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Taapsee Pannu-starrer Run Lola Run remake is ambitious

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Taapsee Pannu-starrer Run Lola Run remake is ambitious

If Tom Tykwer’s Run Lola Run is a laser-centric electronic dance music with a breath-taking rhythm, then Aakash Bhatia’s Hindi remake of Looop Lapeta is a whimsical, colorful funk song with a rhythm The frequent changes evoke an improvisational quality. If Run Lola Run is about free will and determinism, then Looop Lapeta is about the power of love.

Looop Lapeta was apparently made with audiences in mind of the classic 1998 German time-loop thriller. Bhatia made a bold visual reference to the original red-haired heroine, complete with a little hat: a taxi company called Lola.

Tykwer’s film about a woman who has 3 chances to save her indebted boyfriend. Every time her boyfriend is shot, a new cycle begins, and the heroine, played by Franka Potente, gets a new chance to right the wrongs of the previous time cycle. The dynamic style of the 80-minute film is in perfect sync with the video game-like plot.

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When I read that Run Lola Run was doing a Hindi remake, I thought it was a bad idea. First, the biggest selling point of the film is the concept itself. After 24 years, why would anyone want to see the same concept brought to India? Second, if they remake Run Lola Run here, will the makers replicate the style of the original? If not, what might be the right tone for a remake?

Despite my zero-to-low expectations, Bhatia and his team made an ambitious and competent film. At least 50 minutes longer than Run Lola Run, Loop Lapeta has some extra subplots that some might find unnecessary, but I really like them.

First things first: Taapsee Pannu runs a lot in the movies, but I’ve never enjoyed seeing her run so much. She plays Savina, an athlete who quit sports after a knee injury, cut ties with her father, and moved in with her slack boyfriend Satyajit (Tahir Raj Bhasin), who is addicted to gambling in Goa.

Their names immediately indicate what Bhatia and his co-authors Puneet Chadha, Vinay Chhawal, Arnav Nanduri and Ketan Pedgaonkar think of Run Lola Run. While Tykwer’s film is based on TS Eliot’s poem Little Gidding, Looop Lapeta is based on the Hindu myth of Savitri and Satyaban, in which Savitri must bring Satyaban back from the dead.

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Satya is in trouble when he loses a bag of money that he has to bring to his boss Victor (Dibyendu Bhattacharya). Victor, who runs a restaurant while holding a marinated turkey in his fist, has the slogan “If you know what I mean”, implying what would happen to Satya if he didn’t get his money back on time deal with. Then it’s up to Savina to decide to race against time to get her irresponsible boyfriend out of this mess.

Complete News Source : Hindustan Times

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At seven o’clock, Raj Babbar’s daughter learnt of his liaison with Smita Patil. “I shouldn’t tell my mother about this.”

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At seven o’clock, Raj Babbar’s daughter learnt of his liaison with Smita Patil. “I shouldn’t tell my mother about this.”

Raj Babbar left his wife, Nadira, to marry Smita Patil in 1983. His daughter Juhi Babbar has recalled the time in a new interview.
Actor Raj Babbar was already married and had two children when he began his relationship with fellow actor, Smita Patil. The affair and the ensuing marriage saw a lot of controversy, given how it began. Raj Babbar’s daughter, former actor Juhi Babbar, has now opened up on the time and how she came to know about the relationship when she was just 7 years old.

Juhi Babbar on Raj Babbar and Smita Patil

In an interview with Lehren Retro, Juhi recalled how Smita Patil made a conscious effort to connect with Raj’s two children – Juhi and her brother, Arya. “My father talked and explained his marriage with Smita Patil to me when I was barely seven years old, and that’s why my memories of Smita ji are very different. She went out of her way to do things for me. I think she also had this thing that we are the kids of the person who is most special to her, and so we are special to her as well. She would show us a lot of love, always bringing us gifts when she travelled, and she would ensure that at home, we were served the food that we liked. These small memories are nice, but unfortunately, there aren’t many memories,” she said.

Juhi said she was conflicted about her impression of Smita at the time because the actor was always nice to us, but she could see that the marriage had shaken up her own family, particularly her mother, Nadira. “As a child, I knew this is the lady my father wants to be with, and he wants to make her his wife. I could see Smita making an effort towards me and my little brother, but I also knew that this was disturbing the unit that used to be, and that my mother was unhappy about it. I had that understanding—that aunty (Smita) was being so good to me, but when I go home, I shouldn’t share this with my mother.”

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Raj Babbar and Smita Patil’s marriage

Smita Patil and Raj Babbar met on the sets of their 1982 film Bheegi Palkein. Raj left Nadira to marry Smita the following year. Their son, actor Prateik Babbar, was born in November 1986. However, Smita Patil died soon after from childbirth complications at the age of 31. Raj Babbar got back together with Nadira a few years later.

Juhi Babbar made her film debut with Kash Aap Hamare Hote opposite Sonu Nigam in 2003. She worked in a handful of films over the next few years before taking a hiatus to do TV. In 2023, she returned to films with supporting roles in films like Faraaz and Farrey. She is married to actor Anup Soni.

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