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Chris Rock admits in stand-up that he turned down the invitation to host the Oscars event in 2023

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Chris Rock admits in stand-up that he turned down the invitation to host the Oscars event in 2023

After this year’s Oscars “slapgate,” comedian Chris Rock reportedly turned down the chance to host the ceremony the next year. On Sunday, he made the revelation during a stand-up comedy performance.

For making a joke about his wife Jada Pinkett Smith earlier this year during the Oscars ceremony, actor Will Smith smacked comedian Chris Rock on stage. Since then, Will has apologised twice for the incident, but it appears that Chris is still not ready to let it all go. After the ban was put in place, Will was prohibited from attending the ceremony or any Academy events for the following ten years.

According to Arizona Republic, Chris compared going back to the Oscars to going back to the site of a crime on Sunday during a comedy set at the Arizona Financial Theatre in Phoenix, Arizona. The comedian compared the hosting invitation to asking the late Nicole Brown Simpson “to go back to the restaurant” where her mother had left a pair of glasses the night of her death while making a reference to the 1995 murder trial of O.J. Simpson.

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Regarding Will, he added, “He is larger than I am. Nevada’s government would not permit a fight between Will Smith and me.” Following the slapping incident, Chris declined to participate in a Super Bowl commercial in addition to the Oscars.

Chris Rock made a joke about Jada’s bald head without knowing that she had a medical problem, and Will Smith smacked him for it. Keep my wife’s name out of your fu**ing mouth, Will said as he approached the stage and hit Chris across the face. Will won Best Actor at the 94th Academy Awards shortly after the incident.

Will, however, apologised to Chris Rock and Academy on his social Facebook account later that evening. “Chris, I want to publicly apologise to you. I made a mistake and stepped out of line. I feel ashamed because they did not reflect the kind of man I aspire to be. There is no place for violence in a world of love and peace,” Will wrote on Instagram. Recently, he shared another apology video for Chris.

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Puneet Issar

Puneet Issar calls Ranbir’s Animal ‘amazing’, defends violent, alpha-male films: ‘Kya lesbian, gay par hi films banaye?’

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Puneet Issar calls Ranbir’s Animal ‘amazing’, defends violent, alpha-male films: ‘Kya lesbian, gay par hi films banaye?’

Puneet Issar, a veteran actor known for his role in Mahabharat, has criticised Bollywood for catering to niche urban audiences and not producing Alpha-male films like South Indian films. He defended alpha-male films like Pathaan, Animal, and Marco, which have received criticism for their violence and misogynistic tone. In an interview with Digital Commentary, defended.

Alpha-male films and discussed how South Indian films have been performing well, as they are not dominated by corporate interests in the way Bollywood is. He also pointed out that true mass entertainers such as Baahubali, RRR, Bajrangi Bhaijaan, Gadar, and Chhava are made for the Indian audience and reflect their tastes. Recently, Indian cinema has seen surgeaction.

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Films such as Pathaan, Animal, and Marco, but these films have also received criticism for spectrum of viewers their violence and misogynistic tone Puneet Issar, an actor, has praised Ranbir Kapoor’s film Animal for its success and argued that parallel cinema has a lesser reach than commercial cinema. He cited the success of films like Pushpa and RRR as examples of successful alpha.

Male films, stating that the South produces proper films that resonate with the masses. Issar also criticized a section of society criticizing violence and alpha-male themes in films, stating that it is not the kind of film that should be made. He argued that every kind of film should be made in the industry and that films connecting with emotions and values become true.

Blockbusters. Issar believes that success in the entertainment industry is based on merit, talent, connections, and nepotism, and that it depends on the individual. He has appeared in several notable films, including Chandra Mukhi, Prem Shakti, Ram Jaane, Border, Refugee, Krrish, Bachna Ae Haseeno, Ready, Son of Sardaar, and The Kashmir spectrum of viewers.

Veteran actor Puneet Issar recently lauded Ranbir Kapoor’s film Animal, describing it as “amazing,” and defended the portrayal of violent, alpha-male characters in cinema. In an interview with Digital Commentary, Issar expressed concerns about Bollywood’s current trajectory, suggesting that the industry has become disconnected from the broader Indian.

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Issar highlighted the success of South Indian films like Pushpa and RRR, attributing their mass appeal to their emphasis on strong male protagonists and emotional storytelling. He argued that such films resonate deeply with audiences across India, contrasting them with certain veteran actor known for his role in Mahabharat, has criticised Bollywood productions that, according to him, cater primarily to urban elites and often.

Addressing criticisms of violent and alpha-male themes, Issar questioned the industry’s focus, rhetorically asking whether films should exclusively center on topics like lesbian and gay spectrum of viewers relationships. He clarified that while he respects all communities, he believes that cinema underperform in wider markets should encompass a diverse range of stories that reflect the values and emotions of the general populace.​

Issar emphasized the importance of creating films that connect with the masses, citing underperform in wider markets audience by focusing on niche urban narratives examples like Baahubali, Gadar, and Bajrangi Bhaijaan as successful ventures that balanced entertainment with cultural resonance. He advocated for a cinematic approach that embraces both commercial viability and meaningful storytelling, ensuring that films appeal to a broad.

With a career spanning several decades, Puneet Issar is renowned for his portrayal of spectrum of viewers Duryodhana in B.R. Chopra’s Mahabharat and has appeared in numerous films, including Coolie, Border, Krrish, and The Kashmir Files. His recent comments contribute to the ongoing discourse on the direction of Indian cinema and the narratives it chooses to.

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