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Yash Dhull 110, Shaik Rasheed 94 help India steamroll Australia to reach fourth straight Under-19 World Cup final

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Yash Dhull 110, Shaik Rasheed 94 help India steamroll Australia to reach fourth straight Under-19 World Cup final

India have reached their fourth consecutive Under-19 World Cup final as Yash Dhull’s side thumped Australia by 96 points in the semi-finals to secure a stunning final against England on Saturday. Dhull led from the front with a 110, and with great support from his deputy Shaikh Rasheed (94), they forged a 204-run partnership that helped India recover from 37/2 to eventually finish at 290/5.

Once the batsmen had done their job, it was the turn of the Indian bowlers to ragged Australia. Vicky Ostwal continued his stellar run in the Championship with a 3/42 and joined Nishan Sindhu (2/25) in a 194-run win over Australia in the round of 42. From 75/1, Australia collapsed and burned to 125/7 before India completed the formalities and reached the Under-19 World Cup final.

However, for India, the start is not optimistic. After winning the toss and choosing to bat, Australia bowled in a disciplined channel that did not allow India any motorways. Opener Angkrish Raghuvanshi was batted by William Salzmann and Jack Nisbet also got Harnoor Singh Pannu to pack cheap. But from there, Dhull and Rasheed created something legendary, first settling down and then accelerating in a flashy way to get a run at it.

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Starting at 149/2 at the end of the 35th inning, Dhull and Rasheed went all the way with 141 runs in their final 15 innings. On the 13th and 28th, the two batsmen combined for just three fours before the Indian captain started the onslaught.

Dhull and Rasheed took 64 and 78 balls respectively to reach their half-century. While the captain was an accelerator at first, Rashid shifted gears and quickly overtook his captain in scoring. Salzman hit three straight fours in the 41st inning. Dhull had slowed down a bit before heading into the 90s, hitting four consecutive fours and running a pair to complete his first Under-19s in India.

Australia came back with wickets from Dhull and Rasheed after well over 200, but a late cameo from Dinesh Bana, who had 20 from 4 balls, hit two fours and two sixes balls, helping India collect 48 balls from the last 18 to set the target Australia close to 300.

With the ball, Ravi Kumar provided a fantastic start as he trapped the in-form Teague Willy. Campbell Kellaway and Corey Miller tried to rebuild with a 68-run collaboration before Raghuvanshi broke the stands and Ostwal joined the party. Spinning mills made their presence felt when Australia began to crumble.

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Jack Synfred and Tom Whitney had nothing to do but close the defeat gap. Rajvardhan Hangargekar impacted Whitney’s game when the last Australian wicket fell, paving the way for Saturday’s India v England final.

Complete News Source : Hindustan Times

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Fox crashes Lord’s at The Hundred opener as crowd erupts, play halts as wild visitor sprints across the field

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Fox crashes Lord's at The Hundred opener as crowd erupts, play halts as wild visitor sprints across the field

At the opening match of The Hundred 2025 at the iconic Lord’s Cricket Ground, an unexpected intruder stole the spotlight and temporarily halted play—a fox darted across the field, drawing cheers, laughter, and surprise from the packed crowd. As the players took their positions and the game began to unfold with its usual excitement, the attention quickly shifted from cricket to the wild visitor sprinting across the lush green turf. The fox made a grand entrance mid-over, zipping across the outfield with impressive speed and agility, momentarily distracting both teams and the umpire. Players looked amused, and some even pointed towards the animal while others moved aside, giving it a wide berth as it completed its impromptu lap of honor.

The appearance of the fox brought a moment of levity to what was otherwise a tense and highly anticipated match. Fans erupted in laughter and applause, with many pulling out their phones to record the rare moment. Social media quickly buzzed with videos and memes, turning the fox into an instant internet sensation. Some viewers jokingly referred to it as the “fastest player on the pitch” or the “unofficial mascot of The Hundred.” Commentators also joined in the fun, making light-hearted remarks and adding humor to the moment as they waited for the field to clear.

Ground staff at Lord’s took swift action but didn’t seem too worried. The fox, seemingly unbothered by the thousands of spectators and bright lights, made its way around the boundary rope before eventually exiting the ground through a gap near the pavilion. The interruption lasted just a few minutes, but it was enough to bring a pause filled with amusement and a rare touch of the wild in the middle of a professional sporting event. Players regrouped with smiles, and the match soon resumed with the atmosphere now even more lively and cheerful.

