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The Great Indian Murder review: Tigmanshu offers great fun, brilliant dialogues

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The Great Indian Murder review: Tigmanshu offers great fun, brilliant dialogues

One of the most delightful stories woven into Tigmanshu Dhulia’s Disney+ Hotstar series The Great Indian Murder. The mild-mannered evil son of a politician was shot at a party. He has a few haters for good reason. At least two of the suspects, Munna and Eketi, have excellent backstories, and actors Shashank Arora and Mani PR play them very well.

Based on Vikas Swarup’s 2008 novel Six Suspects, the series has multiple subplots that trace the past of those believed to have killed Vicky Rai. Jatin Goswami’s evil performance as Vicky is one of the highlights of the series.

In the novel, Vicky’s father, Jagannath Rai, is the home minister of Uttar Pradesh. Jagannath’s political plans, as well as Vicky’s murder, played a role in Uttar Pradesh politics. Dhulia changes Uttar Pradesh to Chhattisgarh with co-authors Vijay Maurya and Puneet Sharma. In one scene, the chief minister of Chhattisgarh, who belongs to the same party as Jagannath, mentions that their party only holds power in four states.

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This deviation from the source novel does not change or add to anything about the story. But at least, it will not be accused of influencing the upcoming Vidhan Sabha elections in Uttar Pradesh.

Follow Munna and Eketi’s Big Indian Murder at its best. Surrounding them is a maelstrom of corruption: ethics, morals, politics, finance, the list goes on.

Jagannath (Ashutosh Rana) loses sleep trying to keep his son Vicky out of jail. Meanwhile, Vicky is a somewhat successful businessman that Jagannath needs to keep in close contact with. Once Vicky was acquitted of rape and murder, he threw a lavish party.

Attendees included Andaman Eketi, who had been travelling across India in search of a tribal deity that had been stolen and brought to India. Retired bureaucrat Manoj Kumar (Raghubir Yadav) often thinks he is Mahatma Gandhi and acts like him. Yadav is a liar just like Manoj, and the writers are smart not to stick to the reasons for his mental disorder as written in the novel. There is Bollywood star Shabnam Saxena (Paoli Dam). Ashok Rajput (Sharib Hashmi) from Rajasthan is associated with Eketi. And Ritu (Rucha Inamdar), who understandably hates her step-brother Vicky’s guts.

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All of these characters have motives to kill Vicky. Tracking down Vicky’s sordid past and present is naughty reporter Arun Deshmukh (Amey Wagh). Among the series’ many incredible inventions, Arun has managed to keep a low profile, despite being a journalist who runs two popular blogs in 2021: one video, the other text. On a date, Allen told the woman he was a software engineer and she followed him on social media, never finding out the truth. It’s amazing.

I don’t mind this, by the way, because while many elements of The Great Indian Murder and its original novel are incredible, the series retains the page-turning quality of a Swarup book.

Complete News Source : Hindustan Times

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First impression of a good boy: Don’t let “Pouty” Park Bo Gum deceive you; he’s throwing punches of his career.

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First impression of a good boy: Don’t let “Pouty” Park Bo Gum deceive you; he’s throwing punches of his career.

A New Chapter for Park Bo-gum

In Good Boy, Park Bo-gum portrays Yoon Dong-ju, a former Olympic gold medalist in boxing who transitions into a police officer through a special recruitment program for athletes. This role demanded a rigorous physical transformation, with Park undergoing intense training to authentically depict a world-class boxer. His commitment to the role is evident in his portrayal of Dong-ju’s internal struggles and unwavering sense of justice.

A Stellar Ensemble Cast

Joining Park is Kim So-hyun as Ji Han-na, an Olympic gold medalist in shooting who becomes a police officer after retiring from sports. Her character adds depth to the narrative, exploring themes of redemption and resilience. The cast also includes Oh Jung-se, Lee Sang-yi, Heo Sung-tae, and Tae Won-seok, each bringing their unique talents to the ensemble, enriching the storyline with diverse perspectives and compelling backstories.

Critical Acclaim and Audience Reception

Good Boy has been praised for its fast-paced storytelling, dynamic action sequences, and emotional depth. Critics have highlighted Park Bo-gum’s performance as a standout, noting his ability to convey complex emotions and physical prowess. The series’ premiere achieved impressive viewership ratings, reflecting its resonance with audiences seeking fresh and engaging content.

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A Fresh Take on Justice and Redemption

The series delves into the lives of former athletes who, facing various personal and professional challenges, find new purpose in law enforcement. Their journey addresses broader societal issues, such as corruption and the pursuit of justice, while emphasizing personal growth and camaraderie. This narrative approach offers a refreshing perspective on the action-comedy genre, blending thrilling sequences with meaningful character development.

Streaming Availability

Good Boy airs every Saturday and Sunday at 22:40 KST on JTBC and is available for streaming on platforms like Netflix and Disney+ in South Korea, with international streaming through Amazon Prime Video.

