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All change at Bottega Veneta: designer Daniel Lee moves on

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3 years ago

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All change at Bottega Veneta: designer Daniel Lee moves on

Daniel Lee, the designer who is thought to reinvigorate the luxury fashion brand Bottega Veneta, is about to leave the brand. The statement announcing the news stated that it was “a joint decision to end cooperation.” But this is a shock to the fashion industry. Lee joined Bottega Veneta in July 2018, quickly making it one of the most sought-after brands in the world. During his tenure, Rihanna, A$AP Rocky and Mary J Blige all wore designs, and accessories including “pouch” bags and woven leather “Lido” sandals were also highly sought after and imitated. Sales in 2019 increased by 2.2% to nearly 1.2 billion euros (£1 billion) and continued to grow in 2020, despite a 23% decline in other luxury goods markets.

Revenue in the third quarter of 2021 increased by 8.9% year-on-year. The rumor factory in the fashion industry has hinted at various reasons behind the spin-off. Lee previously worked at Celine under the leadership of Phoebe Philo. As Philo’s own brand will debut next year, industry insiders speculate that he might join her. “All theories are welcome,” Diet Prada wrote in the Instagram post announcing the news. “Ours? LVMH has dug him back to work for the brand of the same name that Phoebe Philo has not yet unveiled, haha.” “Women’s Wear Daily” stated that Lee’s way of working has been difficult, and many employees have left Bottega Veneta.

It quoted a source who said: “There is no denying his talent, but on a personal level, dealing with relationships is another matter-considering his working hours, usually at night. So many people left, This is a revolving door.” A speech in Detroit last month, and the pressure to put it together, may have caused Lee to leave the brand. GQ’s style director Teo van den Broeke also speculated that work culture may be the culprit. “Has anything unpleasant happened in the well-ventilated studio of Bottega Veneta’s Via Privata Ercole Marelli headquarters in Milan?” he wrote. “It is possible that we will never know, but there is no doubt that the earthquake happened to facilitate this change at such a rapid rate.”

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Lee’s Bottega Veneta uses disruptive communication methods. Bottega Veneta deleted the social media account that is now a luxury brand in early 2021. Although this has been hailed as radical-and has since been copied by other brands-other pivots have not been so successful.

Bottega Veneta did not participate in the digital fashion show during the pandemic, and since then only used invitation-style salon-style presentations in London, Berlin and Detroit. An evening party in Berlin in April-during the city’s lockdown-was criticized on social media. “It’s damn immoral, we are in MF lockdown here in Berlin,” wrote influencer Loona Hamilton.

News Source : The Guardian

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Denis Villeneuve, the director of Dune 2, is “against” the Academy’s decision to exclude Hans Zimmer for Best Score at the 2025 Oscars. “Denis Villeneuve Slams Academy for Excluding Hans Zimmer’s Dune 2 Score from 2025 Oscars”

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2 weeks ago

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January 8, 2025

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Denis Villeneuve, the director of Dune 2, is “against” the Academy’s decision to exclude Hans Zimmer for Best Score at the 2025 Oscars. “Denis Villeneuve Slams Academy for Excluding Hans Zimmer’s Dune 2 Score from 2025 Oscars”

Hans Zimmer, who won the Best Original Score Oscar for Dune in 2022, has been disqualified from the same category for Dune 2 at the Oscars this year. While the nominations for Oscars 2025 will be announced on January 17, we already.

know that the two-time Academy Award-winning German music composer Hans Zimmer hasn’t made it to the Best Original Score nominations this year for his terrific work in Denis Villeneuve’s blockbuster sci-fi epic Dune 2. As per Slashfilm, Denis has voiced his objection to the Academy’s decision.

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What Denis said

“I am absolutely against the decision of the Academy to exclude Hans, frankly, because I feel like his score is one of the best scores of the year. I don’t use the word genius often, but Hans is one,” said Denis at a screening of Dune 2 at the Directors Guild of America in New York. He joked that while he’s not “here to complain,” he argued that the score of Dune 2 is “rooted” in the first part because there is a “continuity” since the Dune franchise is like “one big movie that is cut in half.”

Denis was referring to The Academy’s rule that a music composer is eligible for a nomination in the Best Original Score category only if 80% of the score is original. While Dune 2 does boast of a fresh score (for instance, the love theme – A Time Of Quiet Between The Storms), most of it is borrowed from the score of the first part, which released in 2021.

Hans is no Oscar virgin

Hans has been nominated consistently at the Academy Awards since 1989 for 12 times in the same category. His nominations include Barry Levinson’s 1988 road movie Rain Man, Penny Marshall’s 1996 Christmas fantasy The Preacher’s Wife, James L Brooks’ 1997 romantic comedy.

As Good As It Gets, Dreamworks Animation’s 1998 musical The Prince of Egypt, Terrence Mallick’s 1998 war epic The Thin Red Line, Ridley Scott’s 2000 historical action epic Gladiator, Guy Ritchie’s 2009 period mystery film Sherlock Holmes, Christopher Nolan’s 2010 sci-fic epic Inception, his 2015 blockbuster Interstellar, and his 2018 war film Dunkirk.

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Hans won the Oscars for Disney’s 1994 animated musical The Lion King and Dune.

Renowned filmmaker Denis Villeneuve, the director of Dune: Part Two, has voiced his disappointment with the Academy of Motion Picture Arts and Sciences over its decision to exclude Hans Zimmer’s score from the Best.

Original Score category at the 2025 Oscars. Zimmer, who composed the critically acclaimed score for Dune: Part One and won an Oscar for it in 2022, was expected to deliver another masterpiece for the sequel. However, the Academy’s decision has sparked controversy, with Villeneuve being one of its most vocal critics.

In an interview, Villeneuve expressed his frustration, saying, “Hans Zimmer’s work on Dune: Part Two is nothing short of extraordinary. the soul of the film, and it’s disappointing to see it overlooked. I am against this decision because it diminishes the hard work and creativity that went into crafting a score that enhances every moment of the story.”

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Zimmer’s score for the Dune franchise has been widely celebrated for its innovation, blending otherworldly sounds and traditional orchestration create an immersive sonic landscape that captures the essence of Arrakis. Fans and critics alike have praised the music’s pivotal role in bringing Frank Herbert’s universe to life.

Villeneuve further added, “The Academy’s decision not only impacts Hans but also the recognition of the importance of music in storytelling.

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