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What Hardik at his best, and his possible alternatives, bring to the table

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What Hardik at his best, and his possible alternatives, bring to the table

Pandya is like a multitasking specimen designed in a cricketer’s lab, but for a body that wilts in the cauldron of international cricket.
At his best, there are few who can do it like Hardik Pandya. His talents are rare and there are many – like hitting the first ball he faces; like setting off a six-hit carnage, like hitting his first ball at 140 km/h Timing; like seams at this speed in favorable conditions. He can wear several attire – Virat Kohli’s selfless, monotonous partner; Jasprit Bumrah’s finisher supporting act, who is both bat and ball finisher. On the seam, he can move the ball in both directions; on slow decks, he releases his cutter and slower ball; he brings balance and suppression, but only when he’s at his best.

Pandya is like a multitasking specimen designed in a cricketer’s lab, but for a body that wilts in the cauldron of international cricket. There may be more skilled players than him on the individual side. But as a healthy package, men like him are rare. This is especially true for a country where fast bowling is rare. Even if they do, they don’t have a Pandya-esque ancestry. No wonder coaches, captains, fans or anyone who follows Indian cricket closely is keeping a close eye on him, even though his last Test was three years ago and his recent appearances in white-ball cricket have been sporadic. Even in those games, he seemed like an imposter in his prime.

In his injury-free glory days, Pandya often affected the game. Of the players who debuted after him — in 2016 — no one could score on 116 attempts. Plus an average of 32 batting average. 6 or 7, he really is a real deal. Only Rohit Sharma has hit more sixes in 50-plus games than he (54) during that stretch. Pandya caused sheer damage in his last few strikes – 90 in Sydney’s 76, not the same as Canberra’s 92, or a whirlwind 63 in 44 against England in Pune. These knocks prove the theory that he was chosen purely for his generosity.
Pandya’s bowling was equally influential before injuries plagued him. He fills in mostly as a third receiver, operates on the death and, when handing over a new ball, also regularly grabs wickets. Like his Over-50 debut in Dharamsala, his top-flight spell in New Zealand, or his thrifty spell during the 2017 trophy and South Africa (2018). But he’s now a guest bowler, having lost his former pace and venom, and he’s no longer an automatic pitcher for the Eleven or the team. So just as Pandya is looking for his old self, so is the chooser looking for a replacement or a replacement, maybe not his transcript, but at least someone who can fill the multiple roles he can play. With an eye toward the 2023 World Cup, some of them may take on the role of Pandya.

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Thakur can bat and the current bowler is better than Pandya. He may not have the pace of Pandya, but is cunning and has a knack for making the right ball at the right time. He has a whole range of white-ball skills to choose from, headlined by the knuckleball, and can make impressive transitions with the new ball as well. But in the Over-50 format, he’s mostly a bowler who can hit the ball. In 10 innings, he has played for half a century, averaging 127 points at 39.40 points per game. But it’s absurd to think he’s a homogeneous replacement for Pandya for three reasons. A) He’s never played under the all-rounder tag, which is a liability. B) Most of his runs are performed in a relatively stress-free environment. While useful, his run ultimately didn’t have a huge impact. C) No expected pressure.
His utility on the ball, though different, is on par with peak Pandya. He can take new balls, pick wickets, use chokes in midfield and hit the ball in the last 10. He’s also a tenacious hitter, but the big question is whether he can orchestrate chaos like Pandya. Sundar’s strike rates in T20s (119) and List A (79) suggest that his approach is more orthodox than postmodern. But at 22 years old, he has enormous potential and could be the all-rounder in Pandya mode before the next World Cup.
Jadeja is a guaranteed starter whether or not Pandya is on the court. With the ball, his role is different – he’s a spinner, mostly a middle-class thrift dealer. Like Pandya, he can do whatever he wants, but he can’t start with the No. 1 ball. These days, he takes his time before teeing off. He sacrificed some sprints in his quest to transform into a Test all-rounder. Jadeja has certainly rekindled some old businesses in recent Over-50 cricket, but can he consistently stir up such rage? Also, the general feeling is that a team needs two finishers/explosive late hitters.

Huda hit the right note in his debut Sunday, showing maturity under pressure while shooting an unbeaten 26. After a shaky phase, he’s matured and appears capable of handling quality at an international level, but the big question mark is whether he can bowl. After his action was cleared a few years ago, he was a handy perimeter player, a regular in the Indian Premier League, largely dependent on his ability to chip away with some stingy balls on a regular basis. India already has too many batsmen who don’t bowl. Furthermore, he has yet to replicate his big hand at the international level. Compared to IPL, ODI is another story.

Complete News Source – THE INDIAN EXPRESS

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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