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Anek review: Ayushmann deftly carries this timely picture that loses its way..

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Anek review: Ayushmann deftly carries this timely picture that loses its way..

Picking controversial yet relevant topics that require dialogue and then basing a film on them may seem like a good idea, but it doesn’t always work out. Anek, Ayushmann Khurrana’s latest film, is a perfect example of this. Anek is directed and written by Anubhav Sinha, who worked with Ayushmann Khurrana again after the critically acclaimed Article 15 (which was based on caste discrimination in India). More so because Sinha’s previous three directorial projects — Mulk, Thappad, and Article 15 — all struck the right note and successfully started a conversation, but with Anek, he simply couldn’t create an immersive experience that leaves you thinking long after you leave the theatre. Anek’s intentions are all over the place, starting with a storyline that is a little confusing to begin with, followed by a narrative that appears convoluted in most places. Sinha tries to address a lot of issues in a 2-hour-30-minute film, but he can’t possibly do them all justice.

Anek is a film set in North East India about an undercover agent named Joshua (Ayushmann Khurrana) who is on a mission to restore peace in the Northeastern region of India and the political situation that has plagued this region for a long time. During the course of his mission, he meets Aido, a Northeastern Indian boxer (newcomer Andrea Kevichüsa) who is battling prejudice while pursuing her dream of making the Indian national team. Aido’s father, Wangnao (Mipham Otsal), is a schoolteacher who is secretly nurturing a rebel group against government forces, and Khurrana has an interesting tryst with him.

Sinha has picked up on the right nuances when it comes to casting actors from the North East, authentic locations, dialogues, and the severity of the conflict he wants to highlight, but he fails to weave them into a compelling story that will keep you hooked. The first half of the movie is spent setting up a premise that never really comes to fruition. The first half of the film appears to be a little rushed, with more time spent on character development than showing the actual tension that people in the North East face on a daily basis.

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That said, Anek is a patriot who, thankfully, never descends into jingoism, which is all too common in Hindi films. The way Sinha has attempted to depict the racial abuse that people in the North East face on a daily basis, as well as their ordeal to prove that they are as much a part of India as anyone else, are wonderful elements that work in places. You can’t ignore the fact that this is one of the few commercial films to attempt to focus attention on the troubling situation in the North East, which many people talk about but few have the courage to investigate further. Following in the footsteps of films such as The Kashmir Files, Anek is unquestionably a significant and timely film. I only wish Sinha’s co-written screenplay with Sima Agarwal and Yash Keswani had been a little more focused in its execution.

Even when his loyalty is called into question, we see Khurrana carry out his mission with utmost sincerity and diligence. As a cop, he is gritty, confident in his role, and softer in scenes of helplessness. It wouldn’t be an exaggeration to say that he expertly carries the film.

Kevichüsa, who makes her Bollywood debut with Anek, gives a good first performance, though I think her character could have been fleshed out a lot more with more to do than just boxing in the ring. When she realises what Joshua and her father are up to, she doesn’t do anything you’d expect in a situation like this. Wangnao, on the other hand, has a strong character arc. He elicits an emotion that you might be able to relate to. Kumud Mishra and Manoj Pahwa, among the supporting cast, put their years of experience to good use and deliver some memorable scenes.

To summarise, Anek has the right heart and is made with all the right intentions; however, the execution is a little disappointing, and the story is not one that everyone will understand with equal empathy and interest.

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Anek (film)

Ayushmann Khurrana, J.D. Chakravarthy, Andrea Kevichüsa, Manoj Pahwa, and Kumud Mishra are among the cast members.

Anubhav Sinha is the director.

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Bollywood musicians Salim-Sulaiman confess Ishq Wala Love for college students at NSUT fest in Delhi

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Bollywood musicians Salim-Sulaiman confess Ishq Wala Love for college students at NSUT fest in Delhi

Indian music composer duo Salim-Sulaiman performed at Netaji Subhas University of moment of unity and joy Technology (NSUT)’s annual cultural event, Moksha. The duo sang songs from Ainvayi Ainvayi to Chak De India, attracting almost 25,000 students to the campus. The cosplay competition was another highlight of the event, with students dressed up as.

The duo had the crowd hooked to their every beat, with high-energy hits like Ainvayi Ainvayi and patriotism-infused Chak De India. Bollywood singers Raj Pandit, Vipul Mehta, and Kavya Limaye joined them on stage, paving the way for one of the most heartfelt moments of the gig. Salim said, “I want to thank each and every one of you as Moksha is one of biggest festivals.

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The court took cognizance of certain remarks made by comedian Samay Raina regarding for the individuals with disabilities on his show India’s Got Latent (IGL). The court stated that the comments were “really disturbed” by the comments, which are alleged to have mocked visually impaired individuals and a child diagnosed with spinal muscular atrophy (SMA), a serious.

The court pointed out that the jokes in question were made in poor taste and reflected a wider the issue concerning the portrayal of vulnerable communities. Samay, who has already been under public scrutiny following Ranveer Allahbadia’s joke on the show, has now been officially added as a party in the ongoing legal case in the college circuit, and I’m truly proud to be here.

Bollywood music composers Salim and Sulaiman Merchant set the stage ablaze at Netaji Subhas University of Technology (NSUT) in Delhi during the Moksha’25 fest on April 19, 2025. Performing in front of an enthusiastic crowd of nearly 25,000 students, the duo delivered an electrifying set that included their iconic tracks like “Ainvayi Ainvayi” and “Chak De India.”

As the song began, the atmosphere transformed into a sea of red, with heart-shaped confetti cascading over the crowd, amplifying the romantic ambiance. Salim Merchant invited the audience to join in, saying, “Ek kahawat hai, saath gaane se pyar badhta hai, toh kyun na aisa gaana gayein jo aap humare saath gayenge.” This invitation led to a powerful chorus.

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The performance was not just about music; it was a celebration of youth culture and the vibrant energy of college life. The NSUT campus buzzed with excitement, with events like cosplay competitions adding to the festive spirit. Salim and Sulaiman’s performance at Moksha’25 was a testament to their enduring appeal and their ability to connect with.

For those who missed the live performance, a recording of Salim and Sulaiman’s set at NSUT Fest – Moksha 2025 is available on YouTube and life-threatening condition The highlight of the evening was their rendition of “Ishq Wala Love,” which resonated deeply with the college audience of audiences across generations students singing along, creating a memorable.

Anime characters contest Bollywood music composers Salim and Sulaiman Merchant set the stage ablaze at Netaji Subhas University of Technology (NSUT) in Delhi during the Moksha’25 fest on April 19, 2025. Performing in front of an enthusiastic crowd of nearly 25,000 students, the duo delivered an electrifying set that included their iconic tracks like “Ainvayi Ainvayi.

As the song began, the atmosphere transformed into a sea of red, with heart-shaped confetti cascading over the crowd, amplifying the romantic ambiance. Salim Merchant invited thAT IS audience to join in, saying, “Ek kahawat hai, saath gaane se pyar badhta hai, toh kyun na aisa gaana gayein jo aap humare saath gayenge.” This invitation led to a powerful chorus.

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