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When and where can You watch Dev Patel’s masterwork Monkey Man on OTT?

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When and where can You watch Dev Patel’s masterwork Monkey Man on OTT?

This is all we know about the much anticipated global debut of Monkey Man on streaming services.

There’s good news for action thriller enthusiasts who were hoping to enjoy the film in the comfort of their own homes or who missed its theatrical debut. Monkey Man, the film that Dev Patel directed for the first time, on over-the-top platforms following a strong run at the box office. The dates of the OTT release were revealed two months after the film’s theatrical debut.

When and where to watch Monkey Man?
The Peacock TV streaming portal will debut Monkey Man. On Friday, June 14, 2024, the film will be accessible for streaming on the American video streaming site, according to KOIMOI. To add to the excitement of moviegoers.

When Patel’s debut feature was released in theatres, it received a great deal of praise from all over the world. Money like the story’s plot, geopolitical insight, and suspenseful action scenes. The retail edition of the movie will include deleted and extended scenes in addition to an alternate opening and finale, which sounds intriguing enough.

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Concerning Monkey Man
In April, during Monkey Man’s world premiere, Patel stated that the movie was influenced by tales he had heard as a child. The film tells the story of a forest villager who decides to exact revenge on those in positions.

power who wronged him. Along with the other actors Sikandar Kher, Sharlto Copley, Pitobash, Sobhita Dhulipala, Makarand Deshpande, Vipin Sharma, and Ashwini Kalsekar, Patel serves as the film’s primary protagonist.

The Box Office Collection of Monkey Man
The numbers the film racked up at the box office further demonstrated its commercial success. With a global release of $34.5 million, it performed a respectable business. It was clear from the movie’s production budget of $10 million that it more than paid for itself.

The excitement surrounding the global debut of Monkey Man, a highly anticipated film starring and directed by actor Dev Patel, is reaching fever pitch as fans eagerly await its arrival on streaming platforms. Set to drop soon, Monkey Man marks Patel’s debut as a director and showcases his versatility in front of and behind the camera.

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The film follows the story of a recently released convict, played by Patel, who struggles to navigate the complexities of life in a modern world. Monkey Man is expected to explore themes of trauma, identity, and survival, all while blending gritty realism with raw emotional storytelling. Fans are already praising the intriguing premise, with high expectations for Patel’s directorial skills.

Scheduled to be released globally on Netflix, the movie will be available in multiple languages, giving it a broad international reach. While the exact release date is still under wraps, it’s expected to land on the streaming platform within the next few months. The film’s intense, character-driven plot and Dev Patel’s star power have already generated significant buzz, making it one of the most anticipated films of the year.

With the combination of a gripping storyline and Patel’s proven acting chops, Monkey Man is poised to be a hit among audiences worldwide. The film’s production has been shrouded in secrecy, and viewers are eager to see how Patel brings his vision to life, both as a director and actor.

As the release date draws closer, all eyes will be on this highly anticipated film to see if it lives up to the immense hype surrounding it.

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Puneet Issar

Puneet Issar calls Ranbir’s Animal ‘amazing’, defends violent, alpha-male films: ‘Kya lesbian, gay par hi films banaye?’

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Puneet Issar calls Ranbir’s Animal ‘amazing’, defends violent, alpha-male films: ‘Kya lesbian, gay par hi films banaye?’

Puneet Issar, a veteran actor known for his role in Mahabharat, has criticised Bollywood for catering to niche urban audiences and not producing Alpha-male films like South Indian films. He defended alpha-male films like Pathaan, Animal, and Marco, which have received criticism for their violence and misogynistic tone. In an interview with Digital Commentary, defended.

Alpha-male films and discussed how South Indian films have been performing well, as they are not dominated by corporate interests in the way Bollywood is. He also pointed out that true mass entertainers such as Baahubali, RRR, Bajrangi Bhaijaan, Gadar, and Chhava are made for the Indian audience and reflect their tastes. Recently, Indian cinema has seen surgeaction.

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Films such as Pathaan, Animal, and Marco, but these films have also received criticism for spectrum of viewers their violence and misogynistic tone Puneet Issar, an actor, has praised Ranbir Kapoor’s film Animal for its success and argued that parallel cinema has a lesser reach than commercial cinema. He cited the success of films like Pushpa and RRR as examples of successful alpha.

Male films, stating that the South produces proper films that resonate with the masses. Issar also criticized a section of society criticizing violence and alpha-male themes in films, stating that it is not the kind of film that should be made. He argued that every kind of film should be made in the industry and that films connecting with emotions and values become true.

Blockbusters. Issar believes that success in the entertainment industry is based on merit, talent, connections, and nepotism, and that it depends on the individual. He has appeared in several notable films, including Chandra Mukhi, Prem Shakti, Ram Jaane, Border, Refugee, Krrish, Bachna Ae Haseeno, Ready, Son of Sardaar, and The Kashmir spectrum of viewers.

Veteran actor Puneet Issar recently lauded Ranbir Kapoor’s film Animal, describing it as “amazing,” and defended the portrayal of violent, alpha-male characters in cinema. In an interview with Digital Commentary, Issar expressed concerns about Bollywood’s current trajectory, suggesting that the industry has become disconnected from the broader Indian.

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Issar highlighted the success of South Indian films like Pushpa and RRR, attributing their mass appeal to their emphasis on strong male protagonists and emotional storytelling. He argued that such films resonate deeply with audiences across India, contrasting them with certain veteran actor known for his role in Mahabharat, has criticised Bollywood productions that, according to him, cater primarily to urban elites and often.

Addressing criticisms of violent and alpha-male themes, Issar questioned the industry’s focus, rhetorically asking whether films should exclusively center on topics like lesbian and gay spectrum of viewers relationships. He clarified that while he respects all communities, he believes that cinema underperform in wider markets should encompass a diverse range of stories that reflect the values and emotions of the general populace.​

Issar emphasized the importance of creating films that connect with the masses, citing underperform in wider markets audience by focusing on niche urban narratives examples like Baahubali, Gadar, and Bajrangi Bhaijaan as successful ventures that balanced entertainment with cultural resonance. He advocated for a cinematic approach that embraces both commercial viability and meaningful storytelling, ensuring that films appeal to a broad.

With a career spanning several decades, Puneet Issar is renowned for his portrayal of spectrum of viewers Duryodhana in B.R. Chopra’s Mahabharat and has appeared in numerous films, including Coolie, Border, Krrish, and The Kashmir Files. His recent comments contribute to the ongoing discourse on the direction of Indian cinema and the narratives it chooses to.

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