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Shareek 2

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Shareek 2

The narrative opens in flashback with an elderly Jaswant Singh Randhawa, also known by his stage as Jassa (Jimmy Sheirgill), acting as the storyteller to his son, who has come to exact revenge for the murder of his mother at Jassa’s hands many years earlier. What follows is a story of treachery, retaliation, and miscommunication that has left both the families of Jassa and his stepbrother, Gurbaz, in a bloodbath (Dev Kharoud). The plot in Shareek 2 is a masterpiece; it is engrossing, captivating, and intriguing, all of which are due to the author. The film weaves the well-known land dispute in Punjab, which has infamously split families for ages, but it does not address a novel issue; rather, it presents it to viewers while drenched in unforeseen intrigue.

The actors playing the roles of Jimmy, Dev, and Sharan Kaur, who plays Rupi, do this drama perfect credit. After a few years, Jimmy has returned to Punjabi cinema, and what a comeback! His subtle acting as the patriarch of the legitimate Randhawa dynasty and the gravitas with which he portrays Jassa, juggling the roles of a devoted spouse and a man who resorts to honour killing, are magnificent. His performance of Jassa serves as a sharp reminder of the necessity for him to appear in more Punjabi movies.

Dev Kharoud, who has so effortlessly converted audiences from wrath to sympathy for Gurbaz as he navigates the transitions his character goes through from being a son seeking harsh retribution to a sincere lover who forgives his lady even though she is poisoning him, plays yet another grey shade. Dev may be reproducing the intensity of his past roles, a skill he has mastered, but in this movie, his role variances are noteworthy.

In Shareek 2, Mukul Dev, who plays the shakuni chacha and never lets the tension between the two stepbrothers die down, is the only (surprise) bad character. Congratulations to Mukul for maintaining the suspense in the story without actually revealing what his future steps will be.

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Sharan is a relative newcomer to Punjabi cinema, but in Shareek 2 she demonstrates maturity beyond her years and experience by handling Rupi’s part, which is essential to the brothers’ animosity toward one another. Amar Noori, who plays Gurbaz’s mother, is especially deserving of praise for her pathos-filled portrayal of a wife denied a respectable position in society. Despite having a small role in Shareek 2—Bhupinder Singh Randhawa—Yograj Singh’s presence is a must-see delight.

The soundtrack, which is both captivating and profound, enhances the captivating narrative of the story and maintains the mood of melancholy.

The credit for Shareek 2 ultimately falls to filmmaker Navaniat Singh, who skillfully and elegantly edited a story from Punjab’s rural interior. Anyone who questions if the Punjabi film industry has enough content should see this movie.

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Tollywood

Post Kanguva debacle, Tamil Nadu producers demand ban of YouTube channels from theatres

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Post Kanguva debacle, Tamil Nadu producers demand ban of YouTube channels from theatres

This decision comes after the release of Kanguva on November 14, which saw a lot of negative feedback on the opening day from YouTube reviews.

On Wednesday, the Tamil Nadu Producers Council (TNPC) issued a strong statement requesting theatre owners to ban fans’ interviews by YouTube channels on theatre premises post the first day first shows (FDFS) and cooperate in doing away with this FDFS public review and opinion process completely. (Also read: Kanguva producer’s wife says Disha Patani’s role in film was to ‘look pretty’, deletes comment after backlash)

In a long four-page letter, the Tamil Nadu Producers Council has condemned ‘personal attacks and incitement of hatred in the name of film reviews.’ They said that films like Indian 2, Vettaiyan and Kanguva were highly impacted due to YouTube FDFS public reviews.

What the letter stated

This letter comes after the release of Suriya’s film Kanguva on November 14 which saw a tremendous amount of negative feedback from the audience in the first day first show YouTube reviews and opinion videos. The TNPC wrote that journalists have the right to criticise flaws in the film and talk about the positives and negatives but no one can engage in personal attacks and try to destroy the entire film in their reviews. According to them, this would lead to the downfall of the film industry itself.

The letter also stated, “Critics have every right to review movies. But we request all journalists to write film reviews keeping in mind that hatred towards a film should not be sown in the media because of personal malice. It is imperative that all the associations related to the film industry unite and stop this practice by not encouraging them anymore.”

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More details

Kerala was the first state to establish this ban on YouTube reviews. In 2023, Mubeen Rauf, director of Aromalinte Adyathe Pranayam, who was supported by the Producers’ Association filed a case in court to ban YouTube reviewers from theatre premises as their negative public opinion videos were affecting the film business.

The Kerala High Court then issued a directive to the concerned authorities to prevent online reviews of films by social media influencers, YouTube reviewers, and bloggers for seven days following the release of a film.

The court went a step further and even issued notice to the Union Ministry of Information and Broadcasting and the Central Board of Film Certification to establish clear and transparent guidelines for online film critics and vloggers. Producers felt this move would protect the industry.

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