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Aahana Kumra: It’s encouraging to see female actresses in a range of roles on OTT

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Aahana Kumra: It’s encouraging to see female actresses in a range of roles on OTT

The most thrilling part of OTT, according to actor Aahana S Kumra, is that one never knows what will be “presented next” to them. “For us, the internet is a fascinating place. You have the ability to reinvent yourself, she says.

She believes that female performers rarely do something like this. “For a female actor, (the diversity of roles being created) is incredibly invigorating. Women are typecast because there are so many diverse roles and parts written for men. You are so heavily stereotyped by everyone that you begin to think you yourself fit into certain positions. But occasionally you’re pleasantly surprised and they (the producers) give you a position you never would have imagined giving yourself,” explains Kumra.

The actor, who has been in numerous online series including Betaal, Official CEOgiri, Marzi, and Sandwiched Forever, most recently played a grey character in Avrodh 2. She expresses surprise at the excellent feedback she has received for the role and says she never envisioned herself being cast in a bad character. “I really enjoy the notion of portraying a bad guy, like a Darr-style Shah Rukh Khan,” the actor (1993). My producer, Samar Khan, envisioned it for me. It’s incredible. It has given me access to a new area, she claims.

According to Kumra, relevant stories and personalities on the medium are what make OTT such a hit with viewers. “I often find myself thinking, “Oh, this happened [with me],” as I watch a show. Panchayat and Gullak are two of my favourite programmes. The sincerity of the characters, acting, and writing in Panchayat felt immensely relatable. Additionally, I could relate to the characters in Gullak because I come from an upper middle class [family] in Uttar Pradesh. I think character relatability is really important,” she says, adding that epic tales only work on the big screen.

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Does that imply that she prefers not to work on a large screen, but rather only on digital platforms? “I am extremely pleased to work in a large film if it is offered to me because it opens channels for you as it provides employment, and you’re noticed a lot more,” she says. But I also believe that on OTT, word-of-mouth helps even the smallest shows be picked up.

As numerous A-list celebrities enter the OTT arena, including Ajay Devgn and Madhuri Dixit Nene, Kumra theorises that this is because “they are being provided the kind of job they want to perform.” She continues, “In movies, people are constrained to play a particular kind of role. They also seek roles with relatable characteristics. For instance, Manoj Bajpayee’s character in the movie Family Man became so recognisable because he had the same issues as other middle-class men, such as being the father of disobedient children and finding it difficult to combine his profession and his wife’s expectations. People recognised the story’s relatability.

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Review of House of the Dragon Season 2 Episode 1: A solid, albeit sluggish, comeback with more discussion and less action

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Review of House of the Dragon Season 2 Episode 1: A solid, albeit sluggish, comeback with more discussion and less action

There are high hopes for House of the Dragon’s nearly two-year return. The first season of the prequel series to Game of Thrones raised the bar by placing viewers squarely in the thick of action and including rich character development spanning about 20 years in the Dance of the Dragons. The second season picks up just after the horrific events of the first, in which Prince Aemond Targaryen (Ewan Mitchell) and his dragon killed Rhaenyra Targaryen’s (Emma D’Arcy) youngest son, Lucerys (Elliot Mitchell). Now, intent or lack thereof is irrelevant. There’s been bloodshed, and the fallout will be far bloodier.

Fans of Game of Thrones may be reminded of the strategic war table scenes in which the protagonists scheme and plot in poorly lit interiors and consult council to choose the best course of action in the first episode of the second season, “A Son for a Son.” This time around, viewers should anticipate a more engaging comeback if the first episode is any guide. To be honest, it’s a pleasant diversion from the previous season’s unrelenting presentation of the developing conflict between the Blacks and the Greens. This season seems to be taking a much more methodical approach, focusing primarily on the internal conflicts. Peace is undoubtedly unattainable, but in the pursuit  for revenge, what also meets the eye is the reclamation of power, and the expression of grief.

Emma D’Arcy is fierce from the moment they first appear, adding a hint of melancholy and sorrow to the cunning world of things. However, Daemon (Matt Smith) is not to be trusted because he has his own ideas about who will succeed him. He doesn’t understand why pursuing retribution must wait when it may be completed right away. He reasons, “The mother grieves as the queen shirks her duties.” Additionally, Alicent (Olivia Cooke) and her daughter Helaena (Phia Saban) need to go beyond being remorseful spectators. By the end of this grim tale, we realise exactly why Helaena says she is afraid of rats.

The first episode immerses viewers in the discussions and betrayals that take place in the council chambers and chambers. It takes a confident and poised stride towards intensifying hostilities. While some viewers may be taken aback by showrunner Ryan Condal’s approach, which emphasises character-driven intrigue over grand schemes and spectacular action scenes in the beginning of the season, the show delves deeply into themes of war, betrayal, and legacy. We do get a deeper look at the hopelessness and inner demons of these men who pleasure in killing and retaliation, which makes the first episode promising even though it is a little too inconsistent and constrained for its own benefit. Even now, the first episode is personal and moving, laying  the necessary groundwork for the battles that will inevitably follow as the season develops.

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