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The Mahabharata-known director Peter Brook passed away at the age of 97

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The Mahabharata-known director Peter Brook passed away at the age of 97

At the age of 97, renowned theatre and film director Peter Brook passed away. His works include Lord of the Flies and a theatrical version of the Mahabharat. The British-born director has been residing in France for a number of years. Following his passing, condolences from the arts, film, and even international leaders have poured in.

Peter Brook’s publisher, Nick Hern Books, stated in a statement issued on Sunday that he “leaves behind an outstanding artistic legacy.” The director passed away on Saturday in Paris, according to French media sources.

Peter, who was born in London in 1925, studied at Oxford University and, as a young child, directed Doctor Faustus, his first performance in London. Later, before starting his relationship with the Royal Shakespeare Company, he worked as the production director at London’s renowned Royal Opera House (RSC).

He twice received the prestigious Tony Award for best direction: in 1966 for his production of Peter Weiss’ Marat/Sade and in 1970 for his production of William Shakespeare’s A Midsummer Night’s Dream. He additionally received an Olivier Award, an Emmy, and an International Emmy during the course of his seven-decade career.

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He was most renowned in India for directing a nine-hour, multiethnic stage rendition of the Mahabharat. Critics praised the spectacular production, which featured elaborate staging and trapeze work. The Mahabharata had a cast assembled from all over the world when it made its debut at the Avignon festival in 1985 (it was performed in Adelaide in 1988, and it was filmed in 1989). Mallika Sarabhai played Draupadi, and Ciaran Hinds played Ashwatthama.

Many others, nevertheless, also criticised the show for cultural appropriation. The Mahabharata “would never have existed without India,” Brook admitted, but he added that “we had to avoid enabling the suggestion of India to be so powerful as to impede human identification to a significant extent.”

In addition to his numerous theatrical plays, Peter also directed the 1963 version of Lord of the Flies, which helped him gain mainstream recognition in the movie industry. A five-hour cinematic adaptation of The Mahabharata was also released in 1989.

After relocating to Paris in the 1970s, the director founded the International Center for Theater Research. He would renovate the run-down Bouffes du Nord theatre in the French capital for this organisation.

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He and actress Natasha Parry were wed from 1951 until her stroke-related death in 2015. Their two children, Irina and Simon, are both directors.

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Cricket

KL Rahul dangerously close to Laxman territory; to be perished for Sarfaraz Khan and Shubman Gill

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KL Rahul dangerously close to Laxman territory; to be perished for Sarfaraz Khan and Shubman Gill

To accommodate both Sarfaraz and Gill and stick with their five-bowler formula, a batter from the Bengaluru Test must make way. Ergo Rahul and the predicted axe

VVS Laxman went through the first half of his illustrious 15-and-a-half-year international career with the proverbial axe hanging over him. Despite his magical stroke-play and a well-founded reputation for rallying the lower order to bat above itself, he was forever the first name that sprang to the decision-makers’ minds when they had to drop someone to accommodate someone else. It wasn’t until the second half of his stint with the national team that he had ‘job security’, which automatically manifested itself in an array of glorious, match-turning knocks and earmarked him as one for a crisis.

KL Rahul is now dangerously close to approaching the Laxman territory, though at least in this instance, a case can be made out, perhaps, for why he often seems to be playing for his place. Almost a decade after his Test debut in Australia in December 2014, he has yet to nail down a permanent spot, a result of glaring inconsistency and repeated dalliances with injuries that have left him with a modest average of 33.87 from 53 Test appearances.

Unlike Laxman, who was thrust to the opener’s position for three years from 1997, successive team managements have worked overtime to create space for Rahul. He started off in the middle order in Melbourne against Australia, opened in the next Test in Sydney when he made a sparkling century, continued in that position for a good nine years – around the large pockets when either injuries or lack of form relegated him to the sidelines – and now seems to have found his calling in the middle order, where he was tried out in an almost last throw of the dice in South Africa last December.

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In his limited time at the No. 6 position, Rahul has been a revelation. On a spiteful surface in Centurion in his first innings back in the middle order, the classy right-hander made a marvellous 101 – Virat Kohli’s 38 was the next highest score – in India’s 245 all out. Two Tests later, against England in Hyderabad, he waltzed to 86 of the best until a hamstring strain kept him out of the last four Tests.

On his comeback last month against Bangladesh, Rahul showed why he is rated so highly, and therefore why he so frustrates when he chooses to shackle himself mentally, with uninhibited shot-making when India were pressing for a declaration (Chennai) and looking to make up for lost time with a frenetic batting approach (Kanpur) in the two Tests. Kanpur was especially mesmeric, 68 flowing off his bat in a mere 43 deliveries. It was the best of Rahul.

Axe hangs over Rahul’s head for India vs New Zealand 2nd Test

And yet here we are, two innings later, wondering whether he will, or should, feature in the playing XI in Pune, where India take on New Zealand in a must-win second Test from Thursday.

Shubman Gill, him of three centuries in his last six Tests, missed the Bengaluru defeat to the Kiwis with a stiff neck. Replacement batter Sarfaraz Khan made the most of own good fortune with a delectable 150, which makes it near impossible to drop him now that Gill is fully fit. To accommodate both Sarfaraz and Gill and stick with their five-bowler formula which has worked beautifully in the last few years, a batter from the Bengaluru Test must make way. Ergo Rahul and the predicted axe.

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One of the few men to have led India in all three formats internationally, Rahul didn’t help his cause with scores of 0 and 12 at his home ground, the M Chinnaswamy Stadium. In the first innings, he was strangled down leg-side by William O’Rourke while in the second, he received a peach from the same paceman operating with the second new ball and was again caught behind. Rahul was one of 11 failures in India’s first-innings 46 and one of seven wickets to fall in 93 deliveries to the second new cherry, but failures past and the logjam created by Gill’s availability have combined to identify him as the most susceptible to the axe.

It’s a cross impossible to bear, but also impossible to ignore just because it is so heavy, so overarching. Rahul is beyond gifted and makes batting appear oh-so-simple, but his struggles to embrace sustained run-making can’t be wished away. He is the eternal team man, much like his celebrated namesake also from Karnataka – both kept wickets admirably in 50-over World Cups 21 years apart, both made attractive and impactful runs during the tournament and both tasted bitter defeat at the hands of Australia in the final – but ‘eternal team man’ can sometimes be an euphemism for the ‘most dispensable’ and Rahul can be excused for thinking that those two lines have blurred beyond repair. Of course, if he is brutally honest to himself, he will acknowledge at least to himself that he too must bear culpability for the blurring of the lines.

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