Fashion
All change at Bottega Veneta: designer Daniel Lee moves on
Daniel Lee, the designer who is thought to reinvigorate the luxury fashion brand Bottega Veneta, is about to leave the brand. The statement announcing the news stated that it was “a joint decision to end cooperation.” But this is a shock to the fashion industry. Lee joined Bottega Veneta in July 2018, quickly making it one of the most sought-after brands in the world. During his tenure, Rihanna, A$AP Rocky and Mary J Blige all wore designs, and accessories including “pouch” bags and woven leather “Lido” sandals were also highly sought after and imitated. Sales in 2019 increased by 2.2% to nearly 1.2 billion euros (£1 billion) and continued to grow in 2020, despite a 23% decline in other luxury goods markets.
Revenue in the third quarter of 2021 increased by 8.9% year-on-year. The rumor factory in the fashion industry has hinted at various reasons behind the spin-off. Lee previously worked at Celine under the leadership of Phoebe Philo. As Philo’s own brand will debut next year, industry insiders speculate that he might join her. “All theories are welcome,” Diet Prada wrote in the Instagram post announcing the news. “Ours? LVMH has dug him back to work for the brand of the same name that Phoebe Philo has not yet unveiled, haha.” “Women’s Wear Daily” stated that Lee’s way of working has been difficult, and many employees have left Bottega Veneta.
It quoted a source who said: “There is no denying his talent, but on a personal level, dealing with relationships is another matter-considering his working hours, usually at night. So many people left, This is a revolving door.” A speech in Detroit last month, and the pressure to put it together, may have caused Lee to leave the brand. GQ’s style director Teo van den Broeke also speculated that work culture may be the culprit. “Has anything unpleasant happened in the well-ventilated studio of Bottega Veneta’s Via Privata Ercole Marelli headquarters in Milan?” he wrote. “It is possible that we will never know, but there is no doubt that the earthquake happened to facilitate this change at such a rapid rate.”
Lee’s Bottega Veneta uses disruptive communication methods. Bottega Veneta deleted the social media account that is now a luxury brand in early 2021. Although this has been hailed as radical-and has since been copied by other brands-other pivots have not been so successful.
Bottega Veneta did not participate in the digital fashion show during the pandemic, and since then only used invitation-style salon-style presentations in London, Berlin and Detroit. An evening party in Berlin in April-during the city’s lockdown-was criticized on social media. “It’s damn immoral, we are in MF lockdown here in Berlin,” wrote influencer Loona Hamilton.
News Source : The Guardian
Life Style
Designer Tarun Tahiliani shares insights about Radhika Merchant’s final appearance in her lehenga saree for the Hastakshar event.
Prominent figures from politics, commerce, and entertainment attended lavish pre-wedding celebrations in Jamnagar, Gujarat, where Radhika Merchant and Anant Ambani celebrated their union. After three days of celebration, Radhika and Anant took part in the prenuptial ceremony known as the Hastakshar ritual, which formally marks the couple’s union and their commitment to one another. Radhika, Anant’s future wife, opted for a custom-designed Tarun Tahiliani lehenga saree that resembled a complex of temples, while Anant donned a sherwani for the occasion. The ensemble’s designer is now disclosing minute details. To learn more, scroll through.
Pictures of Radhika Merchant’s bespoke couture lehenga saree from the Hastakshar ceremony were released by Tarun Tahiliani, who said that the model bride was a pleasure to work with. In the post’s description, he also revealed the processes involved in creating the bride-to-be’s pre-draped appearance. Upon meeting Radhika, the designer claimed to have been enthralled with her ‘impeccable taste’ right away. With its’sartorial temple complex’ resemblance, the lehenga saree complemented Radhika’s grace and the idea of the ‘valley of the gods’. The attire was further embellished with ‘finely embroidered domes and structures in the gentle tones of peaches, corals, and sunset colours’.
“Poetic ode to Indian heritage, as the pre-draped lehenga saree unfolds a tapestry of hand-painted miniature artistry, intricately woven with the delicate finesse of kasheedakari craftsmanship in opulent shades of silver and rose gold,” the designer said, describing Radhika’s lehenga.
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