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In response to a Canadian director who dubbed The Kashmir Files rubbish, Vivek Agnihotri

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In response to a Canadian director who dubbed The Kashmir Files rubbish, Vivek Agnihotri

Filmmaker Vivek Agnihotri has addressed Dylan Mohan Gray’s criticism of his movie, The Kashmir Files, days after he garnered attention for his response to Anurag Kashyap’s statement that it shouldn’t be submitted to the Oscars. Recently, the Canadian director tweeted that The Kashmir Files was “hatemongering crap” and would humiliate India if it were nominated for an Oscar. In response, Vivek has said that “someone sitting in Canada” may have seen his movie in the first place. He may not be a talented filmmaker, but Vivek said he is aware of politics.

Dylan recently referred to The Kashmir Files as “hatemongering junk of no artistic quality” and said that Anurag Kashyap was correct to hope that the movie is not chosen as India’s official entry to the 2019 Oscars in order to protect what little goodwill there is left for India. On August 17, Dylan posted in response to Vivek Agnihotri’s tweet regarding Anurag’s statement “Actually, if “chosen” by the “neutral” board, it’s (hateful, revisionist) garbage with no creative merit and will shame India even more. Anurag Kashyap is merely attempting to protect what little goodwill the nation still has.” In 2020, Dylan will broadcast the Netflix documentary series Bad Boy Billionaires India.

In a recent interview with ETimes, Vivek responded to a question concerning Dylan’s remark by saying, “This is all lobbying and politics. I know more about politics than most directors. Credit to you, mujhe (Please give me that much credit). Even if I’m not a brilliant filmmaker, I have a grasp of politics. Tell me, how did someone watching my movie from Canada notice it. That implies that someone is lobbying.

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Vivek stated in his original tweet, to which Dylan replied, that a campaign against his movie had been initiated by “Bollywood’s genocide-denier lobby.” He tweeted, “Important: The vile, genocide-denier lobby of Bollywood has started its campaign against The Kashmir Files for Oscars, under the supervision of the creator of The Godfather: Part II.

The Kashmir Files, which was directed by Vivek Agnihotri, starred Anupam Kher, Pallavi Joshi, Mithun Chakraborty, and Darshan Kumar in the lead positions. The movie had a mixed reception upon release but went on to become one of the highest grossing Hindi movies of the year. Since the Covid-19 pandemic, it is the only Hindi movie to surpass the 300-crore mark.

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Amitabh Bachchan: The Heartbreaking Anxiety of Bollywood’s Greatest Icon

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Amitabh Bachchan: Candid Self-Doubt Confession

Even after five decades of cinematic dominance, Amitabh Bachchan still faces the quiet terrors of the midnight hour. The man who epitomised alpha-masculinity for generations of moviegoers recently made an unexpected confession that shocked his millions of admirers. He continues to have restless nights, locked in a vicious circle of intense self-doubt and crushing work stress.

This revelation is a huge wake-up call for anyone who thinks of him as an invincible acting colossus. It demonstrates that the heavy weight of perfectionism never fully fades, no matter how much celebrity you achieve.



The Haunting Midnight Echoes of Perfectionism

Imagine being a living legend and lying awake at 3 a.m. wondering if your previous performance was a complete failure. Bachchan admitted that he always repeats his sequences in his memory, haunted by the terrible feeling that they “could have been done better.”

This tremendous emotional sensitivity reveals a side of the megastar that the public has rarely seen. Onscreen, we witness the towering demeanour, booming baritone voice, and perfect delivery. But, behind closed doors, he suffers from the same paralysing fear that ordinary people face on a daily basis in the workplace.

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Why the Deepest Passion Breeds Internal Chaos

You might ask why a man who has won every major film award is so concerned about delivering a single sentence. True genius is rarely characterised by serenity of mind. For Bachchan, acting is more than a job; it is a sacred, consuming fire that demands flawless excellence every time.

When you care so deeply about your craft, every creative endeavour feels like a high-stakes bet on your entire legacy. This tremendous artistic drive is a two-edged blade that produces amazing art while completely destroying your mental serenity.


The Heavy Price of an Enduring Legacy

Living under the microscope of the public eye for fifty years has a catastrophic psychological impact. Every move Amitabh Bachchan makes is immediately analysed, criticised, or worshipped by countless millions of people.

That amount of tremendous expectation establishes a distinct, invisible prison of performance anxiety. The dreadful anxiety of disappointing his big audience keeps his thoughts racing long after the cameras stop rolling. It turns out that the view from the very top of the mountain is extremely lonely and filled with perpetual emotional danger.

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Normalizing the Silent Struggle with Mental Health

Bachchan has done an incredible amount to raise worldwide mental health awareness by publicly exposing his personal struggles with work stress. He has effectively removed the heavy veil of shame that typically surrounds the topic of anxiety, particularly among older generations.

If the ultimate “Angry Young Man” of Indian cinema can freely acknowledge to feeling inadequate, then everyone else has the right to be human as well. It is a welcome reminder that being overburdened by your commitments does not imply weakness.


The Relentless Creative Hunger That Never Sleeps

Finally, this severe self-doubt is the secret fuel that drives Amitabh Bachchan to labour continuously at an age when most people have retired. It’s a curious paradox: his severe inner agony serves as the driving reason behind his legendary longevity.

He refuses to rest on his past accomplishments or rely on his immense celebrity to get by. Every sleepless night reveals a man with the raw, eager heart of a novice. He remains gloriously, devastatingly uneasy about his work, which is precisely what makes him an everlasting force in film.

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