“Good Boy” First Impression: A Gripping, Gritty Reinvention of Park Bo Gum

Don’t let the pouty charm fool you—Park Bo Gum is throwing the most powerful punches of his acting career in Good Boy. From the moment the first episode rolls in, it’s clear this drama isn’t just another action series—it’s a sharp, emotional, and socially conscious exploration of broken dreams, second chances, and what happens when heroes are cast aside.

Park Bo Gum plays Yoon Dong-ju, a former Olympic boxing gold medalist who’s been pushed out of the spotlight and thrown into an unfamiliar world. Recruited through a special police program that targets retired athletes, Dong-ju joins a team of fellow ex-Olympians turned rookie cops. At first glance, this premise might seem comedic or gimmicky, but Good Boy treats its characters with depth and empathy, showing that their medals can’t protect them from life’s harsh turns.

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What sets the drama apart right from the start is Park Bo Gum’s performance. Known for his soft, romantic roles in series like Love in the Moonlight or Encounter, here he is nearly unrecognizable. His signature smile is swapped for clenched jaws and stormy gazes. His character, scarred both physically and emotionally, is far from the boy-next-door. Every movement he makes, whether it’s throwing a punch or giving a wounded look, is charged with weight.

The first few episodes slowly build the world around Dong-ju. We learn how these former athletes were sidelined after reaching national glory. Whether due to injury, scandal, or simply aging out of relevance, they’ve each tasted the bitterness of being forgotten. This backdrop makes their police work feel more meaningful—not just about justice, but also about reclaiming their purpose. In many ways, Good Boy is less about crime-solving and more about soul-searching.

Dong-ju isn’t alone in this journey. Kim So-hyun stars as Ji Han-na, a former Olympic shooter who now works beside him. While the show resists turning their relationship into a full-blown romance early on, the chemistry is undeniable. Their bond is built on mutual respect and pain—they both know what it’s like to be thrown away once the applause ends. Han-na’s character is especially compelling, as she navigates the transition from stoic sniper to vulnerable woman trying to rebuild her life.

The supporting cast adds texture to the story. Lee Sang-yi brings humor and heart, while Oh Jung-se’s performance is as unpredictable as ever—one moment comic relief, the next heartbreakingly real. Each character, no matter how small their screen time, is written with care, reflecting the larger theme: that no one is just their former glory. Everyone is more than their headline moment.

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Stylistically, Good Boy is slick without being flashy. The fight scenes are not over-the-top—they’re raw, real, and often painful to watch. The choreography stays grounded in boxing realism, making each confrontation feel personal. Cinematographer Shim Na-yeon balances gritty, dark alleyway scenes with nostalgic, soft-lit flashbacks that contrast the violence of the present with the golden light of the past. It’s a visual metaphor that works—showing how memory often sweetens what reality has soured.

The writing is one of the strongest aspects of the show. Every line feels deliberate, and the pacing allows characters to breathe. We’re not rushed into explosive action or cheap thrills. Instead, Good Boy takes its time letting us get to know the world these characters live in—a world where justice is blurry and trust is rare. The dialogue is crisp, layered with subtext, and sometimes unexpectedly poetic.

What makes the drama especially relevant is its subtle commentary on fame culture and institutional neglect. Athletes are treated like gods when they win, but once the spotlight moves on, they’re left to fend for themselves. Good Boy doesn’t preach, but it does pose hard questions—how much do we really care about the people we idolize? What happens when their usefulness fades? How do they cope when the only thing they’ve ever known disappears?

And then there’s the action—fast-paced, brutal, and emotionally grounded. These aren’t superheroes with perfect moves. They stumble, bleed, and get knocked down. But it’s their ability to get back up, over and over again, that turns the violence into a kind of poetry. Every fight becomes a metaphor for their resilience—not just as cops, but as human beings.

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Perhaps what’s most impressive is that despite all the darkness, Good Boy isn’t hopeless. There’s humor, warmth, and even joy hidden between the bruises. The camaraderie between the characters grows organically, offering glimpses of light in an otherwise harsh world. It’s this emotional balance that gives the show its staying power.

For longtime fans of Park Bo Gum, Good Boy is a revelation. He proves that he’s more than just a pretty face. He’s a serious actor capable of exploring roles that demand physicality, emotional nuance, and psychological depth. If this performance is any indication of where his career is headed, we’re witnessing the rebirth of a star—one who’s not afraid to get his hands dirty, dig deep, and deliver something truly unforgettable.

As the episodes progress, viewers will no doubt be drawn deeper into the world of Dong-ju and his team. The stakes get higher, the battles more brutal, and the emotional wounds more visible. But that’s the beauty of Good Boy—it doesn’t just entertain; it challenges us to care. It asks us to look beyond the medals and the muscles, and see the broken, brave souls fighting for one more chance to matter.

  • Group Media Publication
  1. Construction, Infrastructure and Mining   
  2. General News Platforms – IHTLive.com
  3. Entertainment News Platforms – https://anyflix.in/

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