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Knives Out 2 to The Gray Man: Netflix 2022 film slate is loaded this year

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Knives Out 2 to The Gray Man: Netflix 2022 film slate is loaded this year

Netflix has finally revealed its impressive list of movies set for release in 2022, promising new releases every week. A compilation trailer offers a nice glimpse into Ryan Gosling’s action-loaded Greys, but doesn’t include Indian actor Dhanush, who also stars in the film. It does give us a sneak peek at the appearances of Chris Evans and Reggie-Jean Page in the movie.

The Netflix movie trailer begins with a glimpse of Jennifer Lopez in the thriller “Mother,” where she declares, “Tonight is movie night.” It goes on to show Ryan Reynolds from The Adam Project and Jay from the Vampire Movie Mi Fox, because the latter is ready to see “give you nightmares” stuff.

Jason Momoa also joins the Slumberland bandwagon as half-human, half-animal, promising to take you to “where you can’t dream.”

There’s also a glimpse of Enola Holmes 2 when Millie Bobby Brown’s titular character expresses concern, “The real mystery is why everyone is talking to them. I thought that was my thing.”

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It also includes brief glimpses of other stars such as “Fall for Christmas”‘s Lindsay Lohan, “Spiderhead”‘s Chris Hemsworth, “Lucky Girl”‘s Mila Kunis, The Mothership’s Halle Berry, Kerry Washington and Charlize Theron of The School of Good and Evil.

The list ends with Daniel Craig’s debut as Detective Benoit Blanc in Knives Out 2.

The preview trailer offers a bunch of other fun titles as well as things like End of the Road, Hustle, We Have Ghosts, My Time, Good Nurse, Don’t Blame Karma, You People’s Peeps. And animations like Wendell and the Wild, Sea Beast and Guillermo del Toro’s Pinocchio.

Complete News Source : Hindutan Times

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Review of House of the Dragon Season 2 Episode 1: A solid, albeit sluggish, comeback with more discussion and less action

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Review of House of the Dragon Season 2 Episode 1: A solid, albeit sluggish, comeback with more discussion and less action

There are high hopes for House of the Dragon’s nearly two-year return. The first season of the prequel series to Game of Thrones raised the bar by placing viewers squarely in the thick of action and including rich character development spanning about 20 years in the Dance of the Dragons. The second season picks up just after the horrific events of the first, in which Prince Aemond Targaryen (Ewan Mitchell) and his dragon killed Rhaenyra Targaryen’s (Emma D’Arcy) youngest son, Lucerys (Elliot Mitchell). Now, intent or lack thereof is irrelevant. There’s been bloodshed, and the fallout will be far bloodier.

Fans of Game of Thrones may be reminded of the strategic war table scenes in which the protagonists scheme and plot in poorly lit interiors and consult council to choose the best course of action in the first episode of the second season, “A Son for a Son.” This time around, viewers should anticipate a more engaging comeback if the first episode is any guide. To be honest, it’s a pleasant diversion from the previous season’s unrelenting presentation of the developing conflict between the Blacks and the Greens. This season seems to be taking a much more methodical approach, focusing primarily on the internal conflicts. Peace is undoubtedly unattainable, but in the pursuit  for revenge, what also meets the eye is the reclamation of power, and the expression of grief.

Emma D’Arcy is fierce from the moment they first appear, adding a hint of melancholy and sorrow to the cunning world of things. However, Daemon (Matt Smith) is not to be trusted because he has his own ideas about who will succeed him. He doesn’t understand why pursuing retribution must wait when it may be completed right away. He reasons, “The mother grieves as the queen shirks her duties.” Additionally, Alicent (Olivia Cooke) and her daughter Helaena (Phia Saban) need to go beyond being remorseful spectators. By the end of this grim tale, we realise exactly why Helaena says she is afraid of rats.

The first episode immerses viewers in the discussions and betrayals that take place in the council chambers and chambers. It takes a confident and poised stride towards intensifying hostilities. While some viewers may be taken aback by showrunner Ryan Condal’s approach, which emphasises character-driven intrigue over grand schemes and spectacular action scenes in the beginning of the season, the show delves deeply into themes of war, betrayal, and legacy. We do get a deeper look at the hopelessness and inner demons of these men who pleasure in killing and retaliation, which makes the first episode promising even though it is a little too inconsistent and constrained for its own benefit. Even now, the first episode is personal and moving, laying  the necessary groundwork for the battles that will inevitably follow as the season develops.

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