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Review of the film Titu Ambani: A dull and dry family drama

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Review of the film Titu Ambani: A dull and dry family drama

Titu Shukla (Tushar Pandey) is an ambitious young man who values business offers and quick cuts over jobs. When his grand business idea fails miserably, he finds himself in a pickle. And to top it all off, after a heated argument, his wife Mosmi (Deepaka Singh) abandons him. Does Titu manage to put his life back together in the end?
Review: Titu Ambani, which is set in Ajmer, centres on a young guy from a middle-class family who favours pursuing a business concept to toiling away at a job. The parents of Titu Shukla believe that getting him married to his beloved Mosmi will make him more responsible and alter his outlook on life. Titu finds himself in a bind as the marriage begins to fall apart as a result of misunderstandings.

The elements were in place for a two-hour family drama with humour and a strong message: a cast of NSD-certified performers, a subject, numerous timely topics, and several relevant topics. What one sees is a verbose, slow-moving family drama that is dull for the most part. Yes, there are instances in which the speech will make you chuckle, but it was probably not the original intent when the movie was being developed. Yes, it’s definitely one of the movie’s few redeeming qualities. Overall, the writing is subpar. Some of the characters come out as one-dimensional, excessive, and hard to relate to. Even the romance subplot of the movie fails to engage you.

Despite having a short running period of under two hours, the movie feels drawn out. The production value, sound, and camera work are all good. Unfortunately, the movie’s hook-worthy parts are scattered all over the place. Although the songs are adequate, none of them stick with you long after the movie is ended.
Raghubir Yadav and Tushar Pandey make a valiant effort to improve some subpar writing. Additionally, Deepika Singh delivers a sincere, fuss-free performance. However, none of the performances actually make you cry. Additionally, you don’t feel compelled to follow the characters’ adventures. The filmmaker has to pay particular attention to the fact that the movie takes a very long time to get the point it is working so hard to achieve.

In conclusion, this had the potential to be a fast-moving, enjoyable family drama that dealt with significant, commonplace topics. It turns out to be a protracted, dull drama that stumbles while attempting to find its point of focus.

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Movie Review: ‘Am I OK?’ is a charming comedy about friendship that features Dakota Johnson’s endearing genuineness.

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Movie Review: ‘Am I OK?’ is a charming comedy about friendship that features Dakota Johnson’s endearing genuineness.

Naturally, we begin with a veggie burger.

The 30-year-old best friends Lucy and Jane can easily recite Lucy’s usual order at the diner—a veggie burger and sweet potato fries—when they meet again.

Therefore, Jane’s expression shows a hint of hurt when Lucy goes rogue and requests a tomato and spinach omelette late in “Am I Ok?” Even though it was simply a veggie burger, it seems absurd, but to Jane, it represents a comforting, known object that is no longer in her life.

This is Tig Notaro and Stephanie Allynne’s directorial debut, and it’s filled with such lovely, subtle touches that work much better than the sporadic attempts at broad humour that come across as forced or, at the very least, as something else entirely.

Of course, Johnson is the main subject of the lingering camera the entire time, and with good reason—her unwavering genuineness consistently comes through in her roles, even when the material surrounding her occasionally falters.

This is a heartfelt, straightforward story. This is a story about a coming-out, but unlike most coming-out stories we encounter, the protagonist is 32 years old.

The writer of the movie, Lauren Pomerantz, came out when she was 34. This particular narrative is hers. A few strikingly moving scenes reveal how intimately involved she is in the proceedings; one such instance is when Lucy experiences anguish while a straight woman plays with her feelings. It’s among the movie’s most poignant scenes.

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We start at the aforementioned diner after an opening montage that sets up the female friendship at the centre of the film. Jane tells Lucy that she really should meet up with a certain cute male friend who clearly likes her: “Just do it,” she urges. Lucy is unable to give a reason for her refusal.

Jane, the more experienced of the two in terms of her career, is about to undergo a significant upheaval in her life. Her manager gives her the opportunity to go to London and open an office in Los Angeles. Her extremely nice partner is also starting to come around. However, Lucy is devastated by this news, as evidenced by the insincere manner she continues responding, “Wonderful!” when Jane breaks the news to her one evening over drinks.

The two friends end up crying together after drinking a lot of tequila, just like close friends do when they urinate in the bathroom and then later during a sleepover. Lucy admits to Jane that she likes girls there.

Jane is an unwavering source of support. Ever the aspirant, she actually tells Lucy that she will become “the star of the lesbian community.” And she decides to assist her in finding a woman, going so far as to take her out to a gay bar. On the dance floor, though, it’s Jane who ends up kissing a woman. Lucy, ashamed, runs away.

However, Lucy works as a receptionist at a spa where there’s this sensual massage. Lucy is finally brave enough to respond to Brittany’s intense flirtation. She helps Lucy come out of her shell, but the outcome is ultimately depressing. Moreover, Lucy is no longer seeing Jane, who was typically the first person she would call in a heartbreak.

Though this film centres on two friends, you will find yourself most invested in Lucy’s life as you watch the incredibly likeable Johnson manage grief and uncertainty. A last-minute setback to Jane’s carefully thought-out plans for her trip to London seems a little improbable, or perhaps it just feels forced in as if to imply that, well, both ladies have problems.

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Whatever the case, this month has been fantastic for female buddy comedy. While Pamela Adlon’s comedy “Babies” focused heavily on the chaos that comes with childbirth, “Am I OK?” aims for a more tender, poignant tone. It’s satisfying to be back where we started, discussing issues at that restaurant table. The moral of the story is straightforward but reassuring: friendships can endure and grow despite change.

even if an omelette triumphs against a vegetarian burger.

The Motion Picture Association has rated Warner Bros.’ “Am I OK?” R “for language, sexual references, and some drug use.” 86 minutes of running time. An overall rating of 2.5 stars out of 4.

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