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Reviews for Jigarthanda Double X on Twitter describe the film as “bad, bold, and mad,” starring Raghava Lawrence and Karthik Subbaraj.

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Reviews for Jigarthanda Double X on Twitter describe the film as “bad, bold, and mad,” starring Raghava Lawrence and Karthik Subbaraj.

The latest cinematic offering, “Jigarthanda Double X,” starring Raghava Lawrence and helmed by director Karthik Subbaraj, has ignited a whirlwind of opinions on Twitter, with users describing the film as “bad, bold, and mad,” encapsulating the diverse spectrum of reactions it has evoked.

“Bad, Bold, and Mad”: A Twitter Verdict

Twitter users have been vocal in their appraisal of the film, branding it with the enigmatic trio of adjectives that encapsulate the unconventional nature of “Jigarthanda Double X.” The term “bad” seems to indicate the divisive reception of the film, suggesting that it doesn’t conform to conventional cinematic norms, invoking mixed feelings among audiences. “Bold” highlights the film’s audacious narrative and directorial choices, acknowledging its departure from the expected. Finally, “mad” reflects the perceived eccentricity or unconventional elements that have divided opinions among viewers.

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Raghava Lawrence’s Unconventional Performance

Raghava Lawrence’s portrayal in the film has stirred conversations on Twitter. Described as intense and unpredictable, his performance has drawn both praise and skepticism. Some laud his fearless approach to character interpretation, while others find the portrayal too avant-garde for their taste.

Karthik Subbaraj’s Directorial Vision

Director Karthik Subbaraj is no stranger to unconventional storytelling, and “Jigarthanda Double X” seems to be another testament to his distinctive style. The film’s narrative intricacies and unconventional character arcs have left audiences intrigued, albeit divided, over the director’s bold and unorthodox approach.

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Mixed Twitter Reactions

The film’s bold and unapologetic storytelling has led to diverse and polarizing opinions on Twitter. While some users commend its revolutionary approach, others criticize its lack of coherence or sensitivity in handling delicate themes. The “bad, bold, and mad” label has become a talking point among users, symbolizing the diverse range of opinions the film has sparked.

A Divisive Cinematic Experiment

“Jigarthanda Double X” emerges as a cinematic venture that deliberately challenges norms and conventions. It invites discussions on the boundaries of storytelling and cinematic expression. Raghava Lawrence’s bold portrayal and Karthik Subbaraj’s unconventional direction have steered the film into uncharted territories, making it a subject of both acclaim and debate on Twitter.

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The diverse opinions reflect the evolving nature of cinema, where experimentation and divergence from the norm are celebrated and critiqued in equal measure.

Disclaimer: Twitter reviews reflect the opinions of individual users and may not represent the collective view. Film appreciation is subjective, and diverse opinions about the movie exist among viewers.


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Tollywood

HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

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HT Rewind 2024: Teja Sajja says HanuMan kicking off the year in style is the moment he’d been ‘waiting for’ | Exclusive

In conversation with Hindustan Times, Teja Sajja decodes the success of HanuMan and other Telugu films, talks about his upcoming projects, and more.
When Prasanth Varma’s superhero film HanuMan, starring Teja Sajja, was announced to be released alongside big films like Mahesh Babu’s Guntur Kaaram, Venkatesh’s Saindhav and Nagarjuna’s Naa Saami Ranga in January this year, no one expected the underdog to emerge on top. And yet, the film, made on a budget of under ₹50 crore, managed to collect over ₹300 crore at the box office worldwide in 25 days, becoming one of the highest-grossing Indian films for the year. (Also Read: Ranveer Singh met HanuMan actor Teja Sajja, complimented him even after his Prasanth Varma film Rakshas got shelved)

Ask Teja about the moment he realised his film had not just fought against the tide but also risen to the top; he tells Hindustan Times in an exclusive conversation, “Since I returned to acting (as a lead actor after being a child artiste since 1998), this is the moment I’ve been waiting for. When everything from the HanuMan teaser to the songs was grabbing attention, we knew we had hit a gold mine. But I don’t think we imagined it would cross the ₹300 crore threshold. We were so satisfied with the opening numbers; everything else was a bonus.”

‘Success has given me fear of disappointing people’

Teja acted in Zombie Reddy, Ishq and Adbhutham before HanuMan, but they are what you would call ‘critical successes’, adding to his repertoire as an actor who can perform. But things have changed for him now, says Teja, who is being picky about the roles he says yes to. “Success either makes you overconfident or gives you the fear of disappointing people; I have the latter,” he explains.

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Teja admits he wants to chart out his career in Hrithik Roshan’s footsteps, but not in the way you think. “I have such a fondness for Hrithik due to Koi Mil Gaya and Krrish. No matter how well he performed after that, these left a lasting impression on me; I’m sure 90s kids will agree,” he says, adding, “Similarly, I’ve realised that I have an audience in children now. I want to be conscious of that when I pick roles. I want to make films families can enjoy together.”

But despite people in places like Mumbai or Delhi recognising him, Teja says he’s clear that he wants to cater to the Telugu audience first. “I am conscious that I am making films for my playground – the Telugu states. This is the sensibility I have grown up with, and I don’t know if I can cater to everyone else. Will I promote my films in other languages? Sure. But I also can’t be part of films that aren’t authentic to what I know or understand,” he explains.

‘Rootedness has put us on the world map’

And authenticity seems to be the need of the hour. Be it Baahubali and RRR or the recently released Pushpa 2: The Rule, Kalki 2898 AD and Devara: Part 1, certain kind of stories seem to be finding success. “Rootedness and going local is proving to be such a boon for us, be it in Devara or Pushpa or HanuMan. Kalki 2898 AD was our version of a Hollywood film (the sci-fi concept) with actors from across languages in predominant roles; it put us on the world map,” reflects Teja.

However, the actor admits Tollywood went through a phase of Bollywood-inspired rom-coms and family dramas that worked in their favour for a while. “That wasn’t easy to replicate either, but it’s just that these local stories are what the audience seems most interested in now. It can’t just be chalked up to religion, too. It’s about the morals these films are hinged on, the fighting for righteousness, and how an underdog can find their strength. Introducing Mahabharata or Ramayana to a new audience in a cool way is just a perk,” he says.

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And it’s this rootedness that Teja says his next films, Mirai and Jai Hanuman (the sequel to HanuMan), will also have ample of. “Mirai is also a superhero film that caters to kids, but it’s not an origin story like HanuMan. It has a pan-Asian and Buddhist touch because the story is based on King Ashoka’s ideologies. I hope that I will get to deliver something new to the audience again. I will only feel like I’ve arrived if Mirai is equally, if not more, successful,” says Teja.

Rishab Shetty will headline Jai Hanuman, but Teja also looks forward to shooting that. “I can’t wait to be on that set; it’ll be exciting. Now that we know India is ready to watch our films, I want to step it up. I want to shift gears and shoot for at least two films in 2025,” he says. As for what he will do next, Teja says he wants to up the ante. “When I got a SIIMA award for Zombie Reddy as a debutant, I remember telling Prasanth this would be the last award I get. But now that I won a Radio City Cine Award for Best Actor, I hope more awards will follow,” he signs off cheekily.

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