right away. He reasons, “The mother grieves as the queen shirks her duties.” Additionally, Alicent (Olivia Cooke) and her daughter Helaena (Phia Saban) need to go beyond being remorseful spectators. By the end of this grim tale, we realise exactly why Helaena says she is afraid of rats.
The first episode immerses viewers in the discussions and betrayals that take place in the council chambers and chambers. It takes a confident and poised stride towards intensifying hostilities. While some viewers may be taken aback by showrunner Ryan Condal’s approach, which emphasises character-driven intrigue over grand schemes and spectacular action scenes in the beginning of the season, the show delves deeply into themes of war, betrayal, and legacy. We do get a deeper look at the hopelessness and inner demons of these men who pleasure in killing and retaliation, which makes the first episode promising even though it is a little too inconsistent and constrained for its own benefit. Even now, the first episode is personal and moving, laying the necessary groundwork for the battles that will inevitably follow as the season develops.
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