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In response to a Canadian director who dubbed The Kashmir Files rubbish, Vivek Agnihotri

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In response to a Canadian director who dubbed The Kashmir Files rubbish, Vivek Agnihotri

Filmmaker Vivek Agnihotri has addressed Dylan Mohan Gray’s criticism of his movie, The Kashmir Files, days after he garnered attention for his response to Anurag Kashyap’s statement that it shouldn’t be submitted to the Oscars. Recently, the Canadian director tweeted that The Kashmir Files was “hatemongering crap” and would humiliate India if it were nominated for an Oscar. In response, Vivek has said that “someone sitting in Canada” may have seen his movie in the first place. He may not be a talented filmmaker, but Vivek said he is aware of politics.

Dylan recently referred to The Kashmir Files as “hatemongering junk of no artistic quality” and said that Anurag Kashyap was correct to hope that the movie is not chosen as India’s official entry to the 2019 Oscars in order to protect what little goodwill there is left for India. On August 17, Dylan posted in response to Vivek Agnihotri’s tweet regarding Anurag’s statement “Actually, if “chosen” by the “neutral” board, it’s (hateful, revisionist) garbage with no creative merit and will shame India even more. Anurag Kashyap is merely attempting to protect what little goodwill the nation still has.” In 2020, Dylan will broadcast the Netflix documentary series Bad Boy Billionaires India.

In a recent interview with ETimes, Vivek responded to a question concerning Dylan’s remark by saying, “This is all lobbying and politics. I know more about politics than most directors. Credit to you, mujhe (Please give me that much credit). Even if I’m not a brilliant filmmaker, I have a grasp of politics. Tell me, how did someone watching my movie from Canada notice it. That implies that someone is lobbying.

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Vivek stated in his original tweet, to which Dylan replied, that a campaign against his movie had been initiated by “Bollywood’s genocide-denier lobby.” He tweeted, “Important: The vile, genocide-denier lobby of Bollywood has started its campaign against The Kashmir Files for Oscars, under the supervision of the creator of The Godfather: Part II.

The Kashmir Files, which was directed by Vivek Agnihotri, starred Anupam Kher, Pallavi Joshi, Mithun Chakraborty, and Darshan Kumar in the lead positions. The movie had a mixed reception upon release but went on to become one of the highest grossing Hindi movies of the year. Since the Covid-19 pandemic, it is the only Hindi movie to surpass the 300-crore mark.

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Ali Fazal’s Heartbreaking Fear: The Mirzapur Risk That Almost Ruined Him

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Ali Fazal's Shocking Powerful Mirzapur Revelation

Ali Fazal is now a global giant, but his rise was fraught with danger. Before becoming the renowned, muscle-bound, gun-toting Guddu Pandit of Mirzapur, he faced a horrible crossroads. He was a rising star in Indian cinema, having previously charmed audiences with sweet, romantic, and Hollywood roles. Then, a dark, gritty script appeared on his desk. It was violent, raw, and utterly unprecedented in Indian streaming. The actor reportedly admitted that he was struck by extreme anxiety before signing the contract. The apprehension sprang not only from the prospect of playing a merciless mobster, but also from heated, frightening warnings from industry insiders.



The Ominous Warnings From Bollywood Insiders

When Ali Fazal first began discussing the role of Guddu Pandit, his industry colleagues were overwhelmingly unfavourable. Several filmmakers and instructors advised him against entering the gloomy realm of Mirzapur. OTT platforms in India were still in their early stages at the time. The established conventions of Bollywood mandated that a starring male should remain on the silver screen. Insiders warned him that producing a web series would be a major setback for his career. They cautioned him that portraying a foul-mouthed, violent character would forever damage his romantic hero image.


Gripped By Terror and Deep Self-Doubt

The actor was under intense psychological pressure. “I was scared at that time,” Ali Fazal confessed bluntly in a recent interview. He was scared that he was making a huge mistake. The character’s extreme ferocity necessitated a comprehensive physical and emotional redesign. He questioned if he could carry off such a threat without losing his current fanbase. The fear of failure loomed huge, prompting him to mistrust his artistic inclinations. Every piece of advise he received told him to abandon the project, leaving him feeling incredibly isolated.


Shattering the Traditional Hero Stereotype

Despite his enormous apprehension, something deep within Ali Fazal compelled him to take the plunge. He understood that the world of storytelling was changing rapidly. He chose to buck the traditional thinking of Bollywood hitmakers, who preferred safe, formulaic films. Stepping into Guddu Pandit’s shoes required him to entirely abandon his vanity. He gave in his elegant, clean-cut appearance for bulked-up muscles, a shaved head, and a limp. It was a violent rejection of the traditional hero stereotype that had held back Indian actors for decades.

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A Risk That Rewrote Indian Streaming History

The gambit came off in an unexpected way, surprising even his sharpest critics. Mirzapur’s release was not only successful; it also became a cultural phenomenon. Ali’s scary yet extremely empathic portrayal of a youngster trapped into a criminal life gripped audiences right away. The very filmmakers who had cautioned him away were now screaming his praises. His performance demonstrated that Indian audiences are hungry for nuanced, flawed individuals. He not only saved his career by embracing his innermost anxieties, but he also revolutionised what it means to be a celebrity in the digital age.


Embracing The Fear To Find Greatness

Looking back, Ali Fazal sees the moment of tremendous dread as a crucial trigger for his development. The event taught him that the most rewarding artistic successes are frequently hidden behind our worst fears. If he had followed the cautious, conservative recommendations of the industry elite, the world would not have witnessed Guddu Pandit’s brilliance. His journey serves as a striking example of trusting one’s creative intuition above industry gossip. For Ali, fear was no longer a call to retreat, but rather a clear indication that he was about to create something truly special.


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