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Incidents involving animals are not completely unheard of in cricket, but it is especially rare at Lord’s, a venue known for its tradition, discipline, and elegance. The fox’s surprise cameo added a quirky and unforgettable moment to the evening, with many fans claiming it was one of the highlights of the match. Some compared it to previous similar events, such as when dogs or birds disrupted play in earlier cricket matches around the world, but the setting of Lord’s and the timing during the high-profile Hundred opener made this encounter uniquely memorable.

The fox’s presence also reignited conversations around urban wildlife in London. Experts noted that foxes are common in the city and are known to wander through parks and even sports grounds, especially in the evenings. While this one didn’t appear aggressive or afraid, it served as a reminder of how wildlife can sometimes make surprising appearances in human-dominated spaces, even in venues as prestigious as Lord’s. No harm was caused, and both the animal and the players remained safe throughout the incident.

Organizers of The Hundred embraced the viral moment, with the official social media handles posting witty captions and encouraging fans to share their favorite “fox at Lord’s” memories. The incident, though minor, added a layer of charm to the opening game and reminded fans why live sports are unpredictable and entertaining in more ways than one. For a brief moment, cricket took a back seat, and the four-legged pitch invader became the star of the evening. As the season of The Hundred progresses, the fox at Lord’s will likely be remembered as one of its most unexpected and delightful moments.

Sydney Sweeney, best known for her roles in Euphoria and The White Lotus, recently found herself at the center of controversy during the premiere of her new film Americana. The event, intended to highlight the film’s debut, took a dramatic turn when the actress was heckled by protesters accusing her of supporting a “racist” ad campaign by American Eagle. The ad in question, which featured overt patriotic themes and stylized Americana fashion, was slammed by some viewers online for allegedly promoting a narrow, exclusionary view of American identity. Sweeney, who is a brand ambassador for American Eagle, became a direct target of criticism, with some accusing her of ignoring the wider implications of the campaign’s imagery and message.

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During the red carpet event, a group of protestors shouted slogans at Sweeney, questioning her stance on inclusivity and racial representation. Though she continued with her appearances and interviews, observers noticed her visible discomfort. Social media quickly lit up with divided opinions — while some users defended her, pointing out she is simply a face for a brand and may not have creative control over ad content, others criticized her for not taking a firmer public stance against what they described as harmful messaging. Many netizens concluded that “she does not care” based on her neutral or dismissive demeanor in follow-up interviews and on social media, where she has so far remained silent on the issue.

The backlash stems from a recent American Eagle advertisement where Sweeney was seen posing with American flags, cowboy hats, and other western iconography. Critics say the imagery echoed a stereotypical and overly whitewashed version of American heritage, marginalizing diverse voices and histories. Some online activists called the campaign “tone-deaf,” especially in a time of heightened cultural sensitivity and ongoing discussions around race and representation in media. The brand has not officially responded to the controversy, and neither has Sweeney, which only fueled further speculation that the actress is attempting to distance herself from the issue altogether.

Supporters of Sweeney argue that the outrage is misplaced and that cancel culture is again targeting a celebrity for something beyond their control. They pointed out that fashion campaigns frequently walk a fine line between patriotism and commercialism and that Sweeney, being under contract, may not have had input in the creative direction. Others emphasized that her silence may not necessarily mean indifference, but rather a deliberate attempt to stay out of a heated and complex debate. Still, the dominant narrative emerging online is that she appears unfazed — a perception some feel reflects a broader problem in Hollywood where stars avoid uncomfortable conversations to protect their careers.

Sweeney’s image has long been cultivated as that of a rising star who blends beauty with grounded values. However, this incident challenges that perception, raising questions about accountability and celebrity activism. As public figures increasingly face pressure to speak out on socio-political matters, especially those involving race and representation, their silence or missteps can quickly spiral into controversies like this one. The incident also highlights how advertising can carry unintended cultural weight and how celebrities tied to those campaigns are now held to higher standards than ever before.

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For now, Sweeney continues promoting Americana, but the shadow of this backlash lingers. Whether she or American Eagle will issue a statement remains uncertain. What’s clear, however, is that in today’s interconnected world, every image and endorsement is open to scrutiny, and stars like Sydney Sweeney must navigate this delicate landscape carefully. The public’s perception that she “does not care” could be damaging in the long run unless addressed with openness and clarity. The situation is a reminder of the evolving expectations placed on celebrities — no longer just performers, but also perceived role models in a highly politicized world.

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