Web Series
First trailer for Lootere: Hansal Mehta thriller features a kidnapped Indian ship in Somalia
Lootere, a new web series from Hansal Mehta, has released its debut trailer and looks to be a brutal thriller. Jai Mehta, the son of Hansal, is the show’s director, while Rajat Kapoor plays a significant part.
Vivek Gomber, Deepak Tijori, Rajat Kapoor, Chandan Roy Sanyal, and Amruta Khanvilkar all appear in the next episode on Disney+ Hotstar. Rajat Kapoor can be seen holding a pair of binoculars on his ship in the teaser’s opening long shot of a boat on the water. They soon find themselves in the midst of a hijack, and then there is mayhem and bloodshed. The film also provides a behind-the-scenes look at the production, allowing us to observe Hansal at work on the sets.
Hansal posted the teaser on his Instagram profile with the following message: “Presenting the @jaihmehta directed film #Lootere with pride. #HotstarSpecials #Lootere, a story of greed, survival, terror, and mayhem, will be released soon. Produced by @shaaileshrsingh @KarmaMediaEnt @shaaileshrsingh #LootereOnHotstar #DisneyPlusDay #FirstLook”
One of the first people to remark on the post was the director Nikhil Advani. How fantastic does this look, he wrote. JaiHMehta, a full chip off the old block, will eventually teach us some things. #Lootere @DisneyPlus @mehtahansal @shailesh r sing Apurva Asrani, a film editor and writer, added heart-eye emojis to the message as well.
Hansal Mehta’s next film, Faraaz, is a directorial effort in addition to Lootere. The Holey Artisan cafe attack, which shook Bangladesh in July 2016, is the subject of this action-thriller. The movie was chosen earlier this month to screen at the BFI London Film Festival in 2022. Aditya Rawal, the son of Paresh Rawal, plays a significant role and actor Zahan Kapoor makes his acting debut.
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Web Series
Review of House of the Dragon Season 2 Episode 1: A solid, albeit sluggish, comeback with more discussion and less action
There are high hopes for House of the Dragon’s nearly two-year return. The first season of the prequel series to Game of Thrones raised the bar by placing viewers squarely in the thick of action and including rich character development spanning about 20 years in the Dance of the Dragons. The second season picks up just after the horrific events of the first, in which Prince Aemond Targaryen (Ewan Mitchell) and his dragon killed Rhaenyra Targaryen’s (Emma D’Arcy) youngest son, Lucerys (Elliot Mitchell). Now, intent or lack thereof is irrelevant. There’s been bloodshed, and the fallout will be far bloodier.
Fans of Game of Thrones may be reminded of the strategic war table scenes in which the protagonists scheme and plot in poorly lit interiors and consult council to choose the best course of action in the first episode of the second season, “A Son for a Son.” This time around, viewers should anticipate a more engaging comeback if the first episode is any guide. To be honest, it’s a pleasant diversion from the previous season’s unrelenting presentation of the developing conflict between the Blacks and the Greens. This season seems to be taking a much more methodical approach, focusing primarily on the internal conflicts. Peace is undoubtedly unattainable, but in the pursuit for revenge, what also meets the eye is the reclamation of power, and the expression of grief.
Emma D’Arcy is fierce from the moment they first appear, adding a hint of melancholy and sorrow to the cunning world of things. However, Daemon (Matt Smith) is not to be trusted because he has his own ideas about who will succeed him. He doesn’t understand why pursuing retribution must wait when it may be completed right away. He reasons, “The mother grieves as the queen shirks her duties.” Additionally, Alicent (Olivia Cooke) and her daughter Helaena (Phia Saban) need to go beyond being remorseful spectators. By the end of this grim tale, we realise exactly why Helaena says she is afraid of rats.
The first episode immerses viewers in the discussions and betrayals that take place in the council chambers and chambers. It takes a confident and poised stride towards intensifying hostilities. While some viewers may be taken aback by showrunner Ryan Condal’s approach, which emphasises character-driven intrigue over grand schemes and spectacular action scenes in the beginning of the season, the show delves deeply into themes of war, betrayal, and legacy. We do get a deeper look at the hopelessness and inner demons of these men who pleasure in killing and retaliation, which makes the first episode promising even though it is a little too inconsistent and constrained for its own benefit. Even now, the first episode is personal and moving, laying the necessary groundwork for the battles that will inevitably follow as the season develops.
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